ภาพถ่าย Foreigner | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/foreigner th 2026-04-27T15:28:21+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[#foreign #nature #hallstatt | haruka]]> https://www.cizucu.com/th/photos/Th1igiIEJv4kPIkJ2Efk haruka https://www.cizucu.com/th/harukaphoto https://www.cizucu.com/th/photos/Th1igiIEJv4kPIkJ2Efk Sun, 28 Jan 2024 16:35:20 GMT 2024-11-24T16:42:22+09:00 https://cdn.cizucu.com/images/photos/Th1igiIEJv4kPIkJ2Efk.jpg?auto=compress,format <![CDATA[オーストリア ハルシュタット湖 🩵 #foreign #nature #hallstatt | haruka]]> https://www.cizucu.com/th/photos/K0CMPpwMGZhPDzwBWz1S haruka https://www.cizucu.com/th/harukaphoto https://www.cizucu.com/th/photos/K0CMPpwMGZhPDzwBWz1S Sun, 28 Jan 2024 16:37:09 GMT 2024-11-24T16:42:22+09:00 https://cdn.cizucu.com/images/photos/K0CMPpwMGZhPDzwBWz1S.jpg?auto=compress,format <![CDATA[ #foreign #nature #hallstatt | haruka]]> https://www.cizucu.com/th/photos/H1cBR6HXmKUM7DBlu8zj haruka https://www.cizucu.com/th/harukaphoto https://www.cizucu.com/th/photos/H1cBR6HXmKUM7DBlu8zj Sun, 28 Jan 2024 16:36:03 GMT 2024-11-24T16:42:22+09:00 https://cdn.cizucu.com/images/photos/H1cBR6HXmKUM7DBlu8zj.jpg?auto=compress,format <![CDATA[On my first trip to Canada, I finally saw a wild animal. Afraid to miss the shot, I ran to switch lenses. In a foreign country, I locked my keys in the trunk. First wildlife. First roadside assistance. | Hsu-Tai, Yeh]]> https://www.cizucu.com/th/photos/qz36N9ABWLiHHbJ7pbgT Hsu-Tai, Yeh https://www.cizucu.com/th/tai17 https://www.cizucu.com/th/photos/qz36N9ABWLiHHbJ7pbgT Thu, 26 Feb 2026 12:03:21 GMT 2026-02-26T12:03:21+09:00 https://cdn.cizucu.com/images/photos/qz36N9ABWLiHHbJ7pbgT.jpg?auto=compress,format <![CDATA[Hello everyone, I’m Simon, a photographer from Taiwan. I’m honored to have been invited to exhibit in Japan. I’ve been thinking about how to introduce Taiwan to foreigners through this exhibition. I realized that Taipei 101 is often the first attraction for many foreigners visiting Taiwan. Therefore, I wanted to showcase the beauty of Taiwan through this photo titled 'Taipei 101 with the Moon.' Above all , I emphasize that none of the elements in this photo have been photoshopped. On the contrary, I specifically researched the position of the moon rising beforehand and visited the location multiple times. In the end, I was fortunate to have excellent visibility that night, along with a perfectly timed airplane flying by. I hope you enjoy it! If you like my photos, welcome to join me on my instagram: simon_lee_photographer Let’s become friends in the photography community! | 德威 李]]> https://www.cizucu.com/th/photos/LeNpkFH6FjGpptgv0bOL 德威 李 https://www.cizucu.com/th/users/lngMJbqFXeMEQsbcofTWqD7w2ty2 https://www.cizucu.com/th/photos/LeNpkFH6FjGpptgv0bOL Thu, 19 Feb 2026 16:51:52 GMT 2026-02-19T16:51:52+09:00 https://cdn.cizucu.com/images/photos/LeNpkFH6FjGpptgv0bOL.jpg?auto=compress,format <![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align. In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying. There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines. This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic. A place where everyone meets—yet no one stays. | analogbysissi]]> https://www.cizucu.com/th/photos/T23GHpu4jeBibaaVi8wS analogbysissi https://www.cizucu.com/th/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/th/photos/T23GHpu4jeBibaaVi8wS Fri, 10 Apr 2026 15:23:09 GMT 2026-04-10T15:23:09+09:00 https://cdn.cizucu.com/images/photos/T23GHpu4jeBibaaVi8wS.jpg?auto=compress,format