ภาพถ่าย Drift | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/drift th 2026-04-27T09:27:31+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[#北の端と南の端 | pin purple D]]> https://www.cizucu.com/th/photos/SAwN4Q2ByvjQw5WZsTiy pin purple D https://www.cizucu.com/th/users/ntZkLMSnu0Mw2SZlld5GBJtXlUM2 https://www.cizucu.com/th/photos/SAwN4Q2ByvjQw5WZsTiy Tue, 02 Apr 2024 22:48:49 GMT 2024-11-19T18:09:15+09:00 https://cdn.cizucu.com/images/photos/SAwN4Q2ByvjQw5WZsTiy.jpg?auto=compress,format <![CDATA[Drift. | tkzw46]]> https://www.cizucu.com/th/photos/VSMWPG894oHGglEmp2PN tkzw46 https://www.cizucu.com/th/users/r5k8ozn1Gia5icxrKKQ5v5pcuFl1 https://www.cizucu.com/th/photos/VSMWPG894oHGglEmp2PN Wed, 18 Jun 2025 21:09:38 GMT 2025-06-18T21:09:38+09:00 https://cdn.cizucu.com/images/photos/VSMWPG894oHGglEmp2PN.jpg?auto=compress,format <![CDATA[Everyday I walk past this place. Nothing changes yet the light is never the same. Shadows drift quietly like passing thoughts. The tree stays only its shadow moves. I keep walking and gently, I notice. #ricohgr3 | benjamin]]> https://www.cizucu.com/th/photos/ocdhTagUXccO0wMgvWU7 benjamin https://www.cizucu.com/th/benjamin https://www.cizucu.com/th/photos/ocdhTagUXccO0wMgvWU7 Sat, 21 Mar 2026 20:08:05 GMT 2026-03-21T20:08:05+09:00 https://cdn.cizucu.com/images/photos/ocdhTagUXccO0wMgvWU7.jpg?auto=compress,format <![CDATA[2025.7.20 NISSAN S13 SILVIA. Camera : Canon EOS5DmarkⅣ Lens : EF 70-200mm f/2.8 L IS Ⅱ USM Filter : HAKUBA WIDE SCREW PL FILTER Location : 日光サーキット Date : 200mm SS 1/40sec f/9.0 ISO 100 Edit : Lrレタッチ →Ps現像 #s13 #nissan #silvia #sr20 #ドリフト #drift #drifting #日産 #s13シルビア #canon #eos #eos5dmark4 #ef70200f28lis2usm #一眼レフ #purpleline | hira_toshi]]> https://www.cizucu.com/th/photos/vvdMDvNZgndwt0iUa2a8 hira_toshi https://www.cizucu.com/th/users/MmMek3rz9FMTdsnGiIEvd0bN8v43 https://www.cizucu.com/th/photos/vvdMDvNZgndwt0iUa2a8 Tue, 22 Jul 2025 02:32:28 GMT 2025-07-22T02:32:28+09:00 https://cdn.cizucu.com/images/photos/vvdMDvNZgndwt0iUa2a8.jpg?auto=compress,format <![CDATA[2025.7.20 mazda RX-7 FD3S Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/320sec f/9.0 ISO 100 Edit : Lrレタッチ →Ps現像 #mazda #fd3s #rx7 #13brew #drift #drifting #d1lights #d1gp #d1grandprix #マツダ #ロータリーエンジン #mature #canon #eos #eos1dx #ef600mmf4lisiiusm #一眼レフ #purpleline | hira_toshi]]> https://www.cizucu.com/th/photos/8pQMeTIV494WJbS9671f hira_toshi https://www.cizucu.com/th/users/MmMek3rz9FMTdsnGiIEvd0bN8v43 https://www.cizucu.com/th/photos/8pQMeTIV494WJbS9671f Tue, 22 Jul 2025 02:31:28 GMT 2025-07-22T02:31:28+09:00 https://cdn.cizucu.com/images/photos/8pQMeTIV494WJbS9671f.jpg?auto=compress,format <![CDATA[向海而行，心隨浪遠 Heart adrift with the sea | Kelly C.]]