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          <title><![CDATA[Muse Amuse  #bar #gr | 佐藤亜梨沙 │ Sato Arisa]]></title>
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          <title><![CDATA[dump truck  #AKS #MNT #tokyo #buildings #fuso #cityscape | つばさ製作所]]></title>
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          <title><![CDATA[ป้ายทิศทางสีน้ำเงินแสดงทิศทางไปยัง Nayoro, Toyotomi และ Muse Notsuyoshi | おいしいみそしる]]></title>
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          <title><![CDATA[ป้ายบอกทางไป Muro machi Square และ Daisan dan พร้อมเงาของผู้คนในบรรยากาศกลางคืน | mar00ram]]></title>
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          <title><![CDATA[『時を超えて丘上の教会へ』 #paris #Musée d’Orsay | task]]></title>
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          <title><![CDATA[juso #大阪　#ストリートスナップ | yodogawa_snap]]></title>
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          <title><![CDATA[To catch a fish, you must be the fish. | Yosuke0312]]></title>
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          <pubDate>Wed, 14 May 2025 13:05:04 GMT</pubDate>
          <atom:updated>2025-05-14T13:05:04+09:00</atom:updated>
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            <media:title><![CDATA[To catch a fish, you must be the fish. | Yosuke0312]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/KN7piRpWYaDGq3rB8bTi.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/KN7piRpWYaDGq3rB8bTi.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Yosuke0312 ใน cizucu]]></media:description>
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          <title><![CDATA[I wonder, how a person who came alone here for clicking photo must have felt. Looking at so many memories others created together. It’s only humane to feel the emptiness one carries inside.  | Anamika]]></title>
          <link>https://www.cizucu.com/th/photos/pSUSOpE7ewDnB6ksueP3</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Anamika ใน cizucu]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/th/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Fri, 06 Mar 2026 01:19:19 GMT</pubDate>
          <atom:updated>2026-03-06T01:19:19+09:00</atom:updated>
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            <media:title><![CDATA[I wonder, how a person who came alone here for clicking photo must have felt. Looking at so many memories others created together. It’s only humane to feel the emptiness one carries inside.  | Anamika]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/pSUSOpE7ewDnB6ksueP3.jpg?fm=jpg" type="image/jpeg" width="4284" height="5712" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/pSUSOpE7ewDnB6ksueP3.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/pSUSOpE7ewDnB6ksueP3.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/pSUSOpE7ewDnB6ksueP3.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Anamika ใน cizucu]]></media:description>
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          <title><![CDATA['Shared Air'  A lion rests in the foreground as human structures rise in the distance. Two worlds share the same air — one wild, one built — each shaping the space the other must now navigate. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/th/photos/02wXUGQpMStRTkvv95MV</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Jasmine Ee (Wildlife with Jas) ใน cizucu]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/th/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Mon, 06 Apr 2026 08:52:14 GMT</pubDate>
          <atom:updated>2026-04-06T08:52:14+09:00</atom:updated>
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            <media:title><![CDATA['Shared Air'  A lion rests in the foreground as human structures rise in the distance. Two worlds share the same air — one wild, one built — each shaping the space the other must now navigate. | Jasmine Ee (Wildlife with Jas)]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/02wXUGQpMStRTkvv95MV.jpg?fm=jpg" type="image/jpeg" width="2000" height="1333" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/02wXUGQpMStRTkvv95MV.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/02wXUGQpMStRTkvv95MV.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/02wXUGQpMStRTkvv95MV.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Jasmine Ee (Wildlife with Jas) ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[It's not enough to be held by Earth, we must explore its depth...地球に抱かれているだけでは足りない。私たちはその奥深くを探求しなければならない。 | Meg.Sose]]></title>
          <link>https://www.cizucu.com/th/photos/QQtAkuX9g03gCjb3KnmK</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Meg.Sose ใน cizucu]]></description>
          <author>
            <name>Meg.Sose</name>
            <uri>https://www.cizucu.com/th/users/HgjOZIUW8zckNaIM3aCNAnBvQtD2</uri>
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          <pubDate>Sat, 11 Apr 2026 09:08:47 GMT</pubDate>
