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          <title><![CDATA[Hustle and bustle. | 佐藤亜梨沙 │ Sato Arisa]]></title>
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          <pubDate>Sat, 27 Sep 2025 07:33:40 GMT</pubDate>
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          <title><![CDATA[Amid the city’s bustle, quiet hands shape timeless crafts.   | Wee]]></title>
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          <title><![CDATA[100点満点トースト  #料理 #手料理 #手作り #満点 #ケチャップ #文字 #トースト #バター #パン #朝食 #朝ごはん #morning #breakfast #bread #butter #toast #food #cooking #yummy #delicious #meal | eriko]]></title>
          <link>https://www.cizucu.com/th/photos/Hkq4AD9SlNFa0BgLk7mI</link>
          <description><![CDATA[ดาวน์โหลดภาพถ่าย ขนมปังปิ้งที่มีซอสมะเขือเทศเขียนหมายเลข 100 ที่ถ่ายโดย eriko ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
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          <title><![CDATA[A young couple sit atop a rocky butte to behold one of nature's grandest displays of beauty.   | Alexander Strandlien]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Alexander Strandlien ใน cizucu]]></description>
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          <title><![CDATA[Hippo scoping us out in Lake Kariba, Zimbabwe. All the others sunk underwater, this one remained and was quite menacing. You can feel the stare.  | Shayden Cathro]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Shayden Cathro ใน cizucu]]></description>
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          <pubDate>Wed, 30 Oct 2024 00:43:32 GMT</pubDate>
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            <media:title><![CDATA[Hippo scoping us out in Lake Kariba, Zimbabwe. All the others sunk underwater, this one remained and was quite menacing. You can feel the stare.  | Shayden Cathro]]></media:title>
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          <title><![CDATA[I remember back then I fell in love with hiking. I'd been to this place many times, but never had good weather. This time, I finally had some, and the moment I captured that moment, I thought, "Finally, a good photo!" That's the feeling of taking photos—it's quite magical. | JasonMusicman]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก JasonMusicman ใน cizucu]]></description>
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          <pubDate>Wed, 18 Mar 2026 11:19:21 GMT</pubDate>
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          <title><![CDATA[This photo was taken whilst cycling on the Shimanami Kaido in Japan. It was quite cold and I remember being fascinated with the foam on the water surface. I stood there for a while just observing the koi swim, undisturbed. It felt peaceful. | toot_a_loot]]></title>
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          <pubDate>Tue, 13 Jan 2026 16:52:27 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken whilst cycling on the Shimanami Kaido in Japan. It was quite cold and I remember being fascinated with the foam on the water surface. I stood there for a while just observing the koi swim, undisturbed. It felt peaceful. | toot_a_loot]]></media:title>
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          <title><![CDATA[This photo was taken at a kopitiam in Kuching, Malaysia. They serve coffee with butter over here and as you can see, it is a regular hangout spot for locals to talk about their day. I really enjoy the decor of the space as it reminds me of a simpler time. | toot_a_loot]]></title>
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          <pubDate>Tue, 13 Jan 2026 16:48:53 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken at a kopitiam in Kuching, Malaysia. They serve coffee with butter over here and as you can see, it is a regular hangout spot for locals to talk about their day. I really enjoy the decor of the space as it reminds me of a simpler time. | toot_a_loot]]></media:title>
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          <title><![CDATA[One of the great modern Mumbai's architecture the Bandra Worli sea link is quite a breathtaking view, joining two hubs of the greater Mumbai. Traveled to capture the beauty of bridge in morning 5:30 am and shot is taken at dusk in Mumbai, India. | Jeet Khagram]]></title>
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          <title><![CDATA[Jour de neige, Montmartre  La butte se couvre d’un manteau blanc, fragile et lumineux. Devant le Sacré-Cœur, les passants semblent suspendus dans le temps, leurs sourires se mêlant aux flocons qui dansent. Le manège tourne, léger, comme un écho des rires et de la magie de l’hiver, transformant Montmartre en un petit théâtre enchanté. | Eve Pinel]]></title>
          <link>https://www.cizucu.com/th/photos/DSc8Ro1QkYNQGFud062W</link>
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          <pubDate>Mon, 23 Mar 2026 03:19:27 GMT</pubDate>
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          <title><![CDATA[Shape of Solitude is a quiet homage to a hush. A tribute to the soul’s strange hunger for its own echo, for the unseen refuge it builds in the heart of chaos, It is not the absence of sound, but the presence of a thought.  Mitre Peak, a 1,683 m mountain is dwarfed by an a tree in the foreground. | Pravin Tamang]]></title>
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          <pubDate>Sun, 22 Feb 2026 20:39:10 GMT</pubDate>
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          <title><![CDATA[That day, my brother and I braved our fist self-guided multi-day adventure through the Central Highlands of Tasmania/Luruwita. What looked like clear skies and path ahead took a turn when a raging blizzard arrived in the first hour. In hindsight, it was quite telling of what else lay ahead. That day was just the beginning of what we now reflect on as “The Hero’s Journey”. | nai.msz]]></title>
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          <pubDate>Sun, 15 Mar 2026 20:03:55 GMT</pubDate>
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          <title><![CDATA[You’re 23, young, passionate and in love both figuratively and quite literally in the city of your dreams. A time where you can be exuberantly drunk on wine on a cold December night setting out with your lover, with rose tinted cheeks on your way to get a glimpse of what your life soon might look like. That night you sip on cocktails, steal kisses as you leave your bootprints on the snow covered New York streets, walk into book stores only to imagine your name on the ‘Pulitzer Prize’ shelf and end the night by breathing in the intoxication of your dreams taking form into reality.  | Drishti Gowda]]></title>
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          <pubDate>Mon, 16 Mar 2026 23:23:15 GMT</pubDate>
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          <title><![CDATA[High above the quiet garden, the moonlight slipped between branches heavy with ripe figs. A faint flutter broke the still air as a Greater Short-Nosed Fruit Bat glided in, guided by scent rather than sight. The bat hovered briefly, sniffing the sweet aroma, then settled upside-down beneath a perfect fig. With surprising delicacy, it tore into the soft fruit, savoring each bite. Juice glistened on its fur as seeds scattered to the ground—future fig trees planted by accident . Unaware of its role as a gardener of the night, the little bat fed until satisfied, then disappeared into the darkness, carrying the forest’s future in its tiny jaws. | Arijit Das]]></title>
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          <pubDate>Fri, 13 Mar 2026 16:50:12 GMT</pubDate>
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          <title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></title>
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          <pubDate>Sat, 25 Oct 2025 18:47:41 GMT</pubDate>
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          <title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다.  This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></title>
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          <pubDate>Sun, 07 Sep 2025 19:23:19 GMT</pubDate>
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          <title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></title>
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          <pubDate>Sun, 07 Sep 2025 17:31:56 GMT</pubDate>
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            <media:title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></media:title>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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