ภาพถ่าย Regale | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/regale th 2026-04-28T12:30:16+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[#お正月 初詣の時期は混雑緩和のために、この門は閉ざされる。日中にはあまり見かけない風景。 #shrine #RedGate #AKS #MNT #TOKYO #newyear #cityscape | つばさ製作所]]> https://www.cizucu.com/th/photos/L0yYpemn2XfAqxLrFzxk つばさ製作所 https://www.cizucu.com/th/tsubasa_mfg https://www.cizucu.com/th/photos/L0yYpemn2XfAqxLrFzxk Fri, 03 Jan 2025 20:01:44 GMT 2025-01-24T22:58:43+09:00 https://cdn.cizucu.com/images/photos/L0yYpemn2XfAqxLrFzxk.jpg?auto=compress,format <![CDATA[鹿児島県　霧島アートの森　Jonathan Borofsky [Male/Female] | Alicen]]> https://www.cizucu.com/th/photos/zwEOEE5uzFZmPafFZZTM Alicen https://www.cizucu.com/th/users/X9wMMi6elNPiBfxpsZdRfy0ZKTl1 https://www.cizucu.com/th/photos/zwEOEE5uzFZmPafFZZTM Mon, 29 Jan 2024 22:32:32 GMT 2024-11-24T11:08:32+09:00 https://cdn.cizucu.com/images/photos/zwEOEE5uzFZmPafFZZTM.jpg?auto=compress,format <![CDATA[ー王の帰還ー Remake Post #スイス #白鳥 | Mushi]]> https://www.cizucu.com/th/photos/vjM7HvllPGf49cHY44EU Mushi https://www.cizucu.com/th/now_sky777 https://www.cizucu.com/th/photos/vjM7HvllPGf49cHY44EU Mon, 27 Apr 2026 00:17:00 GMT 2026-04-27T00:17:00+09:00 https://cdn.cizucu.com/images/photos/vjM7HvllPGf49cHY44EU.jpg?auto=compress,format <![CDATA[Female Bengal Tiger | DM]]> https://www.cizucu.com/th/photos/c1qEHbPtrpu147Ve1UQJ DM https://www.cizucu.com/th/users/OppWVhKsx6UfCRxeYHVXekOmHpx1 https://www.cizucu.com/th/photos/c1qEHbPtrpu147Ve1UQJ Sun, 22 Mar 2026 02:46:28 GMT 2026-03-22T02:46:28+09:00 https://cdn.cizucu.com/images/photos/c1qEHbPtrpu147Ve1UQJ.jpg?auto=compress,format <![CDATA[ー真の旧市街ー Remake Post Sony α7Ⅲ FE 28-70mm F3.5-5.6 G #スイス #ベルン #旧市街 | Mushi]]> https://www.cizucu.com/th/photos/PsURCiPwgmywNYnX0D8J Mushi https://www.cizucu.com/th/now_sky777 https://www.cizucu.com/th/photos/PsURCiPwgmywNYnX0D8J Mon, 27 Apr 2026 00:20:56 GMT 2026-04-27T00:20:56+09:00 https://cdn.cizucu.com/images/photos/PsURCiPwgmywNYnX0D8J.jpg?auto=compress,format <![CDATA[Half-real, half-dream, when the sea’s in a good mood. | Anamika]]> https://www.cizucu.com/th/photos/OEFmo7i32W2s9z8jiOUm Anamika https://www.cizucu.com/th/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/th/photos/OEFmo7i32W2s9z8jiOUm Mon, 09 Feb 2026 13:17:04 GMT 2026-02-09T13:17:04+09:00 https://cdn.cizucu.com/images/photos/OEFmo7i32W2s9z8jiOUm.jpg?auto=compress,format <![CDATA[Hokkaido Sunrise Sea Eagle In Frame | Merv The Soon]]> https://www.cizucu.com/th/photos/R4AEsVhzUjfXoFzsFCNy Merv The Soon https://www.cizucu.com/th/users/rSEDu3dNIuOzAhKK1QcQEj4pymF3 https://www.cizucu.com/th/photos/R4AEsVhzUjfXoFzsFCNy Fri, 06 Mar 2026 23:05:09 GMT 2026-03-06T23:05:09+09:00 https://cdn.cizucu.com/images/photos/R4AEsVhzUjfXoFzsFCNy.jpg?auto=compress,format <![CDATA[One of the most peaceful moments. No one else here in this part of Lake Kariba. Just the sound of the boat, hippo and the call of the fish eagle. | Shayden Cathro]]> https://www.cizucu.com/th/photos/qIVveoz9mBWFfgOh1PWA Shayden Cathro https://www.cizucu.com/th/users/OxjnRhC0ayThgh6q7y1CCVhAOQ92 https://www.cizucu.com/th/photos/qIVveoz9mBWFfgOh1PWA Wed, 30 Oct 2024 01:03:11 GMT 2024-10-30T01:03:13+09:00 https://cdn.cizucu.com/images/photos/qIVveoz9mBWFfgOh1PWA.jpg?auto=compress,format <![CDATA[One of the most