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          <title><![CDATA[มุมมองภายนอกของอาคารที่มีป้ายเขียนว่า PASSAGE | ゆう]]></title>
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          <title><![CDATA[The passer.  #streetphotography #streetsnap #street | ビンゴとドリムの父ちゃん]]></title>
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          <pubDate>Mon, 24 Nov 2025 14:12:46 GMT</pubDate>
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          <title><![CDATA[▪︎The photo cutting       2026ⓒ Artist       Sang-Sook Kim (Korea) ▪︎La coupe du  paysage     Proportion  9:16 | Sang Sook KIM (김 상 숙)]]></title>
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          <title><![CDATA[간극 (Interstice) - 고립된 틈이 아닌, 어제와 내일을 잇는 필연적인 통로가 되어주길. (May it be not a gap of isolation, but a necessary passage binding yesterday and tomorrow.) | veil]]></title>
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          <pubDate>Sun, 05 Apr 2026 20:33:23 GMT</pubDate>
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          <title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></title>
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          <pubDate>Sat, 21 Mar 2026 13:53:18 GMT</pubDate>
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          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
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