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          <title><![CDATA[Eureka! | samuge]]></title>
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          <title><![CDATA[When you look into your mother’s eyes, you know that is the purest love you can find on this earth. | Yosuke0312]]></title>
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          <pubDate>Mon, 10 Feb 2025 19:45:39 GMT</pubDate>
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          <title><![CDATA[เครื่องบินสีเขียวของ Pure Dream Airlines กำลังแล่นอยู่บนรันเวย์ | としくん]]></title>
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          <pubDate>Thu, 20 Feb 2025 18:44:29 GMT</pubDate>
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          <title><![CDATA[Pure curiosity | 鹹]]></title>
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          <title><![CDATA[ゆりの花言葉…pure･.｡*･.｡* #flower #ゆり #green #百合  | ⋆*  粋 -sui-  ⋆*]]></title>
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          <pubDate>Fri, 14 Jun 2024 07:29:35 GMT</pubDate>
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          <title><![CDATA[Communication with two pure souls. | CHRiS]]></title>
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          <pubDate>Tue, 24 Mar 2026 09:13:13 GMT</pubDate>
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          <title><![CDATA["Say Hi"   A child who has just finished school is walking home along his usual route with a parent. Because it is afternoon, the sun shines from behind him, allowing the child to see his own shadow. He waves to the shadow as if greeting it—a moment of pure, simple, and sincere childlike innocence.  #Sun #Kage #kid #Shadow | CLori]]></title>
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          <pubDate>Fri, 09 Jan 2026 22:52:06 GMT</pubDate>
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          <title><![CDATA[Just when I thought the day was a wash with its overcast sky, the sun burst through a gap in the clouds, turning the sea to gold. In that fleeting light, I saw her. A small silhouette against the vast ocean, completely absorbed in the ebb and flow of the tide. It was a sight so pure it felt like a memory. It took me back to my own childhood, when the world wasn’t a sum of numbers and rules, but a place of pure, unspoiled wonder waiting to be discovered. In that moment, the girl, the sea, and I were all connected. It reminded me that no matter how far we go, there will always be a part of us that stands on the shore, gazing at the horizon with a heart full of endless possibilities. | Stefan Kho]]></title>
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          <pubDate>Tue, 10 Mar 2026 04:27:16 GMT</pubDate>
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            <media:title><![CDATA[Just when I thought the day was a wash with its overcast sky, the sun burst through a gap in the clouds, turning the sea to gold. In that fleeting light, I saw her. A small silhouette against the vast ocean, completely absorbed in the ebb and flow of the tide. It was a sight so pure it felt like a memory. It took me back to my own childhood, when the world wasn’t a sum of numbers and rules, but a place of pure, unspoiled wonder waiting to be discovered. In that moment, the girl, the sea, and I were all connected. It reminded me that no matter how far we go, there will always be a part of us that stands on the shore, gazing at the horizon with a heart full of endless possibilities. | Stefan Kho]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Stefan Kho ใน cizucu]]></media:description>
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          <title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></title>
          <link>https://www.cizucu.com/th/photos/w2KpM8saKCCGpGZzHDYt</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Hiren Patel ใน cizucu]]></description>
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            <name>Hiren Patel</name>
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          <pubDate>Thu, 12 Mar 2026 18:28:23 GMT</pubDate>
          <atom:updated>2026-03-12T18:28:23+09:00</atom:updated>
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            <media:title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></media:title>
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          <title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/th/photos/ZQHacQXu07BRd1Co53gt</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lousycameraman ใน cizucu]]></description>
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            <uri>https://www.cizucu.com/th/lousycameraman</uri>