incredible places I’ve been. Sandwich Harbour, Namibia. The vastness of the desert dunes that meet the vastness of the ocean was u real. | Shayden Cathro]]> https://www.cizucu.com/th/photos/fhVWhisx7c9aZsSZLtG5 Shayden Cathro https://www.cizucu.com/th/users/OxjnRhC0ayThgh6q7y1CCVhAOQ92 https://www.cizucu.com/th/photos/fhVWhisx7c9aZsSZLtG5 Wed, 30 Oct 2024 00:49:13 GMT 2024-10-30T00:49:23+09:00 https://cdn.cizucu.com/images/photos/fhVWhisx7c9aZsSZLtG5.jpg?auto=compress,format <![CDATA[The Eagle and the Bay #シアトル #パブリックアート #彫刻 #海のある風景 #旅写真 #iPhoneで撮影 #赤と青 #アートのある街 | wataru_pic]]> https://www.cizucu.com/th/photos/LJn4gn02nSWZx87k02Ji wataru_pic https://www.cizucu.com/th/users/edJTjHHoKhQNMLX50b5FuN5WBu93 https://www.cizucu.com/th/photos/LJn4gn02nSWZx87k02Ji Sun, 05 Apr 2026 06:35:49 GMT 2026-04-05T06:35:49+09:00 https://cdn.cizucu.com/images/photos/LJn4gn02nSWZx87k02Ji.jpg?auto=compress,format <![CDATA[That afternoon, I turned a corner and met a slanting sunbeam—light and shadow dappled like a dream. It wasn’t merely a place touched by sunlight, but a realm where memory and imagination converged. And so, an unexpected encounter began. | Wesley Chiu]]> https://www.cizucu.com/th/photos/Q5Oger2OROH1eJZrlNc2 Wesley Chiu https://www.cizucu.com/th/users/fTNuN4tOGYgX3eJwlDOpAJj9tXk2 https://www.cizucu.com/th/photos/Q5Oger2OROH1eJZrlNc2 Fri, 26 Dec 2025 19:16:58 GMT 2025-12-26T19:16:58+09:00 https://cdn.cizucu.com/images/photos/Q5Oger2OROH1eJZrlNc2.jpg?auto=compress,format <![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]> https://www.cizucu.com/th/photos/TNon9gQsrRUcEDkkbmvm Brennan Chin (Visual Moments) https://www.cizucu.com/th/users/4z7hnzu4eLWVA8srEIi98U62JHT2 https://www.cizucu.com/th/photos/TNon9gQsrRUcEDkkbmvm Wed, 14 Jan 2026 03:41:32 GMT 2026-01-14T03:41:32+09:00 https://cdn.cizucu.com/images/photos/TNon9gQsrRUcEDkkbmvm.jpg?auto=compress,format <![CDATA[This photo was taken in Bangkok capturing the quiet coexistence of the ancient and the contemporary. Framed against the ornate architecture of a Thai temple, everyday figures move through a space steeped in history. Through street photography, I seek to find stillness within movement, where overlap and reflections blur the boundary the real and the abstract. I'm interested in what happens when worlds collide within a single frame. | Aparna Guli]]> https://www.cizucu.com/th/photos/UpRNTXH3cB9I6Tzbyvva Aparna Guli https://www.cizucu.com/th/users/1sBbSrS9wXUphPIIXUXzvjEbnOU2 https://www.cizucu.com/th/photos/UpRNTXH3cB9I6Tzbyvva Mon, 13 Apr 2026 13:46:59 GMT 2026-04-13T13:46:59+09:00 https://cdn.cizucu.com/images/photos/UpRNTXH3cB9I6Tzbyvva.jpg?auto=compress,format <![CDATA[Title: Is this a Phoenix? Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light. This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration. I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]> https://www.cizucu.com/th/photos/HaRlbV8HZph6qTP7CEe0 Victor Zhuo https://www.cizucu.com/th/users/4QDNraPSayPI6l1z44LmNKePpYg2 https://www.cizucu.com/th/photos/HaRlbV8HZph6qTP7CEe0 Tue, 06 Jan 2026 15:31:12 GMT 2026-01-06T15:31:12+09:00 https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format <![CDATA[A few days back, I had the privilege of attending a Kathakali performance at Kalamandam centre in Fort Kochi. I