ภาพถ่าย Batang | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/batang th 2026-04-22T03:19:28+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[＃DANANG | ブー太郎]]> https://www.cizucu.com/th/photos/5ZOh5fgmrzobCEgDTZmg ブー太郎 https://www.cizucu.com/th/users/Y6zYoXH8qZgMSsHBULMqspdTq3t1 https://www.cizucu.com/th/photos/5ZOh5fgmrzobCEgDTZmg Tue, 03 Sep 2024 00:16:22 GMT 2024-09-06T13:30:40+09:00 https://cdn.cizucu.com/images/photos/5ZOh5fgmrzobCEgDTZmg.jpg?auto=compress,format <![CDATA[ストローに噛み跡があるから、犯人は子どもに違いない！ #juice #banana #バナナジュース | fujikko]]> https://www.cizucu.com/th/photos/ooeCXtdxmVSy5xWgD9do fujikko https://www.cizucu.com/th/fujikko https://www.cizucu.com/th/photos/ooeCXtdxmVSy5xWgD9do Sat, 15 Jul 2023 03:26:07 GMT 2024-09-09T17:30:06+09:00 https://cdn.cizucu.com/images/photos/ooeCXtdxmVSy5xWgD9do.jpg?auto=compress,format <![CDATA[豪快にアーン #eating #orca #killerwhale KOBE SUMA SEA WORLD 神戸市須磨区 | eriko]]> https://www.cizucu.com/th/photos/8M3rl612bjdy8y02MVvi eriko https://www.cizucu.com/th/users/VPyyWuW6pWhvCm1rpBV6m5INcPE2 https://www.cizucu.com/th/photos/8M3rl612bjdy8y02MVvi Sat, 04 Oct 2025 11:06:42 GMT 2025-10-04T11:06:42+09:00 https://cdn.cizucu.com/images/photos/8M3rl612bjdy8y02MVvi.jpg?auto=compress,format <![CDATA[Shadow Banana.🍌 #streetphotography #shadow | Kai Sakiyama]]> https://www.cizucu.com/th/photos/CBmC9T2dG6sICJXPsQCZ Kai Sakiyama https://www.cizucu.com/th/kaisakiyama https://www.cizucu.com/th/photos/CBmC9T2dG6sICJXPsQCZ Wed, 07 Jan 2026 19:47:27 GMT 2026-01-07T19:47:27+09:00 https://cdn.cizucu.com/images/photos/CBmC9T2dG6sICJXPsQCZ.jpg?auto=compress,format <![CDATA[Bukit Bintang Snap #マレーシア #クアラルンプール | masashi7069]]> https://www.cizucu.com/th/photos/YvZnI8q4XWhEwe3fijgG masashi7069 https://www.cizucu.com/th/users/49t4Qw3dttdM45ecLag28sFBcnM2 https://www.cizucu.com/th/photos/YvZnI8q4XWhEwe3fijgG Mon, 09 Jun 2025 22:44:54 GMT 2025-06-09T22:44:54+09:00 https://cdn.cizucu.com/images/photos/YvZnI8q4XWhEwe3fijgG.jpg?auto=compress,format <![CDATA[Bukit Bintang Snap #マレーシア #クアラルンプール | masashi7069]]> https://www.cizucu.com/th/photos/Jzj09E2JMCD4onrIFzBo masashi7069 https://www.cizucu.com/th/users/49t4Qw3dttdM45ecLag28sFBcnM2 https://www.cizucu.com/th/photos/Jzj09E2JMCD4onrIFzBo Mon, 09 Jun 2025 22:47:59 GMT 2025-06-09T22:47:59+09:00 https://cdn.cizucu.com/images/photos/Jzj09E2JMCD4onrIFzBo.jpg?auto=compress,format <![CDATA[Bukit Bintang Snap #マレーシア #クアラルンプール | masashi7069]]> https://www.cizucu.com/th/photos/GVRLg92HKBDl7WgX06y0 masashi7069 https://www.cizucu.com/th/users/49t4Qw3dttdM45ecLag28sFBcnM2 https://www.cizucu.com/th/photos/GVRLg92HKBDl7WgX06y0 Mon, 09 Jun 2025 22:48:38 GMT 2025-06-09T22:48:38+09:00 https://cdn.cizucu.com/images/photos/GVRLg92HKBDl7WgX06y0.jpg?auto=compress,format <![CDATA[週末の午後はのんびりおうちカフェ #パフェ #バナナ #イチゴ #ミント #自家製 #おうちカフェ #週末 #のんびり時間 #デザート #飯テロ #parfait #banana #strawberry #mint #homemade #weekend #relaxtime #dessert #food #atmealtime | littlekiss photography]]> https://www.cizucu.com/th/photos/vifjmKIjvjx8CWGbc3vD littlekiss photography https://www.cizucu.com/th/users/QX8v0O7G4OctkDoy71O5UDQjxpq2 https://www.cizucu.com/th/photos/vifjmKIjvjx8CWGbc3vD Fri, 20 Sep 2024 12:51:34 GMT 2024-09-20T12:52:07+09:00 https://cdn.cizucu.com/images/photos/vifjmKIjvjx8CWGbc3vD.jpg?auto=compress,format <![CDATA[Bukit Bintang Snap #マレーシア #クアラルンプール #アロー通り | masashi7069]]> https://www.cizucu.com/th/photos/eNHuySon3BQOE9UAJg2k masashi7069 https://www.cizucu.com/th/users/49t4Qw3dttdM45ecLag28sFBcnM2 https://www.cizucu.com/th/photos/eNHuySon3BQOE9UAJg2k Mon, 09 Jun 2025 22:46:23 GMT 2025-06-09T22:46:23+09:00 https://cdn.cizucu.com/images/photos/eNHuySon3BQOE9UAJg2k.jpg?auto=compress,format <![CDATA[Uncle bathing in the sun 太陽の光を浴びるおじさんです。 | Ed]]> https://www.cizucu.com/th/photos/YMQQouWt5Fq5zw6chSZU Ed https://www.cizucu.com/th/10969espada https://www.cizucu.com/th/photos/YMQQouWt5Fq5zw6chSZU Mon, 30 Mar 2026 13:41:37 GMT 2026-03-30T13:41:37+09:00 https://cdn.cizucu.com/images/photos/YMQQouWt5Fq5zw6chSZU.jpg?auto=compress,format <![CDATA[形は変われど、 鏡に映る京女性は健在。 #よーじや #あぶらとり紙BATON | Jang Kumi]]> https://www.cizucu.com/th/photos/HNgAL3N3weXN2PtVucHz Jang Kumi https://www.cizucu.com/th/users/75y6y4wfsKg1bchWCNP4FlmVLpJ3 https://www.cizucu.com/th/photos/HNgAL3N3weXN2PtVucHz Tue, 18 Jul 2023 10:24:02 GMT 2024-09-09T17:40:06+09:00 https://cdn.cizucu.com/images/photos/HNgAL3N3weXN2PtVucHz.jpg?auto=compress,format <![CDATA[煮詰まった仕事の、気分転換。 #よーじや #ゆず艶や #あぶらとり紙BATON | Jang Kumi]]> https://www.cizucu.com/th/photos/7dKvGYMPQ0qmukj3ogch Jang Kumi https://www.cizucu.com/th/users/75y6y4wfsKg1bchWCNP4FlmVLpJ3 https://www.cizucu.com/th/photos/7dKvGYMPQ0qmukj3ogch Tue, 18 Jul 2023 10:22:22 GMT 2024-09-09T17:40:06+09:00 https://cdn.cizucu.com/images/photos/7dKvGYMPQ0qmukj3ogch.jpg?auto=compress,format <![CDATA[After finishing school in Pak Nam, I rushed to Bang Pu to see the seagulls for the very first time. Even though I’ve lived next to the Bang Pu Recreation Centre for so long, I had never made the trip. It was a beautiful golden hour. Everything felt calm, chill, and perfectly still, as I want my life to be. | neu.nexid]]> https://www.cizucu.com/th/photos/Y8S3P7E6hDsgc0zD9Hx0 neu.nexid https://www.cizucu.com/th/users/TXjjYeJ8icPouTuVHowWEGT8WhM2 https://www.cizucu.com/th/photos/Y8S3P7E6hDsgc0zD9Hx0 Mon, 02 Feb 2026 15:05:13 GMT 2026-02-02T15:05:13+09:00 https://cdn.cizucu.com/images/photos/Y8S3P7E6hDsgc0zD9Hx0.jpg?auto=compress,format <![CDATA[They say experience is the best teacher, and I couldn’t agree more. I once felt uncomfortable eating alone in a restaurant, let alone sitting by myself at a bar. Traveling solo changed that. Each places I visited alone helped me understand myself better, and now I truly believe this is something everyone should experience in their life. Camera Info: iPhone SE - 28mm | Anamika]]> https://www.cizucu.com/th/photos/gGbIzb1NuuEilHtU99rS Anamika https://www.cizucu.com/th/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/th/photos/gGbIzb1NuuEilHtU99rS Tue, 20 Jan 2026 16:31:15 GMT 2026-01-20T16:31:15+09:00 https://cdn.cizucu.com/images/photos/gGbIzb1NuuEilHtU99rS.