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          <pubDate>Tue, 20 Jan 2026 13:05:15 GMT</pubDate>
          <atom:updated>2026-01-20T13:05:15+09:00</atom:updated>
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            <media:title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></media:title>
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          <title><![CDATA[When I walked into the Time Square’s Starbucks, what caught my eyes was more than a decorum, it was almost like it was reminding or mocking me of something. It was then I captured this and it was pure cinema in a shot. This showed me how we are equally hanging by a thread; emptied, face down, and yet clinging to the last ounce of reassurance that we are not alone. That every other person walking into this coffee shop is facing the same verge of meeting rock bottom. Emptied once again; passing through the entrance to refill life back into themselves knowing well they are incessantly bound to this perfunctory drudgery.  | Drishti Gowda]]></title>
          <link>https://www.cizucu.com/th/photos/lePw6oiR2g3KSHPdN3nt</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Drishti Gowda ใน cizucu]]></description>
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            <name>Drishti Gowda</name>
            <uri>https://www.cizucu.com/th/users/pz5fnme1yVgVSeHjB4YtCunhYCC3</uri>
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          <pubDate>Mon, 16 Mar 2026 23:06:23 GMT</pubDate>
          <atom:updated>2026-03-16T23:06:23+09:00</atom:updated>
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            <media:title><![CDATA[When I walked into the Time Square’s Starbucks, what caught my eyes was more than a decorum, it was almost like it was reminding or mocking me of something. It was then I captured this and it was pure cinema in a shot. This showed me how we are equally hanging by a thread; emptied, face down, and yet clinging to the last ounce of reassurance that we are not alone. That every other person walking into this coffee shop is facing the same verge of meeting rock bottom. Emptied once again; passing through the entrance to refill life back into themselves knowing well they are incessantly bound to this perfunctory drudgery.  | Drishti Gowda]]></media:title>
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          <title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></title>
          <link>https://www.cizucu.com/th/photos/l7VzRAizhwBNTQosF4N3</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Liza Medvedeva ใน cizucu]]></description>
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            <name>Liza Medvedeva</name>
            <uri>https://www.cizucu.com/th/users/izN8mAH1xrflfRBeXFE1dCE6BIw1</uri>
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          <pubDate>Sun, 15 Feb 2026 17:10:10 GMT</pubDate>
          <atom:updated>2026-02-15T17:10:10+09:00</atom:updated>
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            <media:title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Liza Medvedeva ใน cizucu]]></media:description>
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          <title><![CDATA[[あなたのカメラバック見せてくれませんか？]  はい！いいですよｗ  私はリュック派ですがいいですか？  ・・・という事で私のカメラリュックと中身がどうなっているか  レンズ ●SIGMA 24・35・50・85mm F1.4 DG HSM ●NIKKOR 60mm f/2.8G ED  カメラ ●Nikon　Z5  その他 ●予備バッテリー・予備SDカード ●レンズ清掃セット ●リュックレインカバー ●リュックは気密性が高そうなので中のポケットに乾燥剤を山盛り  という感じです。  レンズは単焦点命、SIGMA　ARTラインの描写に惹かれ各画角を揃えました。  カメラは撮る道具と考えていて、最低限の機能があればいいと思っているし金銭面でも安いカメラで満足。  ソフトは長年使いなれているフォトショ　エレメンツ・Nik Color Efex・DxO PureRAW  という感じです。  SIGMA ARTラインのレンズはデカい・重たい、なので総重量はかなりあります。  ですが、レンズの描写を考えれば許容範囲。  これに三脚を装備するとヤバい感じで。  | me..]]></title>
          <link>https://www.cizucu.com/th/photos/z7igk8iXcrRo4wrtBnke</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก me.. ใน cizucu]]></description>
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          <pubDate>Sat, 20 Jul 2024 07:48:22 GMT</pubDate>
          <atom:updated>2024-07-20T08:09:18+09:00</atom:updated>
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            <media:title><![CDATA[[あなたのカメラバック見せてくれませんか？]  はい！いいですよｗ  私はリュック派ですがいいですか？  ・・・という事で私のカメラリュックと中身がどうなっているか  レンズ ●SIGMA 24・35・50・85mm F1.4 DG HSM ●NIKKOR 60mm f/2.8G ED  カメラ ●Nikon　Z5  その他 ●予備バッテリー・予備SDカード ●レンズ清掃セット ●リュックレインカバー ●リュックは気密性が高そうなので中のポケットに乾燥剤を山盛り  という感じです。  レンズは単焦点命、SIGMA　ARTラインの描写に惹かれ各画角を揃えました。  カメラは撮る道具と考えていて、最低限の機能があればいいと思っているし金銭面でも安いカメラで満足。  ソフトは長年使いなれているフォトショ　エレメンツ・Nik Color Efex・DxO PureRAW  という感じです。  SIGMA ARTラインのレンズはデカい・重たい、なので総重量はかなりあります。  ですが、レンズの描写を考えれば許容範囲。  これに三脚を装備するとヤバい感じで。  | me..]]></media:title>
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