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          <title><![CDATA[modern #日本庭園 | Amo]]></title>
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          <title><![CDATA[Framed in the City  #urban #architecture #urbanart #installation #framing #layers #contrast #cityscape #modern #visualstory #composition #street #art #space  | dz a.k.a dashan]]></title>
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          <title><![CDATA["Modern Isolation" | Hurairah Saleem]]></title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Hurairah Saleem ใน cizucu]]></media:description>
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          <title><![CDATA[Partnering with a friend of who is a Fashionista and executing an idea about recreating a modern Victorian style fashion  shoot.  Manage to get a perfect shot in St Andrew’s Cathedral. | Shahrizal]]></title>
          <link>https://www.cizucu.com/th/photos/davd2CSqV0QKN6ONwzAA</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Shahrizal ใน cizucu]]></description>
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          <title><![CDATA[While exploring a rainy West Lake in Hangzhou, the vivid red against the grey mist caught my eye as this man stood motionless in his Hanfu. To me, this scene visually represents a moment of timelessness amidst the modern crowd. | Samuel Sze]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Samuel Sze ใน cizucu]]></description>
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          <pubDate>Sun, 18 Jan 2026 13:37:25 GMT</pubDate>
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          <title><![CDATA[One of the great modern Mumbai's architecture the Bandra Worli sea link is quite a breathtaking view, joining two hubs of the greater Mumbai. Traveled to capture the beauty of bridge in morning 5:30 am and shot is taken at dusk in Mumbai, India. | Jeet Khagram]]></title>
          <link>https://www.cizucu.com/th/photos/iOerMj75ehHjCHzlXqMM</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Jeet Khagram ใน cizucu]]></description>
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          <pubDate>Fri, 13 Mar 2026 20:00:07 GMT</pubDate>
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          <title><![CDATA[One of the great modern Mumbai's architecture the Bandra Worli sea link is quite a breathtaking view, joining two hubs of the greater Mumbai. Traveled to capture the beauty of bridge in Morning 5:30 am and shot is taken at dusk in Mumbai, India | Jeet Khagram]]></title>
          <link>https://www.cizucu.com/th/photos/eMTgUvcqtliN8W4NlLnm</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Jeet Khagram ใน cizucu]]></description>
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            <name>Jeet Khagram</name>
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          <title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></title>
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            <name>Gautami Golani</name>
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          <pubDate>Wed, 21 Jan 2026 01:20:58 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/th/photos/Ytnb12FBlbK88ss0n1aC</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Ek Cheeze Dikhau ใน cizucu]]></description>
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            <name>Ek Cheeze Dikhau</name>
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          <pubDate>Thu, 05 Mar 2026 03:55:29 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/th/photos/Jnx8ZtJKhekws72e8Vrq</link>
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            <name>Ek Cheeze Dikhau</name>
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          <pubDate>Thu, 26 Feb 2026 19:22:02 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/th/photos/IemCQRfOA2gw9KrhLd3m</link>
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          <pubDate>Thu, 05 Mar 2026 03:14:04 GMT</pubDate>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Ek Cheeze Dikhau ใน cizucu]]></description>
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            <name>Ek Cheeze Dikhau</name>
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          <pubDate>Thu, 26 Feb 2026 18:25:42 GMT</pubDate>
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          <title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/th/photos/6DbTw6LLaMPcXGOIJ9iS</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Corinne Vallienne ใน cizucu]]></description>
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          <pubDate>Sat, 31 Jan 2026 17:12:14 GMT</pubDate>
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          <title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></title>
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          <pubDate>Tue, 24 Feb 2026 18:17:48 GMT</pubDate>
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