ภาพถ่าย Kindling | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/kindling th 2026-04-12T05:21:49+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[A man who finding his own way fit in a big city | 李柏毅]]> https://www.cizucu.com/th/photos/mtPhdY44d0FiE8IObo3E 李柏毅 https://www.cizucu.com/th/users/BXsWumrrIOV9kSmXSYywEs3Kamo1 https://www.cizucu.com/th/photos/mtPhdY44d0FiE8IObo3E Sun, 01 Feb 2026 21:31:28 GMT 2026-02-01T21:31:28+09:00 https://cdn.cizucu.com/images/photos/mtPhdY44d0FiE8IObo3E.jpg?auto=compress,format <![CDATA[Ah, just kidding! | Bhavik Solanki]]> https://www.cizucu.com/th/photos/cQknAhFE61cLzg09s0yI Bhavik Solanki https://www.cizucu.com/th/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63 https://www.cizucu.com/th/photos/cQknAhFE61cLzg09s0yI Sat, 14 Mar 2026 01:55:55 GMT 2026-03-14T01:55:55+09:00 https://cdn.cizucu.com/images/photos/cQknAhFE61cLzg09s0yI.jpg?auto=compress,format <![CDATA[A black and white image of a winding gravel road through a forest of pine trees under an overcast sky. | Matthieu]]> https://www.cizucu.com/th/photos/9eirvoPFTPHR10v5fZdg Matthieu https://www.cizucu.com/th/matthieu https://www.cizucu.com/th/photos/9eirvoPFTPHR10v5fZdg Mon, 09 Feb 2026 05:08:54 GMT 2026-02-09T05:08:54+09:00 https://cdn.cizucu.com/images/photos/9eirvoPFTPHR10v5fZdg.jpg?auto=compress,format <![CDATA[【Winding Road】 国道41号線...下呂付近典型的なS字カーブ、車＆バイク好きはワクワクする。 #国道41号線 #下呂 #公道 #峠道 #S字コーナー #ワインディングロード #フィルムシュミレーション#PROVIA／スタンダード #部分レタッチ | RYUURI]]> https://www.cizucu.com/th/photos/MdsKTAN2cvTaBDRHVnQD RYUURI https://www.cizucu.com/th/users/Lbdd5bsfAbQYMFztyyA8VXgGKHk1 https://www.cizucu.com/th/photos/MdsKTAN2cvTaBDRHVnQD Mon, 09 Sep 2024 15:19:23 GMT 2024-09-10T12:05:14+09:00 https://cdn.cizucu.com/images/photos/MdsKTAN2cvTaBDRHVnQD.jpg?auto=compress,format <![CDATA[간극 (Interstice) - 고립된 틈이 아닌, 어제와 내일을 잇는 필연적인 통로가 되어주길. (May it be not a gap of isolation, but a necessary passage binding yesterday and tomorrow.) | veil]]> https://www.cizucu.com/th/photos/0aMOWvyf8bfO74aCucMX veil https://www.cizucu.com/th/users/HsG2hBfqEiN1Zs25NWHmkIWoUap1 https://www.cizucu.com/th/photos/0aMOWvyf8bfO74aCucMX Sun, 05 Apr 2026 20:33:23 GMT 2026-04-05T20:33:23+09:00 https://cdn.cizucu.com/images/photos/0aMOWvyf8bfO74aCucMX.jpg?auto=compress,format <![CDATA[The alpaca gently presses against the hay, as if finding in its dry warmth a place of calm and safety. In this fragile scene, one can feel sincerity and vulnerability. | Uliana Buravleva]]> https://www.cizucu.com/th/photos/luGNzWeJH1ZNruWk7Bcy Uliana Buravleva https://www.cizucu.com/th/users/TBhBUePFjFRt72BuGJaItFNrl2e2 https://www.cizucu.com/th/photos/luGNzWeJH1ZNruWk7Bcy Sun, 15 Feb 2026 17:11:13 GMT 2026-02-15T17:11:13+09:00 https://cdn.cizucu.com/images/photos/luGNzWeJH1ZNruWk7Bcy.jpg?auto=compress,format <![CDATA[Dreams here are not just pretty images, they are paths to travel, skies to soar, minimal lights at the end of an immense corridor. Architecture becomes a metaphor for the process, a liminal space: the darkness is the fears and those slits of light are the ideas and desires that call us from afar. What invites us to transit, always in movement towards that clarity and to the transit through new nuances: search, get lost, try again. In the end, more than finding a perfect dream, what remains is the mark of the path traveled, the wake of that inner journey that reveals who we are when we decide to follow what our spirit yearns for. | Daniel]]> https://www.cizucu.com/th/photos/ZnyO3IOFX2BuEHliyvOr Daniel https://www.cizucu.com/th/users/ZaW40P2crvZXPdx6NEX1YL6WGrp1 https://www.cizucu.com/th/photos/ZnyO3IOFX2BuEHliyvOr Sun, 05 Apr 2026 19:57:46 GMT 2026-04-05T19:57:46+09:00 https://cdn.cizucu.com/images/photos/ZnyO3IOFX2BuEHliyvOr.jpg?auto=compress,format <![CDATA[Title: Dream Job They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar. Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]> https://www.cizucu.com/th/photos/TZwAqaxggJkW3ZVK8vLW Bhavik Solanki https://www.cizucu.com/th/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63 https://www.cizucu.com/th/photos/TZwAqaxggJkW3ZVK8vLW Sat, 14 Mar 2026 11:37:09 GMT 2026-03-14T11:37:09+09:00 https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format <![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me. Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo. #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]> https://www.cizucu.com/th/photos/ONcdjCaE4a7tXO0fGQKO Giuliana E. Miceli https://www.cizucu.com/th/users/X0Uppurh6OXofv9sRiTUGtUb9x73 https://www.cizucu.com/th/photos/ONcdjCaE4a7tXO0fGQKO Sat, 06 Dec 2025 13:27:26 GMT 2025-12-06T13:27:26+09:00 https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?auto=compress,format <![CDATA[Juliet in the garden, December 2025 By Leonie Freeman In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover. I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes. Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden. Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film. | Leonie Freeman]]> https://www.cizucu.com/th/photos/LcfITjpuir5fca1v6H39 Leonie Freeman https://www.cizucu.com/th/users/Z3nyxOavExSZa5rmcDPnnZRo9P03 https://www.cizucu.com/th/photos/LcfITjpuir5fca1v6H39 Tue, 07 Apr 2026 23:00:45 GMT 2026-04-07T23:00:52+09:00 https://cdn.cizucu.com/images/photos/LcfITjpuir5fca1v6H39.jpg?auto=compress,format <![CDATA[For thirteen years, photography has taught me to slow down and notice the quiet poetry of everyday life. I am drawn to ordinary people doing ordinary things—walking, waiting, working, resting. Moments that often pass unnoticed, yet through the lens these fleeting fragments become something extraordinary. On Charles Bridge in Prague, during golden hour, a street artist sketches the portrait of a passing tourist while the world moves around them. In a scene filled with faces, the only one we do not see is the artist’s—hidden as he brings another’s likeness to life. For me, this simple moment reflects the heart of my photography: finding wonder in the ordinary and meaning in moments we often tend to miss in our everday lives. | Trishita Bhattacharya]]> https://www.cizucu.com/th/photos/Cnx1Icbp0otPJg2yjyDm Trishita Bhattacharya https://www.cizucu.com/th/users/OuzxF4GGQ7ebp6bu41IVc9KRYQP2 https://www.cizucu.com/th/photos/Cnx1Icbp0otPJg2yjyDm Mon, 16 Mar 2026 00:57:12 GMT 2026-03-16T00:57:12+09:00 https://cdn.cizucu.com/images/photos/Cnx1Icbp0otPJg2yjyDm.jpg?auto=compress,format <![CDATA[Finding Color in the Noise Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet. This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye. The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]> https://www.cizucu.com/th/photos/aGY2A7d0GmEodnh54l7X Big_Dins_Photos https://www.cizucu.com/th/users/gJbHvWrvqbed5w1B2kcf9iwiKCB3 https://www.cizucu.com/th/photos/aGY2A7d0GmEodnh54l7X Sun, 18 Jan 2026 05:30:11 GMT 2026-01-18T05:30:11+09:00 https://cdn.cizucu.com/images/photos/aGY2A7d0GmEodnh54l7X.jpg?auto=compress,format <![CDATA[Feral Grace II: Bound, Yet Willing to Fly Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series. At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted. The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum. Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it. 《野性優雅 II：向前飛行的束縛》 《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。 在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。 畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。 真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]> https://www.cizucu.com/th/photos/4YB1R7rZka3WwEA2UxGN W Mick https://www.cizucu.com/th/mick116 https://www.cizucu.com/th/photos/4YB1R7rZka3WwEA2UxGN Sun, 21 Dec 2025 01:52:37 GMT 2025-12-21T01:52:37+09:00 https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format