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          <title><![CDATA[光りが差すビルの空間  #morning #TRM #MNT #TOKYO #building #floor #cityscape | つばさ製作所]]></title>
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          <description><![CDATA[ดาวน์โหลดภาพถ่าย ล็อบบี้ทันสมัยที่มีคนนั่งและต้นไม้ในบรรยากาศที่มีสไตล์ ที่ถ่ายโดย つばさ製作所 ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
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          <title><![CDATA[ひっくり返し  #rain #floor #Akasaka | つばさ製作所]]></title>
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          <pubDate>Wed, 25 Jun 2025 22:28:47 GMT</pubDate>
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          <title><![CDATA[よく磨かれた床  #reflection #floor #objects #cityscape #RPG1 #building #RPG #tokyo | つばさ製作所]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก つばさ製作所 ใน cizucu]]></description>
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          <pubDate>Sat, 26 Apr 2025 21:23:44 GMT</pubDate>
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          <title><![CDATA[Sun-Etched Light is not just seen; it is felt—etching the rhythm of palm leaves onto the cold stone floor. | phyyy]]></title>
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          <pubDate>Fri, 03 Apr 2026 17:43:02 GMT</pubDate>
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          <title><![CDATA[This was the view of Hongkong from the 100th floor of a building. There is a distinct separation of the city landscape and river filled with boats, with mountains in the background. | Keira Low]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Keira Low ใน cizucu]]></description>
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          <pubDate>Tue, 03 Feb 2026 16:15:41 GMT</pubDate>
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            <media:title><![CDATA[This was the view of Hongkong from the 100th floor of a building. There is a distinct separation of the city landscape and river filled with boats, with mountains in the background. | Keira Low]]></media:title>
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          <title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/th/photos/QSmZJSkwkQbEHeB2lxtJ</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lawrence Liou ใน cizucu]]></description>
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          <pubDate>Sat, 21 Mar 2026 13:53:18 GMT</pubDate>
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            <media:title><![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life.  Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]></media:title>
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          <title><![CDATA[This photograph was taken on a final hike my best friend and I did before she went solo travelling to Australia. I’ve always loved how her hair changes in the sun, and I wanted to capture the moment before we got to the top. The memory is bittersweet as we were both on the floor laughing, and then ended the hike and said our goodbyes at home. | Churchill]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Churchill ใน cizucu]]></description>
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          <pubDate>Mon, 06 Apr 2026 07:59:12 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken on a final hike my best friend and I did before she went solo travelling to Australia. I’ve always loved how her hair changes in the sun, and I wanted to capture the moment before we got to the top. The memory is bittersweet as we were both on the floor laughing, and then ended the hike and said our goodbyes at home. | Churchill]]></media:title>
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          <title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></title>
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          <pubDate>Thu, 15 Jan 2026 17:03:51 GMT</pubDate>
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            <media:title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></media:title>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
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