ภาพถ่าย Restraint | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/restraint th 2026-04-29T11:38:43+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[ป้ายที่ประตูเขียนว่า STAFF ONLY แสดงถึงการเข้าถึงที่จำกัด | koma]]> https://www.cizucu.com/th/photos/eTU1oK1IXLqSvgNypaOv koma https://www.cizucu.com/th/users/QIoI2ueOXPbd6WrQLPDCaaGnZWq1 https://www.cizucu.com/th/photos/eTU1oK1IXLqSvgNypaOv Tue, 26 Sep 2023 17:44:54 GMT 2024-11-26T15:23:13+09:00 https://cdn.cizucu.com/images/photos/eTU1oK1IXLqSvgNypaOv.jpg?auto=compress,format <![CDATA[#ドア #立入禁止 #警戒色 #東京 | naotake_speaks]]> https://www.cizucu.com/th/photos/vOYHWRI3rwoDA2yHw1Ch naotake_speaks https://www.cizucu.com/th/naotake_speaks https://www.cizucu.com/th/photos/vOYHWRI3rwoDA2yHw1Ch Fri, 28 Feb 2025 17:36:13 GMT 2025-03-09T10:47:22+09:00 https://cdn.cizucu.com/images/photos/vOYHWRI3rwoDA2yHw1Ch.jpg?auto=compress,format <![CDATA[ประกาศเขียนด้วยมือเกี่ยวกับการถอนโทรศัพท์สาธารณะ | ゆう]]> https://www.cizucu.com/th/photos/5hvh4lKPOf9bDBjrKLBJ ゆう https://www.cizucu.com/th/users/MFd1TYvJgVNOSbOMoPYaINtcN8k2 https://www.cizucu.com/th/photos/5hvh4lKPOf9bDBjrKLBJ Sun, 19 Jan 2025 15:21:04 GMT 2025-01-19T15:21:22+09:00 https://cdn.cizucu.com/images/photos/5hvh4lKPOf9bDBjrKLBJ.jpg?auto=compress,format <![CDATA[ภาพของกรวยสีเขียวและแนวป้องกันสีขาวสีเขียวที่ทำเครื่องหมายพื้นที่ | ちゃーりー]]> https://www.cizucu.com/th/photos/l8egBPPJafm5MLiCsJyK ちゃーりー https://www.cizucu.com/th/charliephotograph https://www.cizucu.com/th/photos/l8egBPPJafm5MLiCsJyK Thu, 06 Feb 2025 13:52:25 GMT 2025-02-06T13:52:54+09:00 https://cdn.cizucu.com/images/photos/l8egBPPJafm5MLiCsJyK.jpg?auto=compress,format <![CDATA[入荷 #お店 #ボード #カ二 #ふぐ #AKS #TOKYO | つばさ製作所]]> https://www.cizucu.com/th/photos/EyqAJdwxucS6Q8hKFIHY つばさ製作所 https://www.cizucu.com/th/tsubasa_mfg https://www.cizucu.com/th/photos/EyqAJdwxucS6Q8hKFIHY Sat, 19 Oct 2024 20:11:05 GMT 2024-10-20T06:43:52+09:00 https://cdn.cizucu.com/images/photos/EyqAJdwxucS6Q8hKFIHY.jpg?auto=compress,format <![CDATA[資材 #rain #保管 | つばさ製作所]]> https://www.cizucu.com/th/photos/YbT7L64ChbgXc7ieCRyf つばさ製作所 https://www.cizucu.com/th/tsubasa_mfg https://www.cizucu.com/th/photos/YbT7L64ChbgXc7ieCRyf Fri, 11 Oct 2024 23:22:22 GMT 2024-10-12T23:05:32+09:00 https://cdn.cizucu.com/images/photos/YbT7L64ChbgXc7ieCRyf.jpg?auto=compress,format <![CDATA[ทิวทัศน์ฤดูหนาวที่มีใบเดียวเหลืออยู่บนกิ่งไม้กับท้องฟ้าสีฟ้า | pasta]]> https://www.cizucu.com/th/photos/iK13aCpzb0djuy534JME pasta https://www.cizucu.com/th/users/lxhClbaBKQVYozgUSwCMkSGQxHJ3 https://www.cizucu.com/th/photos/iK13aCpzb0djuy534JME Thu, 18 Apr 2024 00:12:10 GMT 2024-11-19T03:47:53+09:00 https://cdn.cizucu.com/images/photos/iK13aCpzb0djuy534JME.jpg?auto=compress,format <![CDATA[Uniform light fills the interior of an elevated passageway. Located within a Russian train station, this space guides the viewer’s eye naturally forward through its restrained structure and repeating rhythm. | KOMA]]> https://www.cizucu.com/th/photos/9UgkE9JxudP53SKpCkFW KOMA https://www.cizucu.com/th/komafoto https://www.cizucu.com/th/photos/9UgkE9JxudP53SKpCkFW Fri, 23 Jan 2026 17:04:01 GMT 2026-01-23T17:04:01+09:00 https://cdn.cizucu.com/images/photos/9UgkE9JxudP53SKpCkFW.jpg?auto=compress,format <![CDATA[In a city where ownership is rare and expression is regulated, this photograph captures the quiet reverence of Singapore’s car culture. Shaped by strict modification laws, soaring COE prices, and rising costs, each car becomes more than a machine — it is a symbol of devotion, restraint, and identity. What survives here is not excess, but intention: a sacred culture forged under limitation. | DORI]]> https://www.cizucu.com/th/photos/lUrE5MibITOs7WRzW9cq DORI https://www.cizucu.com/th/users/rBtgck6LohNr32NPWArgW9eXBCv2 