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          <title><![CDATA[#film #filmphotography #フィルム | Aya]]></title>
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          <description><![CDATA[ดาวน์โหลดภาพถ่าย ทางเข้าของอาคารอิฐที่มีป้ายระบุว่า Lapin Agile ที่ถ่ายโดย Aya ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
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          <title><![CDATA[หน้าจอ LED สีแดงที่แสดงข้อความ Rapid Urban | nnnoooo]]></title>
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          <description><![CDATA[ดาวน์โหลดภาพถ่าย หน้าจอ LED สีแดงที่แสดงข้อความ Rapid Urban ที่ถ่ายโดย nnnoooo ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
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          <title><![CDATA[ป้ายแสดงจุดหมายปลายทางของรถไฟแสดง Rapid สำหรับ Kazusa-Ichinomiya และถัดไป Mobara | エルエルシー]]></title>
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          <description><![CDATA[ดาวน์โหลดภาพถ่าย ป้ายแสดงจุดหมายปลายทางของรถไฟแสดง Rapid สำหรับ Kazusa-Ichinomiya และถัดไป Mobara ที่ถ่ายโดย エルエルシー ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
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          <title><![CDATA[ตารางออกเดินทางสำหรับรถไฟ Rapid Moonlight 81 เวลา 23:54 ไปยัง Hakuba | taso583]]></title>
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          <title><![CDATA[Lisbon, Portugal (July 2025) - First stop of my (almost) solo Portugal-Spain trip. I decided that for this trip, I will play with film simulations using Veres Deni Alex' recipes for Sony to maximise the European summer sun.   I took this photo while waiting for my tram back to the city centre. I remember it was scorching hot, but I liked how the sun shone on the store and the facilities around it and how it still represents Lisbon, trams aside. | _jotriessomething]]></title>
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          <title><![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]></title>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
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          <pubDate>Sun, 05 Apr 2026 06:44:38 GMT</pubDate>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
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          <pubDate>Sun, 05 Apr 2026 06:46:15 GMT</pubDate>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
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          <pubDate>Sun, 05 Apr 2026 06:30:24 GMT</pubDate>
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          <title><![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期  A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lawrence Liou ใน cizucu]]></description>
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            <name>Lawrence Liou</name>
            <uri>https://www.cizucu.com/th/momoliou</uri>
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          <pubDate>Wed, 07 Jan 2026 15:13:37 GMT</pubDate>
          <atom:updated>2026-01-07T15:13:37+09:00</atom:updated>
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            <media:title><![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期  A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]></media:title>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/th/photos/z51tp1hZVa8RWblaxQor</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Souvik Roy ใน cizucu]]></description>
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            <name>Souvik Roy</name>
            <uri>https://www.cizucu.com/th/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2</uri>
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          <pubDate>Sat, 14 Mar 2026 18:17:45 GMT</pubDate>
          <atom:updated>2026-03-14T18:17:45+09:00</atom:updated>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/th/photos/2liSNRVpSQ1iBWS2wvoy</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Souvik Roy ใน cizucu]]></description>
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            <name>Souvik Roy</name>
            <uri>https://www.cizucu.com/th/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2</uri>
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          <pubDate>Mon, 16 Mar 2026 03:16:14 GMT</pubDate>
          <atom:updated>2026-03-16T03:16:14+09:00</atom:updated>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Eli Mastaine ใน cizucu]]></description>
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            <name>Eli Mastaine</name>
            <uri>https://www.cizucu.com/th/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3</uri>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
          <atom:updated>2026-03-09T02:16:10+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Eli Mastaine ใน cizucu]]></media:description>
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