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/th/photos/Ytnb12FBlbK88ss0n1aC Ek Cheeze Dikhau https://www.cizucu.com/th/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/th/photos/Ytnb12FBlbK88ss0n1aC Thu, 05 Mar 2026 03:55:29 GMT 2026-03-05T03:55:29+09:00 https://cdn.cizucu.com/images/photos/Ytnb12FBlbK88ss0n1aC.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/th/photos/Jnx8ZtJKhekws72e8Vrq Ek Cheeze Dikhau https://www.cizucu.com/th/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/th/photos/Jnx8ZtJKhekws72e8Vrq Thu, 26 Feb 2026 19:22:02 GMT 2026-02-26T19:22:02+09:00 https://cdn.cizucu.com/images/photos/Jnx8ZtJKhekws72e8Vrq.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/th/photos/IemCQRfOA2gw9KrhLd3m Ek Cheeze Dikhau https://www.cizucu.com/th/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/th/photos/IemCQRfOA2gw9KrhLd3m Thu, 05 Mar 2026 03:14:04 GMT 2026-03-05T03:14:04+09:00 https://cdn.cizucu.com/images/photos/IemCQRfOA2gw9KrhLd3m.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/th/photos/BTPbTcVh6XvRHMAZaqsB Ek Cheeze Dikhau https://www.cizucu.com/th/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/th/photos/BTPbTcVh6XvRHMAZaqsB Thu, 26 Feb 2026 18:25:42 GMT 2026-02-26T18:25:42+09:00 https://cdn.cizucu.com/images/photos/BTPbTcVh6XvRHMAZaqsB.jpg?auto=compress,format <![CDATA[Juliet in the garden, December 2025 By Leonie Freeman In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover. I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes. Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden. Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film. | Leonie Freeman]]> https://www.cizucu.com/th/photos/LcfITjpuir5fca1v6H39 Leonie Freeman https://www.cizucu.com/th/users/Z3nyxOavExSZa5rmcDPnnZRo9P03 https://www.cizucu.com/th/photos/LcfITjpuir5fca1v6H39 Tue, 07 Apr 2026 23:00:45 GMT 2026-04-07T23:00:52+09:00 https://cdn.cizucu.com/images/photos/LcfITjpuir5fca1v6H39.jpg?auto=compress,format <![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five. They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day. We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself. This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]> https://www.cizucu.com/th/photos/1IuVoF2K24vT83YiYK40 熊寶 https://www.cizucu.com/th/users/zdddXarNsJdBtAS3ArljH0VHCDA2 https://www.cizucu.com/th/photos/1IuVoF2K24vT83YiYK40 Tue, 14 Apr 2026 12:44:16 GMT 2026-04-14T12:44:16+09:00 https://cdn.cizucu.com/images/photos/1IuVoF2K24vT83YiYK40.jpg?auto=compress,format