          <atom:updated>2026-04-11T09:08:47+09:00</atom:updated>
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            <media:title><![CDATA[It's not enough to be held by Earth, we must explore its depth...地球に抱かれているだけでは足りない。私たちはその奥深くを探求しなければならない。 | Meg.Sose]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/QQtAkuX9g03gCjb3KnmK.jpg?fm=jpg" type="image/jpeg" width="3375" height="4219" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/QQtAkuX9g03gCjb3KnmK.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/QQtAkuX9g03gCjb3KnmK.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/QQtAkuX9g03gCjb3KnmK.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Meg.Sose ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></title>
          <link>https://www.cizucu.com/th/photos/mXCKJcjBdjZJvYzybHbi</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Wee ใน cizucu]]></description>
          <author>
            <name>Wee</name>
            <uri>https://www.cizucu.com/th/users/canqHYy9pXY5B11gyQqx3jcPe5z1</uri>
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          <pubDate>Sun, 22 Feb 2026 16:57:32 GMT</pubDate>
          <atom:updated>2026-02-22T16:57:32+09:00</atom:updated>
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            <media:title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/mXCKJcjBdjZJvYzybHbi.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/mXCKJcjBdjZJvYzybHbi.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Wee ใน cizucu]]></media:description>
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          <title><![CDATA[While I was traveling central Kenya, there was a boy kept fallowing me. He must intriguing who I was. Barely seen asian in middle of Kenya, and who has a machine gun type camera in his hand and walking with bunch of group of white people. I must be so strange to his eye. He must want to know more about me. He kept fallow me until I finally stop by one of host. I was looking around and here he is. I finally have eye contacted with him, and my finger couldn't resist not to do. My finger start to push shutter and got his eye. The eyes with curious and wondering. To me, he is just one of the kids I have met in Kenya, but to him, I became one of his memorable guy in his life. I hope I can remember this moment very long time....   Kai at Ringa, Nyanza Province, Kenya 2015 | Kai Kim]]></title>
          <link>https://www.cizucu.com/th/photos/5HBqrirXHar1NtQpatt6</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Kai Kim ใน cizucu]]></description>
          <author>
            <name>Kai Kim</name>
            <uri>https://www.cizucu.com/th/users/XCaEaj67rCSzD07pB1t9w2t3o553</uri>
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          <pubDate>Wed, 01 Apr 2026 04:36:14 GMT</pubDate>
          <atom:updated>2026-04-01T04:36:14+09:00</atom:updated>
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            <media:title><![CDATA[While I was traveling central Kenya, there was a boy kept fallowing me. He must intriguing who I was. Barely seen asian in middle of Kenya, and who has a machine gun type camera in his hand and walking with bunch of group of white people. I must be so strange to his eye. He must want to know more about me. He kept fallow me until I finally stop by one of host. I was looking around and here he is. I finally have eye contacted with him, and my finger couldn't resist not to do. My finger start to push shutter and got his eye. The eyes with curious and wondering. To me, he is just one of the kids I have met in Kenya, but to him, I became one of his memorable guy in his life. I hope I can remember this moment very long time....   Kai at Ringa, Nyanza Province, Kenya 2015 | Kai Kim]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5HBqrirXHar1NtQpatt6.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Kai Kim ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[Industrial Scape, shot from inside The London Eye in London, United Kingdom.  At 153 meters high in The London Eye, one is fed with abundance of sights to see, places that has more history than ever, you fixate on the slower, smaller things.  Repetition, repetition. Buildings after buildings, what makes them special? Because like life, with abundance to see, places you slowly grow into — one must never forget to appreciate the slower, smaller things in life. | lucion j. orion]]></title>
          <link>https://www.cizucu.com/th/photos/pOWIhFuCbZQak2IpEOky</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก lucion j. orion ใน cizucu]]></description>
          <author>
            <name>lucion j. orion</name>
            <uri>https://www.cizucu.com/th/users/sHuYH7JK2ySh1yqgaj7U61AtsOl2</uri>
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          <pubDate>Sat, 18 Apr 2026 14:27:06 GMT</pubDate>
          <atom:updated>2026-04-18T14:27:06+09:00</atom:updated>
