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      <title>ภาพถ่าย Flamingo | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง</title>
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          <title><![CDATA[Through The Mirror  Ricoh GR3X #zoomin #framing #reflection #mirror | jelly white]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก jelly white ใน cizucu]]></description>
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          <pubDate>Fri, 20 Mar 2026 16:12:01 GMT</pubDate>
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          <title><![CDATA[flaming×2 | KITA]]></title>
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          <pubDate>Fri, 22 Aug 2025 20:28:02 GMT</pubDate>
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          <title><![CDATA[Framed in the City  #urban #architecture #urbanart #installation #framing #layers #contrast #cityscape #modern #visualstory #composition #street #art #space  | dz a.k.a dashan]]></title>
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          <pubDate>Sun, 22 Mar 2026 18:13:55 GMT</pubDate>
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          <title><![CDATA[Black Margins. Framing the silence of Kyoto.  #streetphotography #streetsnap #street #snap #kyotosnap  #white #snow #leica | Yukihiro]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Yukihiro ใน cizucu]]></description>
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          <pubDate>Wed, 11 Feb 2026 19:11:10 GMT</pubDate>
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          <title><![CDATA[Black Margins. Framing the silence of Kyoto.  #streetphotography #streetsnap #street #snap #kyotosnap  #white #snow #leica | Yukihiro]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Yukihiro ใน cizucu]]></description>
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          <pubDate>Wed, 11 Feb 2026 19:10:23 GMT</pubDate>
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          <title><![CDATA[ひまわりは美しい ＃光の衣　＃ひまわり ＃flaming flowers | s.syoko]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก s.syoko ใน cizucu]]></description>
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          <pubDate>Mon, 16 Dec 2024 23:42:21 GMT</pubDate>
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          <title><![CDATA[Captured in Delta de l’Ebre, Spain – two flamingos gliding through a quiet sky. A symbol of me and my partner, exploring the unknown. | laynamiyazaki]]></title>
          <link>https://www.cizucu.com/th/photos/2D2qTt6vsHd0FyNKOIGy</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก laynamiyazaki ใน cizucu]]></description>
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          <pubDate>Sat, 19 Jul 2025 22:17:40 GMT</pubDate>
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            <media:title><![CDATA[Captured in Delta de l’Ebre, Spain – two flamingos gliding through a quiet sky. A symbol of me and my partner, exploring the unknown. | laynamiyazaki]]></media:title>
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          <title><![CDATA[I wanted so showcase the movement of London with a view of an iconic landmark. I didn't want vehicles in the frame I preferred just buildings and people. Framing and composition was important to me and I thought doing a long exposure x motion blur technique on Millennium Bridge facing St Paul's Cathedral would be the best option. I'm delighted with how it came out. | Martin Maticevic]]></title>
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          <pubDate>Sat, 25 Apr 2026 01:34:22 GMT</pubDate>
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            <media:title><![CDATA[I wanted so showcase the movement of London with a view of an iconic landmark. I didn't want vehicles in the frame I preferred just buildings and people. Framing and composition was important to me and I thought doing a long exposure x motion blur technique on Millennium Bridge facing St Paul's Cathedral would be the best option. I'm delighted with how it came out. | Martin Maticevic]]></media:title>
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          <title><![CDATA[At first glance, this image may be another black and white shot focusing on clean lines, strong light, a subject placed precisely within the frame. But look a little longer, and you’ll notice there are actually two acts of seeing happening. On the left, the photographer crouches, framing, deciding, directing. On the right, the subject stands in the light but she is composed, almost architectural herself. Yet, she isn’t passive. The way she leans into the wall, the tilt of the hat, the choice to face away — she shapes the image just as much. So who is in control? The photographer chooses where to stand, when to press the shutter. But the subject chooses how to exist within that moment: what to reveal, what to withhold. This photograph sits in that quiet tension. Not a moment of control, but of negotiation,  where seeing and being seen meet, and neither fully belongs to one alone. | Keith Wee]]></title>
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            <name>Keith Wee</name>
            <uri>https://www.cizucu.com/th/users/fxdhdPm0AKY0fV1ane3AERkTCXk2</uri>
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          <pubDate>Sun, 26 Apr 2026 15:13:39 GMT</pubDate>
          <atom:updated>2026-04-26T15:13:39+09:00</atom:updated>
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            <media:title><![CDATA[At first glance, this image may be another black and white shot focusing on clean lines, strong light, a subject placed precisely within the frame. But look a little longer, and you’ll notice there are actually two acts of seeing happening. On the left, the photographer crouches, framing, deciding, directing. On the right, the subject stands in the light but she is composed, almost architectural herself. Yet, she isn’t passive. The way she leans into the wall, the tilt of the hat, the choice to face away — she shapes the image just as much. So who is in control? The photographer chooses where to stand, when to press the shutter. But the subject chooses how to exist within that moment: what to reveal, what to withhold. This photograph sits in that quiet tension. Not a moment of control, but of negotiation,  where seeing and being seen meet, and neither fully belongs to one alone. | Keith Wee]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Keith Wee ใน cizucu]]></media:description>
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