> https://www.cizucu.com/th/photos/7VlWQ8xnK9LlmtTo5gQq Kelly C. https://www.cizucu.com/th/users/wHNJWeHHGmM8MXHeh1k2y8sQ6f02 https://www.cizucu.com/th/photos/7VlWQ8xnK9LlmtTo5gQq Mon, 20 Apr 2026 22:40:05 GMT 2026-04-20T22:40:05+09:00 https://cdn.cizucu.com/images/photos/7VlWQ8xnK9LlmtTo5gQq.jpg?auto=compress,format <![CDATA[2025.10.5 EIGHT BEAT 走行会 Camera : Canon EOS1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 群馬サイクルスポーツセンター Date : 600mm SS 1/40sec f/6.3 ISO 100 Edit : Lrレタッチ →Ps現像 #zd8 #zn8 #gr86 #brz #ドリフト #drift #drifting #ドリフト好きな人と繋がりたい #canon #eos #eos1dx #eos1dxmarkiii #ef600mmf4lisiiusm #kanifilter #manfrotto #一眼レフ #カメラ好きな人と繋がりたい #cizucu_photo #purpleline | hira_toshi]]> https://www.cizucu.com/th/photos/9lW4bGHQ6R7jmh3M0PaO hira_toshi https://www.cizucu.com/th/users/MmMek3rz9FMTdsnGiIEvd0bN8v43 https://www.cizucu.com/th/photos/9lW4bGHQ6R7jmh3M0PaO Sun, 19 Oct 2025 20:28:30 GMT 2025-10-19T20:28:30+09:00 https://cdn.cizucu.com/images/photos/9lW4bGHQ6R7jmh3M0PaO.jpg?auto=compress,format <![CDATA[2025.7.20 NISSAN S14 Silvia. 見た中で一番白煙が凄かった。 Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/100sec f/13 ISO 100 Edit : Lrレタッチ →Ps現像 #s14 #nissan #silvia #s14silvia #sr20 #ドリフト #drift #drifting #日産 #s14シルビア #ドリフト好きな人と繋がりたい #canon #eos #eos1dx #eos1dxmarkiii #ef600mmf4lisiiusm #kanifilter #一眼レフ #カメラ好きな人と繋がりたい #cizucu_photo #purpleline | hira_toshi]]> https://www.cizucu.com/th/photos/nsrrivBAtpvNC2yk7waT hira_toshi https://www.cizucu.com/th/users/MmMek3rz9FMTdsnGiIEvd0bN8v43 https://www.cizucu.com/th/photos/nsrrivBAtpvNC2yk7waT Fri, 01 Aug 2025 19:47:26 GMT 2025-08-01T19:47:26+09:00 https://cdn.cizucu.com/images/photos/nsrrivBAtpvNC2yk7waT.jpg?auto=compress,format <![CDATA[“The world drifts away; the bloom stands timeless.” 世界が遠のき、花だけが時を越える。 #nikonzf #nikonuser #nikonphotographer #nikon #40mmf2 #wherestillnessmeetshope #静寂と希望 #quietandhope #静かな時間 #stillmoments #quietplaces #filmlook #minimaljapan #光と影 | RURI]]> https://www.cizucu.com/th/photos/Ssn83cgHZBhDA9mbVOLJ RURI https://www.cizucu.com/th/ruristills https://www.cizucu.com/th/photos/Ssn83cgHZBhDA9mbVOLJ Sat, 07 Jun 2025 11:30:26 GMT 2025-06-07T11:30:26+09:00 https://cdn.cizucu.com/images/photos/Ssn83cgHZBhDA9mbVOLJ.jpg?auto=compress,format <![CDATA[2025.8.3 FORMULA DRIFT JAPAN 3 FDJ撮りに行ってきましたが暑すぎて最後まではいられず。。。 今までKANI FilterのPLフィルターつけていたと思ったけど実際はUVカットのを付けてたという。。。 改めてPLフィルターに変更して撮影するとしっかりコントラストが乗って良い感じです。 改めて設定を探し出さないといけなくなりましたw まぁ、頑張っていきます。。。 Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/500sec f/4.0 ISO 100 Edit : Lrレタッチ →Ps現像 #s15 #kpgc110 #kpgc10 #nissan #silvia #skyline #s15silvia #kpgc #sr20 #ドリフト #drift #drifting #日産 #s15シルビア #ハコスカ #ドリフト好きな人と繋がりたい #canon #eos #eos1dx #eos1dxmarkiii #ef600mmf4lisiiusm #kanifilter #一眼レフ #カメラ好きな人と繋がりたい #cizucu_photo #purpleline | hira_toshi]]> https://www.cizucu.com/th/photos/uQxOU1bNbUUGv45egQpO hira_toshi https://www.cizucu.com/th/users/MmMek3rz9FMTdsnGiIEvd0bN8v43 https://www.cizucu.com/th/photos/uQxOU1bNbUUGv45egQpO Mon, 04 Aug 2025 23:41:31 GMT 2025-08-04T23:41:31+09:00 https://cdn.cizucu.com/images/photos/uQxOU1bNbUUGv45egQpO.jpg?auto=compress,format <![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life. Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]> https://www.cizucu.com/th/photos/QSmZJSkwkQbEHeB2lxtJ Lawrence Liou https://www.cizucu.com/th/momoliou https://www.cizucu.com/th/photos/QSmZJSkwkQbEHeB2lxtJ Sat, 21 Mar 2026 13:53:18 GMT 2026-03-21T13:53:18+09:00 https://cdn.cizucu.com/images/photos/QSmZJSkwkQbEHeB2lxtJ.jpg?auto=compress,format <![CDATA[Title: The Willow Veil Viewed through the timeless curtain of a weeping willow, the frantic megalopolis is pushed into the distance, small and harmless. Nature reclaims the frame, offering a moment of 'Ma' (negative space) and stillness. The concrete remains, but the spirit has found its drift. This work is currently competing in the 23rd International Photography Awards (IPA). タイトル : The Willow Veil (柳の帳) 作品解説 : 枝垂れ柳の時を超えた帳（とばり）越しに眺めると、狂騒の巨大都市は彼方へと追いやられ、小さく無害なものへと変わります。自然が再び主役となり、「間」と静寂のひとときをもたらすのです。コンクリートは依然としてそこに在りますが、心はついにその漂うべき場所を見出したのです。 備考 : 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]> https://www.cizucu.com/th/photos/u6ua0Jxsn1pE4fXLb5Yh Corinne Vallienne https://www.cizucu.com/th/japantokyodaybyday https://www.cizucu.com/th/photos/u6ua0Jxsn1pE4fXLb5Yh Sat, 31 Jan 2026 17:58:07 GMT 2026-01-31T17:58:07+09:00 https://cdn.cizucu.com/images/photos/u6ua0Jxsn1pE4fXLb5Yh.jpg?auto=compress,format <![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge. At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]> https://www.cizucu.com/th/photos/c6X5QFypeVexSKsL3yma INKAN https://www.cizucu.com/th/users/394o0WNHj6P0jZeascrsAkgBWDx1 https://www.cizucu.com/th/photos/c6X5QFypeVexSKsL3yma Sat, 14 Mar 2026 02:33:47 GMT 2026-03-14T02:33:47+09:00 https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format <![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align. In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying. There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines. This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic. A place where everyone meets—yet no one stays. | analogbysissi]]> https://www.cizucu.com/th/photos/T23GHpu4jeBibaaVi8wS analogbysissi https://www.cizucu.com/th/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/th/photos/T23GHpu4jeBibaaVi8wS Fri, 10 Apr 2026 15:23:09 GMT 2026-04-10T15:23:09+09:00 https://cdn.cizucu.com/images/photos/T23GHpu4jeBibaaVi8wS.jpg?auto=compress,format