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            <media:title><![CDATA[Industrial Scape, shot from inside The London Eye in London, United Kingdom.  At 153 meters high in The London Eye, one is fed with abundance of sights to see, places that has more history than ever, you fixate on the slower, smaller things.  Repetition, repetition. Buildings after buildings, what makes them special? Because like life, with abundance to see, places you slowly grow into — one must never forget to appreciate the slower, smaller things in life. | lucion j. orion]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/pOWIhFuCbZQak2IpEOky.jpg?fm=jpg" type="image/jpeg" width="2730" height="4096" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/pOWIhFuCbZQak2IpEOky.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก lucion j. orion ใน cizucu]]></media:description>
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          <title><![CDATA[You are an ‘Art’ to Someone  You know how they say, “oh what an honour to be a Muse to an Artist” Now whom to call ‘The Art’ and whom ‘The Artist’ is a frivolous battle. It is what is right in front of your eyes that tells everything. An Artist’s love for an ‘Art’ and a ‘Lover’s’ love for the ‘Artist’. It makes me wonder what could any “Art” count in the face of this strongest impulse called “Love”  | Drishti Gowda]]></title>
          <link>https://www.cizucu.com/th/photos/Q2UXrVZSja44vDkW9rcV</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Drishti Gowda ใน cizucu]]></description>
          <author>
            <name>Drishti Gowda</name>
            <uri>https://www.cizucu.com/th/users/pz5fnme1yVgVSeHjB4YtCunhYCC3</uri>
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          <pubDate>Fri, 20 Mar 2026 23:28:12 GMT</pubDate>
          <atom:updated>2026-03-20T23:28:12+09:00</atom:updated>
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            <media:title><![CDATA[You are an ‘Art’ to Someone  You know how they say, “oh what an honour to be a Muse to an Artist” Now whom to call ‘The Art’ and whom ‘The Artist’ is a frivolous battle. It is what is right in front of your eyes that tells everything. An Artist’s love for an ‘Art’ and a ‘Lover’s’ love for the ‘Artist’. It makes me wonder what could any “Art” count in the face of this strongest impulse called “Love”  | Drishti Gowda]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?fm=jpg" type="image/jpeg" width="1365" height="2048" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Drishti Gowda ใน cizucu]]></media:description>
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          <title><![CDATA[My muse Hikari has always allowed me to use my inspiration to the fullest. For this specific photo, we were shuffling around on the opposite side of Shinjuku talking and laughing until we stumbled across this building. Without a second thought, we both pointed at the big lips on the wall and said "yes." I have numerous photos of Hikari, some more thought provoking and portfolio worthy, yet this one is without a doubt the funniest and quirkiest photo I have ever taken of her. | Andrew_Bibee]]></title>
          <link>https://www.cizucu.com/th/photos/t0Fqk2vSFQNFb9bUCzbb</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Andrew_Bibee ใน cizucu]]></description>
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            <name>Andrew_Bibee</name>
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          <pubDate>Sun, 27 Jul 2025 15:06:34 GMT</pubDate>
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            <media:title><![CDATA[My muse Hikari has always allowed me to use my inspiration to the fullest. For this specific photo, we were shuffling around on the opposite side of Shinjuku talking and laughing until we stumbled across this building. Without a second thought, we both pointed at the big lips on the wall and said "yes." I have numerous photos of Hikari, some more thought provoking and portfolio worthy, yet this one is without a doubt the funniest and quirkiest photo I have ever taken of her. | Andrew_Bibee]]></media:title>
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          <title><![CDATA[Industrial Scape, perspective from inside The London Eye in London, United Kingdom.  153 meters high from The London Eye, one is fed with a landscape of industrialized development, places that holds great history, it gives you the opportunity to fixate on the slower, smaller more meaningful things in life.   Repetition, repetition. Buildings after buildings, what makes them special? Because like life, with abundance to see, places you slowly grow into — one must never forget to look past the walls and remember the lives it held within. | lucion j. orion]]></title>
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            <name>lucion j. orion</name>
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          <pubDate>Sat, 18 Apr 2026 14:32:50 GMT</pubDate>
