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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/qfABJ5QArl7LAgGm1mC9.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Derren | 德倫 ใน cizucu]]></media:description>
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          <title><![CDATA[NTPU.  📷：Nikon FE2 + 50mm f/1.4 AIS 🎞️：Arista EDU ULTRA 200 B&W  | Derren | 德倫]]></title>
          <link>https://www.cizucu.com/th/photos/ZFOaMOcxEDJnYHORfHoW</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Derren | 德倫 ใน cizucu]]></description>
          <author>
            <name>Derren | 德倫</name>
            <uri>https://www.cizucu.com/th/users/XW6LeVE5wOcFWamzbrEDMl9wIEt1</uri>
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          <pubDate>Sat, 07 Feb 2026 03:33:27 GMT</pubDate>
          <atom:updated>2026-02-07T03:33:27+09:00</atom:updated>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Derren | 德倫 ใน cizucu]]></media:description>
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          <title><![CDATA[Mazda3 📷：Nikon FE2 + 50mm f/1.4 AIS 🎞️：Arista EDU ULTRA 200 B&W | Derren | 德倫]]></title>
          <link>https://www.cizucu.com/th/photos/FFz8iYCF3FzpifhjFfSH</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Derren | 德倫 ใน cizucu]]></description>
          <author>
            <name>Derren | 德倫</name>
            <uri>https://www.cizucu.com/th/users/XW6LeVE5wOcFWamzbrEDMl9wIEt1</uri>
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          <pubDate>Sat, 07 Feb 2026 03:32:20 GMT</pubDate>
          <atom:updated>2026-02-07T03:32:20+09:00</atom:updated>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Derren | 德倫 ใน cizucu]]></media:description>
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          <title><![CDATA[This was taken along the streets in Hoi An, Vietnam. It showcases a local artist painting. I found the sight interesting and took this picture to document it. | Keira Low]]></title>
          <link>https://www.cizucu.com/th/photos/40hWL7ymfnZ7etXhBVJU</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Keira Low ใน cizucu]]></description>
          <author>
            <name>Keira Low</name>
            <uri>https://www.cizucu.com/th/kwiechaen</uri>
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          <pubDate>Tue, 13 Jan 2026 23:33:41 GMT</pubDate>
          <atom:updated>2026-01-13T23:33:41+09:00</atom:updated>
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            <media:title><![CDATA[This was taken along the streets in Hoi An, Vietnam. It showcases a local artist painting. I found the sight interesting and took this picture to document it. | Keira Low]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/40hWL7ymfnZ7etXhBVJU.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/40hWL7ymfnZ7etXhBVJU.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Keira Low ใน cizucu]]></media:description>
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          <title><![CDATA[For thirteen years, photography has taught me to slow down and notice the quiet poetry of everyday life. I am drawn to ordinary people doing ordinary things—walking, waiting, working, resting. Moments that often pass unnoticed, yet through the lens these fleeting fragments become something extraordinary.  On Charles Bridge in Prague, during golden hour, a street artist sketches the portrait of a passing tourist while the world moves around them. In a scene filled with faces, the only one we do not see is the artist’s—hidden as he brings another’s likeness to life.  For me, this simple moment reflects the heart of my photography: finding wonder in the ordinary and meaning in moments we often tend to miss in our everday lives. | Trishita Bhattacharya]]></title>
          <link>https://www.cizucu.com/th/photos/Cnx1Icbp0otPJg2yjyDm</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Trishita Bhattacharya ใน cizucu]]></description>
          <author>
            <name>Trishita Bhattacharya</name>
            <uri>https://www.cizucu.com/th/users/OuzxF4GGQ7ebp6bu41IVc9KRYQP2</uri>
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          <pubDate>Mon, 16 Mar 2026 00:57:12 GMT</pubDate>
          <atom:updated>2026-03-16T00:57:12+09:00</atom:updated>
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            <media:title><![CDATA[For thirteen years, photography has taught me to slow down and notice the quiet poetry of everyday life. I am drawn to ordinary people doing ordinary things—walking, waiting, working, resting. Moments that often pass unnoticed, yet through the lens these fleeting fragments become something extraordinary.  On Charles Bridge in Prague, during golden hour, a street artist sketches the portrait of a passing tourist while the world moves around them. In a scene filled with faces, the only one we do not see is the artist’s—hidden as he brings another’s likeness to life.  For me, this simple moment reflects the heart of my photography: finding wonder in the ordinary and meaning in moments we often tend to miss in our everday lives. | Trishita Bhattacharya]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Trishita Bhattacharya ใน cizucu]]></media:description>
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          <title><![CDATA[This photograph was taken last year in Bangkok at Wat Saket Ratchawora Mahawihan temple while I was preparing a travel article about places worth visiting in the city. As I stood there enjoying the view and the quiet atmosphere, I noticed a monk descending the staircase. The figure with an umbrella in hand captivated me — I had time for only one frame before he passed by. | Olga Vial]]></title>