https://www.cizucu.com/th/photos/lUrE5MibITOs7WRzW9cq Sat, 10 Jan 2026 14:29:13 GMT 2026-01-10T14:29:13+09:00 https://cdn.cizucu.com/images/photos/lUrE5MibITOs7WRzW9cq.jpg?auto=compress,format <![CDATA[Title: The Moment In Between. It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence. These images are not about where people are going. They are about where they pause. | Chawin Terk]]> https://www.cizucu.com/th/photos/trC4T1git609KqNYjLla Chawin Terk https://www.cizucu.com/th/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3 https://www.cizucu.com/th/photos/trC4T1git609KqNYjLla Mon, 02 Feb 2026 18:05:46 GMT 2026-02-02T18:05:46+09:00 https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?auto=compress,format <![CDATA[Mother and Me These are the hands of my mother and mine. The bond between us has always been complex— filled with so much love. Sometimes it feels warm, and sometimes it feels like a kind of restraint. But no matter what, it comes from a heart that is sincere and deeply passionate. 母親與我 這是我和母親的手。 我們之間的情感總是複雜—— 有很多的愛， 有時是溫暖，有時也像一種限制。 但無論如何， 那始終是一顆真切而炙熱的心。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/th/photos/oQZh62u7bm1FGPw62ST6 JoJo Tsai 蔡易蓁 https://www.cizucu.com/th/jojotsai https://www.cizucu.com/th/photos/oQZh62u7bm1FGPw62ST6 Thu, 19 Feb 2026 04:04:55 GMT 2026-02-19T04:04:55+09:00 https://cdn.cizucu.com/images/photos/oQZh62u7bm1FGPw62ST6.jpg?auto=compress,format <![CDATA[Finding Color in the Noise Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet. This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye. The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]> https://www.cizucu.com/th/photos/aGY2A7d0GmEodnh54l7X Big_Dins_Photos https://www.cizucu.com/th/users/gJbHvWrvqbed5w1B2kcf9iwiKCB3 https://www.cizucu.com/th/photos/aGY2A7d0GmEodnh54l7X Sun, 18 Jan 2026 05:30:11 GMT 2026-01-18T05:30:11+09:00 https://cdn.cizucu.com/images/photos/aGY2A7d0GmEodnh54l7X.jpg?auto=compress,format <![CDATA[Feral Grace II: Bound, Yet Willing to Fly Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series. At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted. The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum. Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it. 《野性優雅 II：向前飛行的束縛》 《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。 在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。 畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。 真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]> https://www.cizucu.com/th/photos/4YB1R7rZka3WwEA2UxGN W Mick https://www.cizucu.com/th/mick116 https://www.cizucu.com/th/photos/4YB1R7rZka3WwEA2UxGN Sun, 21 Dec 2025 01:52:37 GMT 2025-12-21T01:52:37+09:00 https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format <![CDATA[Title: Dining with her Series: Dreams Status: On-going About: This is the first entry in this series, this as part of photo-essay will have a total of 15 main pictorial works and supporting supplements. “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage. REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief. This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function. I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations. - - - Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100 Fomadon LQN Year: August, 2025 - present Photo: November 2025 *** | Eli Mastaine]]> https://www.cizucu.com/th/photos/lLVqB9q7T3gHEIJx8LId Eli Mastaine https://www.cizucu.com/th/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3 https://www.cizucu.com/th/photos/lLVqB9q7T3gHEIJx8LId Mon, 09 Mar 2026 02:16:10 GMT 2026-03-09T02:16:10+09:00 https://cdn.cizucu.com/images/photos/lLVqB9q7T3gHEIJx8LId.jpg?auto=compress,format