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          <title><![CDATA[This image was taken in my favourite haven of peace, nature and joy - Bushy Park in SW London, England. I've been there many, many times over the years and every time I visit it feels different : the light changes, the wildlife you see changes and the flora and fauna change too. This time in the evening there is my favourite. You feel the park slowing down, wildlife coming to rest as the light fades through daylight blues to beautiful oranges, yellows and reds. It's incredible that it's located in Greater London and all credit must go to The Royal Parks for all the work they do to make it a place of wonder. | Andy Craddock]]></title>
          <link>https://www.cizucu.com/th/photos/Z77Imimyz5zdg2hacCt5</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Andy Craddock ใน cizucu]]></description>
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            <name>Andy Craddock</name>
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          <pubDate>Mon, 06 Apr 2026 05:13:10 GMT</pubDate>
          <atom:updated>2026-04-06T05:13:10+09:00</atom:updated>
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            <media:title><![CDATA[This image was taken in my favourite haven of peace, nature and joy - Bushy Park in SW London, England. I've been there many, many times over the years and every time I visit it feels different : the light changes, the wildlife you see changes and the flora and fauna change too. This time in the evening there is my favourite. You feel the park slowing down, wildlife coming to rest as the light fades through daylight blues to beautiful oranges, yellows and reds. It's incredible that it's located in Greater London and all credit must go to The Royal Parks for all the work they do to make it a place of wonder. | Andy Craddock]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Andy Craddock ใน cizucu]]></media:description>
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          <title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></title>
          <link>https://www.cizucu.com/th/photos/blvZqys7p3C6BXz4owuH</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Bombay Noir ใน cizucu]]></description>
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            <name>Bombay Noir</name>
            <uri>https://www.cizucu.com/th/users/tay5ia7oZ0M8Hk3zKpy8CxmZQ0g2</uri>
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          <pubDate>Sat, 14 Mar 2026 13:27:45 GMT</pubDate>
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            <media:title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></media:title>
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          <title><![CDATA[Full sky of lantern is one of the magnificent things you must experience once in a life. This moment was capture during the Yi Peng and Loy krathong festival held in Chiang Mai, Thailand. Yi Peng features the sky lantern while Loy Krathong involve floating of a basket or vessel. Yi Peng is originated from Lanna culture in northern Thailand. It means the second full moon of lanna calender month, is a religious event that people put up the lanterns to show devotion to Buddha, to worship the god in the high heaven. It is believed that lantern will carry away all the unfortunate things and making ways for good luck and bright future. People also putting the krathong to show gratefulness to the goddess of water, letting go of anger and bad luck you have been holding in the past and welcoming the good fortune that’s free of negativity in the coming year.   Shot by iPhone 16 Pro Max | Jing Kang]]></title>
          <link>https://www.cizucu.com/th/photos/FD6FQi6UblP8Ok9v6tQJ</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Jing Kang ใน cizucu]]></description>
          <author>
            <name>Jing Kang</name>
            <uri>https://www.cizucu.com/th/jklifeimmerse</uri>
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          <pubDate>Tue, 17 Mar 2026 01:23:33 GMT</pubDate>
          <atom:updated>2026-03-17T01:23:33+09:00</atom:updated>
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            <media:title><![CDATA[Full sky of lantern is one of the magnificent things you must experience once in a life. This moment was capture during the Yi Peng and Loy krathong festival held in Chiang Mai, Thailand. Yi Peng features the sky lantern while Loy Krathong involve floating of a basket or vessel. Yi Peng is originated from Lanna culture in northern Thailand. It means the second full moon of lanna calender month, is a religious event that people put up the lanterns to show devotion to Buddha, to worship the god in the high heaven. It is believed that lantern will carry away all the unfortunate things and making ways for good luck and bright future. People also putting the krathong to show gratefulness to the goddess of water, letting go of anger and bad luck you have been holding in the past and welcoming the good fortune that’s free of negativity in the coming year.   Shot by iPhone 16 Pro Max | Jing Kang]]></media:title>
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