was also welcomed to watch them prepare themselves for the performance. Right from the base makeup, to the quills added to make the broad jaw, the frills added to make the flawless outfit and then the stunning jewellery.It was so thrilling to see it all come together in a span of 3 hours which were dedicatedly spent in donning a persona that felt so real. This photograph is also a part of 'Hands that speak' a series of photos/videos I capture to show people from different walks of life through small gestures in the form of photos/ videos. | AnushkaR]]> https://www.cizucu.com/th/photos/rBD2HuMFlYrDklurQZND AnushkaR https://www.cizucu.com/th/users/8TUcBLHS0mOCVDU62h5nI7FU7CZ2 https://www.cizucu.com/th/photos/rBD2HuMFlYrDklurQZND Fri, 13 Mar 2026 23:35:43 GMT 2026-03-13T23:35:43+09:00 https://cdn.cizucu.com/images/photos/rBD2HuMFlYrDklurQZND.jpg?auto=compress,format <![CDATA[Title: Dream Job They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar. Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]> https://www.cizucu.com/th/photos/TZwAqaxggJkW3ZVK8vLW Bhavik Solanki https://www.cizucu.com/th/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63 https://www.cizucu.com/th/photos/TZwAqaxggJkW3ZVK8vLW Sat, 14 Mar 2026 11:37:09 GMT 2026-03-14T11:37:09+09:00 https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format <![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]> https://www.cizucu.com/th/photos/a18natgq2Cvi84J6arq9 JIYEJI https://www.cizucu.com/th/jiyeji https://www.cizucu.com/th/photos/a18natgq2Cvi84J6arq9 Sun, 07 Sep 2025 19:23:19 GMT 2025-09-07T19:23:19+09:00 https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?auto=compress,format <![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]> https://www.cizucu.com/th/photos/EuqZ40ka5ByBc8BhK5vv Iak Gnix https://www.cizucu.com/th/users/adkl8riKZKWN9WS0SXowSpCLYN92 https://www.cizucu.com/th/photos/EuqZ40ka5ByBc8BhK5vv Mon, 20 Apr 2026 04:42:16 GMT 2026-04-20T04:42:16+09:00 https://cdn.cizucu.com/images/photos/EuqZ40ka5ByBc8BhK5vv.jpg?auto=compress,format <![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]> https://www.cizucu.com/th/photos/0YqcAFIGmAt7Dv5EtyZy JIYEJI https://www.cizucu.com/th/users/M2zHDaTlpZYaOsQpahReBUlgEWo2 https://www.cizucu.com/th/photos/0YqcAFIGmAt7Dv5EtyZy Sun, 07 Sep 2025 17:31:56 GMT 2025-09-07T17:31:56+09:00 https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?auto=compress,format <![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood. Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection. This photograph is one of the works in the ongoing project G-Book. G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR. From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft. G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。 我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。 G-Book —— 歲歲年年 自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。 這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]> https://www.cizucu.com/th/photos/u6xSn3fkwJSSHC9JLUdV shotbyje9_3 https://www.cizucu.com/th/users/hmqEmG8wfhU70SggnLFpm5U0eVy1 https://www.cizucu.com/th/photos/u6xSn3fkwJSSHC9JLUdV Thu, 02 Oct 2025 13:37:24 GMT 2025-10-02T13:37:24+09:00 https://cdn.cizucu.com/images/photos/u6xSn3fkwJSSHC9JLUdV.jpg?auto=compress,format