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          <title><![CDATA[冷たいものが欲しくなる ＃夏旅 | alice]]></title>
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          <description><![CDATA[ดาวน์โหลดภาพถ่าย ภายนอก Garb Monque มีพืชและป้ายเมนู ที่ถ่ายโดย alice ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
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          <title><![CDATA[laissez moi vous montrer quelques uns de mes photos préférées, de mes personnes préférées, prisent à la maison  | Lise air]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lise air ใน cizucu]]></description>
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          <pubDate>Sat, 12 Jul 2025 17:40:56 GMT</pubDate>
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          <title><![CDATA[2025.7.20 mazda RX-7 FD3S  Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/320sec f/9.0 ISO 100 Edit : Lrレタッチ →Ps現像  #mazda #fd3s #rx7 #13brew #drift #drifting  #d1lights  #d1gp  #d1grandprix  #マツダ #ロータリーエンジン #mature #canon  #eos  #eos1dx  #ef600mmf4lisiiusm  #一眼レフ  #purpleline | hira_toshi]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก hira_toshi ใน cizucu]]></description>
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          <pubDate>Tue, 22 Jul 2025 02:31:28 GMT</pubDate>
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            <media:title><![CDATA[2025.7.20 mazda RX-7 FD3S  Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/320sec f/9.0 ISO 100 Edit : Lrレタッチ →Ps現像  #mazda #fd3s #rx7 #13brew #drift #drifting  #d1lights  #d1gp  #d1grandprix  #マツダ #ロータリーエンジン #mature #canon  #eos  #eos1dx  #ef600mmf4lisiiusm  #一眼レフ  #purpleline | hira_toshi]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก hira_toshi ใน cizucu]]></media:description>
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          <title><![CDATA[The end of a chapter is never easy. As the montage of their hard work and grind played over the projector onto the stage, NRA (the dance group, or rather, part of) let go and let all their emotions out. The blood, sweat, and now, tears, in putting together a grand show, and they are now on the big stage, performing their masterpiece.   Crescendo - 2026 | Yellow Monyet]]></title>
          <link>https://www.cizucu.com/th/photos/Txv74V5BmXHpVWa164bQ</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Yellow Monyet ใน cizucu]]></description>
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          <pubDate>Sun, 22 Mar 2026 05:09:12 GMT</pubDate>
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            <media:title><![CDATA[The end of a chapter is never easy. As the montage of their hard work and grind played over the projector onto the stage, NRA (the dance group, or rather, part of) let go and let all their emotions out. The blood, sweat, and now, tears, in putting together a grand show, and they are now on the big stage, performing their masterpiece.   Crescendo - 2026 | Yellow Monyet]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Yellow Monyet ใน cizucu]]></media:description>
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          <title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></title>
          <link>https://www.cizucu.com/th/photos/w2KpM8saKCCGpGZzHDYt</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Hiren Patel ใน cizucu]]></description>
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            <name>Hiren Patel</name>
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          <pubDate>Thu, 12 Mar 2026 18:28:23 GMT</pubDate>
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            <media:title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Hiren Patel ใน cizucu]]></media:description>
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          <title><![CDATA[Silhouettes. Here in urban Singapore, we have the 3rd largest species of deer in world (Sambar deer/Rusa unicolor). They occasionally venture out to areas near roads, to feed on vegetation that grows outside of the secondary forests. Unseen by many, these shy creatures prefer to avoid human encounters as they feed throughout the night. As responsible motorists/cyclists, we can all make an effort to observe a safe speed, while on roads flanking the central catchment area. This will contribute to increased safety for both human and animal alike. | ylint]]></title>
          <link>https://www.cizucu.com/th/photos/O9au9ySiwGPQG4TZBOsg</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก ylint ใน cizucu]]></description>
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            <name>ylint</name>
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          <pubDate>Tue, 13 Jan 2026 15:23:46 GMT</pubDate>
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            <media:title><![CDATA[Silhouettes. Here in urban Singapore, we have the 3rd largest species of deer in world (Sambar deer/Rusa unicolor). They occasionally venture out to areas near roads, to feed on vegetation that grows outside of the secondary forests. Unseen by many, these shy creatures prefer to avoid human encounters as they feed throughout the night. As responsible motorists/cyclists, we can all make an effort to observe a safe speed, while on roads flanking the central catchment area. This will contribute to increased safety for both human and animal alike. | ylint]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก ylint ใน cizucu]]></media:description>
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          <title><![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult.  Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, the scent of the heat and the texture of those lotus seeds remain vivid—a living link to the roots I left behind. | hichubbypotato]]></title>
          <link>https://www.cizucu.com/th/photos/pIDW724HfD5EDuCOIaUm</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก hichubbypotato ใน cizucu]]></description>
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            <name>hichubbypotato</name>
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          <pubDate>Sun, 05 Apr 2026 10:17:07 GMT</pubDate>
          <atom:updated>2026-04-05T10:17:07+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult.  Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, the scent of the heat and the texture of those lotus seeds remain vivid—a living link to the roots I left behind. | hichubbypotato]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก hichubbypotato ใน cizucu]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
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            <name>熊寶</name>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก 熊寶 ใน cizucu]]></media:description>
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