ภาพถ่าย Regali | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/regali th 2026-04-22T07:50:26+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Half-real, half-dream, when the sea’s in a good mood. | Anamika]]> https://www.cizucu.com/th/photos/OEFmo7i32W2s9z8jiOUm Anamika https://www.cizucu.com/th/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/th/photos/OEFmo7i32W2s9z8jiOUm Mon, 09 Feb 2026 13:17:04 GMT 2026-02-09T13:17:04+09:00 https://cdn.cizucu.com/images/photos/OEFmo7i32W2s9z8jiOUm.jpg?auto=compress,format <![CDATA[One of the most incredible places I’ve been. Sandwich Harbour, Namibia. The vastness of the desert dunes that meet the vastness of the ocean was u real. | Shayden Cathro]]> https://www.cizucu.com/th/photos/fhVWhisx7c9aZsSZLtG5 Shayden Cathro https://www.cizucu.com/th/users/OxjnRhC0ayThgh6q7y1CCVhAOQ92 https://www.cizucu.com/th/photos/fhVWhisx7c9aZsSZLtG5 Wed, 30 Oct 2024 00:49:13 GMT 2024-10-30T00:49:23+09:00 https://cdn.cizucu.com/images/photos/fhVWhisx7c9aZsSZLtG5.jpg?auto=compress,format <![CDATA[That afternoon, I turned a corner and met a slanting sunbeam—light and shadow dappled like a dream. It wasn’t merely a place touched by sunlight, but a realm where memory and imagination converged. And so, an unexpected encounter began. | Wesley Chiu]]> https://www.cizucu.com/th/photos/Q5Oger2OROH1eJZrlNc2 Wesley Chiu https://www.cizucu.com/th/users/fTNuN4tOGYgX3eJwlDOpAJj9tXk2 https://www.cizucu.com/th/photos/Q5Oger2OROH1eJZrlNc2 Fri, 26 Dec 2025 19:16:58 GMT 2025-12-26T19:16:58+09:00 https://cdn.cizucu.com/images/photos/Q5Oger2OROH1eJZrlNc2.jpg?auto=compress,format <![CDATA[This photo was taken in Bangkok capturing the quiet coexistence of the ancient and the contemporary. Framed against the ornate architecture of a Thai temple, everyday figures move through a space steeped in history. Through street photography, I seek to find stillness within movement, where overlap and reflections blur the boundary the real and the abstract. I'm interested in what happens when worlds collide within a single frame. | Aparna Guli]]> https://www.cizucu.com/th/photos/UpRNTXH3cB9I6Tzbyvva Aparna Guli https://www.cizucu.com/th/users/1sBbSrS9wXUphPIIXUXzvjEbnOU2 https://www.cizucu.com/th/photos/UpRNTXH3cB9I6Tzbyvva Mon, 13 Apr 2026 13:46:59 GMT 2026-04-13T13:46:59+09:00 https://cdn.cizucu.com/images/photos/UpRNTXH3cB9I6Tzbyvva.jpg?auto=compress,format <![CDATA[Title: Is this a Phoenix? Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light. This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration. I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]> https://www.cizucu.com/th/photos/HaRlbV8HZph6qTP7CEe0 Victor Zhuo https://www.cizucu.com/th/users/4QDNraPSayPI6l1z44LmNKePpYg2 https://www.cizucu.com/th/photos/HaRlbV8HZph6qTP7CEe0 Tue, 06 Jan 2026 15:31:12 GMT 2026-01-06T15:31:12+09:00 https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format <![CDATA[A few days back, I had the privilege of attending a Kathakali performance at Kalamandam centre in Fort Kochi. I was also welcomed to watch them prepare themselves for the performance. Right from the base makeup, to the quills added to make the broad jaw, the frills added to make the flawless outfit and then the stunning jewellery.It was so thrilling to see it all come together in a span of 3 hours which were dedicatedly spent in donning a persona that felt so real. This photograph is also a part of 'Hands that speak' a series of photos/videos I capture to show people from different walks of life through small gestures in the form of photos/ videos. | AnushkaR]]> https://www.cizucu.com/th/photos/rBD2HuMFlYrDklurQZND AnushkaR https://www.cizucu.com/th/users/8TUcBLHS0mOCVDU62h5nI7FU7CZ2 https://www.cizucu.com/th/photos/rBD2HuMFlYrDklurQZND Fri, 13 Mar 2026 23:35:43 GMT 2026-03-13T23:35:43+09:00 https://cdn.cizucu.com/images/photos/rBD2HuMFlYrDklurQZND.jpg?auto=compress,format <![CDATA[Title: Dream Job They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar. Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]> https://www.cizucu.com/th/photos/TZwAqaxggJkW3ZVK8vLW Bhavik Solanki https://www.cizucu.com/th/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63 https://www.cizucu.com/th/photos/TZwAqaxggJkW3ZVK8vLW Sat, 14 Mar 2026 11:37:09 GMT 2026-03-14T11:37:09+09:00 https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format <![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]> https://www.cizucu.com/th/photos/a18natgq2Cvi84J6arq9 JIYEJI https://www.cizucu.com/th/jiyeji https://www.cizucu.com/th/photos/a18natgq2Cvi84J6arq9 Sun, 07 Sep 2025 19:23:19 GMT 2025-09-07T19:23:19+09:00 https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?auto=compress,format <![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]> https://www.cizucu.com/th/photos/EuqZ40ka5ByBc8BhK5vv Iak Gnix https://www.cizucu.com/th/users/adkl8riKZKWN9WS0SXowSpCLYN92 https://www.cizucu.com/th/photos/EuqZ40ka5ByBc8BhK5vv Mon, 20 Apr 2026 04:42:16 GMT 2026-04-20T04:42:16+09:00 https://cdn.cizucu.com/images/photos/EuqZ40ka5ByBc8BhK5vv.jpg?auto=compress,format <![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]> https://www.cizucu.com/th/photos/0YqcAFIGmAt7Dv5EtyZy JIYEJI https://www.cizucu.com/th/users/M2zHDaTlpZYaOsQpahReBUlgEWo2 https://www.cizucu.com/th/photos/0YqcAFIGmAt7Dv5EtyZy Sun, 07 Sep 2025 17:31:56 GMT 2025-09-07T17:31:56+09:00 https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/th/photos/vOCvJjkgnBuOr1S8axhJ Park Seongjjn https://www.cizucu.com/th/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/th/photos/vOCvJjkgnBuOr1S8axhJ Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/vOCvJjkgnBuOr1S8axhJ.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/th/photos/v0mqxmWKtkFVtHmBGIug Park Seongjjn https://www.cizucu.com/th/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/th/photos/v0mqxmWKtkFVtHmBGIug Thu, 16 Apr 2026 21:40:58 GMT 2026-04-16T21:40:58+09:00 https://cdn.cizucu.com/images/photos/v0mqxmWKtkFVtHmBGIug.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/th/photos/tu9NjuRORzGAKRsfryuw Park Seongjjn https://www.cizucu.com/th/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/th/photos/tu9NjuRORzGAKRsfryuw Thu, 16 Apr 2026 21:42:27 GMT 2026-04-16T21:42:27+09:00 https://cdn.cizucu.com/images/photos/tu9NjuRORzGAKRsfryuw.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/th/photos/qnQUbgXG3pbTjP0a8jS0 Park Seongjjn https://www.cizucu.com/th/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/th/photos/qnQUbgXG3pbTjP0a8jS0 Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/qnQUbgXG3pbTjP0a8jS0.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/th/photos/q28pR46TecyGGVZQfGW4 Park Seongjjn https://www.cizucu.com/th/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/th/photos/q28pR46TecyGGVZQfGW4 Thu, 16 Apr 2026 21:38:50 GMT 2026-04-16T21:38:50+09:00 https://cdn.cizucu.com/images/photos/q28pR46TecyGGVZQfGW4.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/th/photos/ppsgLuUPLwSlXtuXmpAY Park Seongjjn https://www.cizucu.com/th/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/th/photos/ppsgLuUPLwSlXtuXmpAY Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/ppsgLuUPLwSlXtuXmpAY.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/th/photos/pDEF2WwGv6LygllBRgZG Park Seongjjn https://www.cizucu.com/th/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/th/photos/pDEF2WwGv6LygllBRgZG Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/pDEF2WwGv6LygllBRgZG.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/th/photos/mbvMaH5wgcNAcYKhEg0g Park Seongjjn https://www.cizucu.com/th/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/th/photos/mbvMaH5wgcNAcYKhEg0g Thu, 16 Apr 2026 21:38:50 GMT 2026-04-16T21:38:50+09:00 https://cdn.cizucu.com/images/photos/mbvMaH5wgcNAcYKhEg0g.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/th/photos/eYreLsajjuD22xo2yEoP Park Seongjjn https://www.cizucu.com/th/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/th/photos/eYreLsajjuD22xo2yEoP Thu, 16 Apr 2026 21:40:57 GMT 2026-04-16T21:40:57+09:00 https://cdn.cizucu.com/images/photos/eYreLsajjuD22xo2yEoP.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/th/photos/c4VZxYqWk6piChoVTrLV Park Seongjjn https://www.cizucu.com/th/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/th/photos/c4VZxYqWk6piChoVTrLV Thu, 16 Apr 2026 21:38:50 GMT 2026-04-16T21:38:50+09:00 https://cdn.cizucu.com/images/photos/c4VZxYqWk6piChoVTrLV.jpg?auto=compress,format