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          <title><![CDATA[Like a game battlefield　 深川橋 | k.2SSD]]></title>
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          <title><![CDATA[#影 #歩行者 #シャドウ #夕日 #東京 #モノクロ #bw #nikonz8 | naotake_speaks]]></title>
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          <pubDate>Fri, 16 May 2025 18:40:06 GMT</pubDate>
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          <title><![CDATA[Steps of light and silence beneath the endless gates | Szopsi]]></title>
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          <pubDate>Mon, 20 Apr 2026 23:05:22 GMT</pubDate>
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          <title><![CDATA[Blinking game, Andes, 2011 | gscavenger]]></title>
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          <pubDate>Mon, 03 Nov 2025 12:11:39 GMT</pubDate>
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          <title><![CDATA[Get ready for the game  | norika0603]]></title>
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          <pubDate>Sun, 25 May 2025 13:13:40 GMT</pubDate>
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          <title><![CDATA[As the games intensify, crowds gather to watch these battles of wits. The spectators watch as if, for this brief moment, nothing else in the world matters. The person in the background wearing a cap that reads “Survival,” as if this game were a life-or-death match. | François Aubry]]></title>
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          <pubDate>Sun, 30 Nov 2025 20:50:01 GMT</pubDate>
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          <title><![CDATA[日系夏祭りの一コマ  #ヨーヨー #ヨーヨー釣り #祭り #バンクーバー #夏 #楽しい #夏の思い出 #カラフル #waterballoons #yo-yo #fishingballoon #game  #festival #vancouver #summer #event #summerecho #colorful #iphone15pro | littlekiss photography]]></title>
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          <pubDate>Mon, 12 Aug 2024 05:22:30 GMT</pubDate>
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          <title><![CDATA[To the Moon! As every year now at Hong Kong’s harbour front fun fair takes place from the end of December to March. I was there for the first time this year and actually I won my first ever game on a fair this day!  | LukyPhotoDiary]]></title>
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          <title><![CDATA[The Cathedral Church of St. James No 3.  Constructed between 1850 and 1874, The Cathedral Church of St. James at 106 King St E in Toronto Canada is the fourth Anglican church on the site and was designed after the the cities first architectural competition.  View from the NW of the Cathedral.  Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion.  Brian Carson  The Learning Curve Photography  https://linktr.ee/thelearningcurvephotography  #toronto #torontophotographer #blackandwhite #bnw #originalphotography #photography #architecture #cathedral #church | The Learning Curve Photography]]></title>
          <link>https://www.cizucu.com/th/photos/YJB3nFhSckPzvw8GSQuP</link>
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            <name>The Learning Curve Photography</name>
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          <pubDate>Mon, 27 Oct 2025 05:44:18 GMT</pubDate>
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          <title><![CDATA[I took this photo in Wakhari pandharpur right after the Ringan Sohala was over. Even after walking for so many days, the Warkari still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></title>
          <link>https://www.cizucu.com/th/photos/vOfOprNBcvhNFXsHILn6</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก msquare more ใน cizucu]]></description>
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            <name>msquare more</name>
            <uri>https://www.cizucu.com/th/users/8LGtWpKS5AUrfGB03etTTcj6NqV2</uri>
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          <pubDate>Fri, 13 Mar 2026 04:24:26 GMT</pubDate>
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          <title><![CDATA[I took this photo in Wakhari right after the Ringan Sohala was over. Even after walking for so many days, the Warkaris still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></title>
          <link>https://www.cizucu.com/th/photos/io77e6tUt3Nu20F4uxUV</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก msquare more ใน cizucu]]></description>
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            <name>msquare more</name>
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          <pubDate>Fri, 13 Mar 2026 04:31:49 GMT</pubDate>
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          <title><![CDATA[That day,  Smoke hung in the air.  Mahjong tiles cracked against the table like small acts of violence.  Under a single lamp, the players emerged just enough to be seen, then slipped back into shadow.  No names.  No introductions.  No one cared who you were outside the light. All that matters, IS TO WIN.   This is a recreation of what it was like,  The outfits were planned to fit how it was like.  and only the lady boss of the house was the prominent one. the rest were just name less and fodder in the place. | Justin Ignatius Seow]]></title>
          <link>https://www.cizucu.com/th/photos/OJq0C8tvGcOSUud9DHMx</link>
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            <name>Justin Ignatius Seow</name>
            <uri>https://www.cizucu.com/th/users/Xio2aQc1xLVifEs8ZWI9QhWKGVz1</uri>
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          <pubDate>Mon, 16 Mar 2026 19:36:54 GMT</pubDate>
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            <media:title><![CDATA[That day,  Smoke hung in the air.  Mahjong tiles cracked against the table like small acts of violence.  Under a single lamp, the players emerged just enough to be seen, then slipped back into shadow.  No names.  No introductions.  No one cared who you were outside the light. All that matters, IS TO WIN.   This is a recreation of what it was like,  The outfits were planned to fit how it was like.  and only the lady boss of the house was the prominent one. the rest were just name less and fodder in the place. | Justin Ignatius Seow]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Justin Ignatius Seow ใน cizucu]]></media:description>
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          <title><![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期  A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/th/photos/dLwRdM8lYffqBzY9p6Of</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lawrence Liou ใน cizucu]]></description>
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            <name>Lawrence Liou</name>
            <uri>https://www.cizucu.com/th/momoliou</uri>
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          <pubDate>Wed, 07 Jan 2026 15:13:37 GMT</pubDate>
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            <media:title><![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期  A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]></media:title>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/th/photos/sVh1uqHQzy9Jq3sPjFco</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก John Hupa ใน cizucu]]></description>
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            <name>John Hupa</name>
            <uri>https://www.cizucu.com/th/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:29:25 GMT</pubDate>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/th/photos/cI8eCjEr7pTX08wnzCdu</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก John Hupa ใน cizucu]]></description>
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            <name>John Hupa</name>
            <uri>https://www.cizucu.com/th/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
          <atom:updated>2026-02-11T12:30:12+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก John Hupa ใน cizucu]]></media:description>
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