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          <title><![CDATA[空のお掃除 #blue #sky #washing #daily #berlin #germany #water | FUYU]]></title>
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          <title><![CDATA[like a poster  FUJIFILM X-E4 XF35mm F1.4R #東京 #ストリート #street | nero]]></title>
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          <pubDate>Sat, 08 Feb 2025 09:55:15 GMT</pubDate>
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          <title><![CDATA[きれい  #蝶々 #Butterfly #Berlin | sakisakichan]]></title>
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          <pubDate>Thu, 05 Jun 2025 09:16:36 GMT</pubDate>
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          <title><![CDATA[No wind serves him who addresses his voyage to no certain port. | Yosuke0312]]></title>
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          <pubDate>Sun, 05 Oct 2025 08:46:19 GMT</pubDate>
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          <title><![CDATA[Light finds its way through the leaves, like it always does. Slow, quiet, certain.  | benjamin]]></title>
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          <pubDate>Mon, 23 Mar 2026 20:52:22 GMT</pubDate>
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            <media:title><![CDATA[Light finds its way through the leaves, like it always does. Slow, quiet, certain.  | benjamin]]></media:title>
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          <title><![CDATA["There was a certain harmony with nature that I sensed in this unexpected arrangement of discarded items."  この粗大ゴミの絶妙な組み合わせに、わたしは自然との融合を感じた | つばさ製作所]]></title>
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          <pubDate>Sat, 19 Apr 2025 20:58:48 GMT</pubDate>
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          <title><![CDATA[帰りは後ろに座ると言うくだり  ゆず『さよならバス』を流して お互いに大声で歌いながら帰路に着く  新幹線発車まで後2時間  #nikonfm3a #遠距離恋愛 | ハマダ ノブヒロ]]></title>
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            <name>ハマダ ノブヒロ</name>
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          <pubDate>Thu, 23 Apr 2026 10:29:03 GMT</pubDate>
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          <title><![CDATA[This photo embodies the haze of faded memories and how certain parts inevitably slip away. You find yourself asking questions to reconstruct a moment buried so deep: What did she look like again? What book was she reading? How long ago was this? What did I wear that day?  This is a core memory for me, as it was the first time I experimented with double exposures on film. | Migolta]]></title>
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          <pubDate>Fri, 03 Apr 2026 09:36:04 GMT</pubDate>
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            <media:title><![CDATA[This photo embodies the haze of faded memories and how certain parts inevitably slip away. You find yourself asking questions to reconstruct a moment buried so deep: What did she look like again? What book was she reading? How long ago was this? What did I wear that day?  This is a core memory for me, as it was the first time I experimented with double exposures on film. | Migolta]]></media:title>
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          <title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></title>
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            <name>Franco Volpi</name>
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          <pubDate>Tue, 31 Mar 2026 02:52:38 GMT</pubDate>
          <atom:updated>2026-03-31T02:52:38+09:00</atom:updated>
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            <media:title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></media:title>
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          <title><![CDATA[This photograph was taken at 萬里海灘 in Taiwan.  On that day, a friend and I planned to photograph each other using film cameras. What remains in this image is not a pose, but the most honest moment I saw of him.  I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes whenever we talk. Even when he says “it’s fine” or “it doesn’t matter,” that gaze never truly disappears.  This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world.  This work is dedicated to everyone who feels lonely, but keeps moving forward, including myself. | Erica_林瑋瑜]]></title>
          <link>https://www.cizucu.com/th/photos/f18ScarEIZLJgxhe8xOy</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Erica_林瑋瑜 ใน cizucu]]></description>
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            <name>Erica_林瑋瑜</name>
            <uri>https://www.cizucu.com/th/erica09174</uri>
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          <pubDate>Wed, 18 Feb 2026 13:09:43 GMT</pubDate>
          <atom:updated>2026-02-18T13:09:43+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken at 萬里海灘 in Taiwan.  On that day, a friend and I planned to photograph each other using film cameras. What remains in this image is not a pose, but the most honest moment I saw of him.  I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes whenever we talk. Even when he says “it’s fine” or “it doesn’t matter,” that gaze never truly disappears.  This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world.  This work is dedicated to everyone who feels lonely, but keeps moving forward, including myself. | Erica_林瑋瑜]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Erica_林瑋瑜 ใน cizucu]]></media:description>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
          <link>https://www.cizucu.com/th/photos/ZGnqRjAS6NTCzWe3Irv5</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก analogbysissi ใน cizucu]]></description>
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            <name>analogbysissi</name>
            <uri>https://www.cizucu.com/th/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2</uri>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
          <atom:updated>2026-03-25T15:24:24+09:00</atom:updated>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
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          <title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></title>
          <link>https://www.cizucu.com/th/photos/PX9Bj4iUmBnjDhCqkLVD</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Kentledger ใน cizucu]]></description>
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            <name>Kentledger</name>
            <uri>https://www.cizucu.com/th/users/VAX9ZsNxAsUqISCWDLI5s5TwTWp2</uri>
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          <pubDate>Mon, 06 Apr 2026 07:52:56 GMT</pubDate>
          <atom:updated>2026-04-06T07:52:56+09:00</atom:updated>
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            <media:title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></media:title>
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