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            <name>chetpin8</name>
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          <pubDate>Fri, 20 Mar 2026 16:11:06 GMT</pubDate>
          <atom:updated>2026-03-20T16:11:06+09:00</atom:updated>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
          <link>https://www.cizucu.com/th/photos/F3NgSSzO6r8lgqyxoKae</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Him謙 ใน cizucu]]></description>
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            <name>Him謙</name>
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          <pubDate>Wed, 15 Apr 2026 13:40:04 GMT</pubDate>
          <atom:updated>2026-04-15T13:40:04+09:00</atom:updated>
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            <media:title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></media:title>
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          <title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></title>
          <link>https://www.cizucu.com/th/photos/HaRlbV8HZph6qTP7CEe0</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Victor Zhuo ใน cizucu]]></description>
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            <name>Victor Zhuo</name>
            <uri>https://www.cizucu.com/th/users/4QDNraPSayPI6l1z44LmNKePpYg2</uri>
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          <pubDate>Tue, 06 Jan 2026 15:31:12 GMT</pubDate>
          <atom:updated>2026-01-06T15:31:12+09:00</atom:updated>
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            <media:title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></media:title>
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          <title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></title>
          <link>https://www.cizucu.com/th/photos/LcfITjpuir5fca1v6H39</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Leonie Freeman ใน cizucu]]></description>
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            <name>Leonie Freeman</name>
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          <pubDate>Tue, 07 Apr 2026 23:00:45 GMT</pubDate>
          <atom:updated>2026-04-07T23:00:52+09:00</atom:updated>
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