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      <title>ภาพถ่าย Madurez | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง</title>
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      <description><![CDATA[ค้นหา 4 รูปภาพ Madurez ความละเอียดสูงที่ดีที่สุดบน cizucu  ูปภาพทั้งหมดเป็นแบบปลอดค่าลิขสิทธิ์ ดาวน์โหลดได้ฟรี และเหมาะกับทุกโปรเจกต์โดยไม่ต้องระบุที่มา]]></description>
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          <title><![CDATA[madre e hija | dede dos film]]></title>
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          <pubDate>Tue, 04 Nov 2025 11:16:11 GMT</pubDate>
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          <title><![CDATA[2025.7.20 mazda RX-7 FD3S  Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/320sec f/9.0 ISO 100 Edit : Lrレタッチ →Ps現像  #mazda #fd3s #rx7 #13brew #drift #drifting  #d1lights  #d1gp  #d1grandprix  #マツダ #ロータリーエンジン #mature #canon  #eos  #eos1dx  #ef600mmf4lisiiusm  #一眼レフ  #purpleline | hira_toshi]]></title>
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          <pubDate>Tue, 22 Jul 2025 02:31:28 GMT</pubDate>
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          <title><![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult.  Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, this picture still had a living link to the roots I left behind. | hichubbypotato]]></title>
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          <pubDate>Sun, 05 Apr 2026 10:17:07 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult.  Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, this picture still had a living link to the roots I left behind. | hichubbypotato]]></media:title>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Yash Rane ใน cizucu]]></description>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
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            <media:title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></media:title>
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