          <link>https://www.cizucu.com/th/photos/mzoaKd2TEVvNGTe05wQH</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Olga Vial ใน cizucu]]></description>
          <author>
            <name>Olga Vial</name>
            <uri>https://www.cizucu.com/th/users/JseO4ucprhMUbaNHhEPCx16VPJ72</uri>
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          <pubDate>Sun, 15 Feb 2026 18:27:15 GMT</pubDate>
          <atom:updated>2026-02-15T18:27:15+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken last year in Bangkok at Wat Saket Ratchawora Mahawihan temple while I was preparing a travel article about places worth visiting in the city. As I stood there enjoying the view and the quiet atmosphere, I noticed a monk descending the staircase. The figure with an umbrella in hand captivated me — I had time for only one frame before he passed by. | Olga Vial]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/mzoaKd2TEVvNGTe05wQH.jpg?fm=jpg" type="image/jpeg" width="4492" height="6774" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/mzoaKd2TEVvNGTe05wQH.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/mzoaKd2TEVvNGTe05wQH.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Olga Vial ใน cizucu]]></media:description>
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          <title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></title>
          <link>https://www.cizucu.com/th/photos/mXCKJcjBdjZJvYzybHbi</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Wee ใน cizucu]]></description>
          <author>
            <name>Wee</name>
            <uri>https://www.cizucu.com/th/users/canqHYy9pXY5B11gyQqx3jcPe5z1</uri>
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          <pubDate>Sun, 22 Feb 2026 16:57:32 GMT</pubDate>
          <atom:updated>2026-02-22T16:57:32+09:00</atom:updated>
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            <media:title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/mXCKJcjBdjZJvYzybHbi.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/mXCKJcjBdjZJvYzybHbi.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Wee ใน cizucu]]></media:description>
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          <title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></title>
          <link>https://www.cizucu.com/th/photos/u35nF2vuBkD5ZcGa44FI</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Nandan Nabodit ใน cizucu]]></description>
          <author>
            <name>Nandan Nabodit</name>
            <uri>https://www.cizucu.com/th/nandannabodit</uri>
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          <pubDate>Fri, 13 Mar 2026 16:26:03 GMT</pubDate>
          <atom:updated>2026-03-13T16:26:03+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/u35nF2vuBkD5ZcGa44FI.jpg?fm=jpg" type="image/jpeg" width="4032" height="6048" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/u35nF2vuBkD5ZcGa44FI.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/u35nF2vuBkD5ZcGa44FI.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/u35nF2vuBkD5ZcGa44FI.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Nandan Nabodit ใน cizucu]]></media:description>
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          <title><![CDATA[This photograph was taken in France last November. It depicts straw and a tarp found in a field. I made very minimal edits to the image, but the light on that day—softened by fog—transports us into what feels like a photography studio or an artist’s workshop from the 19th century. To me, the drapery appears almost sculptural.  この写真は昨年11月にフランスで撮影されました。写っているのは、畑で見つけた藁とブルーシートです。画像にはほとんど編集を加えていませんが、その日の霧に包まれた光によって、まるで19世紀の写真スタジオや芸術家のアトリエにいるかのような感覚が生まれています。私にとって、このドレープはほとんど彫刻的に感じられます。 | Bonjour tangor]]></title>
          <link>https://www.cizucu.com/th/photos/sX6boUUJ8Cbb80rXXGPV</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Bonjour tangor ใน cizucu]]></description>
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            <name>Bonjour tangor</name>
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          <pubDate>Tue, 17 Mar 2026 16:42:37 GMT</pubDate>
          <atom:updated>2026-03-17T16:42:37+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken in France last November. It depicts straw and a tarp found in a field. I made very minimal edits to the image, but the light on that day—softened by fog—transports us into what feels like a photography studio or an artist’s workshop from the 19th century. To me, the drapery appears almost sculptural.  この写真は昨年11月にフランスで撮影されました。写っているのは、畑で見つけた藁とブルーシートです。画像にはほとんど編集を加えていませんが、その日の霧に包まれた光によって、まるで19世紀の写真スタジオや芸術家のアトリエにいるかのような感覚が生まれています。私にとって、このドレープはほとんど彫刻的に感じられます。 | Bonjour tangor]]></media:title>
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          <title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Leonie Freeman ใน cizucu]]></description>
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            <name>Leonie Freeman</name>
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          <pubDate>Tue, 07 Apr 2026 23:00:45 GMT</pubDate>
          <atom:updated>2026-04-07T23:00:52+09:00</atom:updated>
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            <media:title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Leonie Freeman ใน cizucu]]></media:description>
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