ภาพถ่าย Altare | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/altare th 2026-04-21T18:51:21+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Shinjyuku streetsnap camera：LeicaD-LUX-8 #Tokyo #streetsnap | はな]]> https://www.cizucu.com/th/photos/SN344oJ3WcYgOFW1KGPh はな https://www.cizucu.com/th/hanamarujirushi https://www.cizucu.com/th/photos/SN344oJ3WcYgOFW1KGPh Mon, 03 Mar 2025 15:37:25 GMT 2025-03-12T17:15:07+09:00 https://cdn.cizucu.com/images/photos/SN344oJ3WcYgOFW1KGPh.jpg?auto=compress,format <![CDATA[การตกแต่งภายในวัดแบบดั้งเดิม ผ้าม่านสีสันสดใส โคมไฟประดับ altar พร้อมของเซ่นไหว้ | fyonetsu]]> https://www.cizucu.com/th/photos/wNNnwWo09kO7XNx4dQHa fyonetsu https://www.cizucu.com/th/users/axdz6UovsTVPhSTai5jh28JIQe62 https://www.cizucu.com/th/photos/wNNnwWo09kO7XNx4dQHa Sat, 20 Jan 2024 11:16:40 GMT 2024-11-25T05:33:17+09:00 https://cdn.cizucu.com/images/photos/wNNnwWo09kO7XNx4dQHa.jpg?auto=compress,format <![CDATA[閉ざされた新宿ALTA #SJK #tokyo #ALTA #cityscape | つばさ製作所]]> https://www.cizucu.com/th/photos/B2riApzVSCm58bmYsRdW つばさ製作所 https://www.cizucu.com/th/tsubasa_mfg https://www.cizucu.com/th/photos/B2riApzVSCm58bmYsRdW Tue, 01 Apr 2025 20:17:11 GMT 2025-04-16T07:25:46+09:00 https://cdn.cizucu.com/images/photos/B2riApzVSCm58bmYsRdW.jpg?auto=compress,format <![CDATA[ฉากตลาดภายในเต็นท์พร้อมป้าย Svärd-Hallare และเด็ก | soak]]> https://www.cizucu.com/th/photos/M4xiw7Nr4DerdGFu7FZa soak https://www.cizucu.com/th/soak https://www.cizucu.com/th/photos/M4xiw7Nr4DerdGFu7FZa Sat, 24 Feb 2024 18:47:44 GMT 2024-11-22T12:24:52+09:00 https://cdn.cizucu.com/images/photos/M4xiw7Nr4DerdGFu7FZa.jpg?auto=compress,format <![CDATA[ฉากถนนที่พลุกพล่านมีผู้คนเดินอยู่หน้าป้าย Altar | Naoya]]> https://www.cizucu.com/th/photos/5no4Dt63OjIEI4o7D8qY Naoya https://www.cizucu.com/th/ggns0178 https://www.cizucu.com/th/photos/5no4Dt63OjIEI4o7D8qY Sun, 27 Jul 2025 19:44:33 GMT 2025-07-27T19:44:33+09:00 https://cdn.cizucu.com/images/photos/5no4Dt63OjIEI4o7D8qY.jpg?auto=compress,format <![CDATA[東京/Tokyo | Ka2]]> https://www.cizucu.com/th/photos/R4UJ2ZYbguCK45kXEade Ka2 https://www.cizucu.com/th/peekaboo171171 https://www.cizucu.com/th/photos/R4UJ2ZYbguCK45kXEade Wed, 08 Jan 2025 21:50:32 GMT 2025-01-17T08:44:41+09:00 https://cdn.cizucu.com/images/photos/R4UJ2ZYbguCK45kXEade.jpg?auto=compress,format <![CDATA[Scarlet Flare | ありぺい]]> https://www.cizucu.com/th/photos/DgIlmUrzfx3E8tWbCEbg ありぺい https://www.cizucu.com/th/aripei_photos https://www.cizucu.com/th/photos/DgIlmUrzfx3E8tWbCEbg Wed, 18 Feb 2026 23:15:52 GMT 2026-02-18T23:15:52+09:00 https://cdn.cizucu.com/images/photos/DgIlmUrzfx3E8tWbCEbg.jpg?auto=compress,format <![CDATA[Alvar Aalto’s house/ Finland | emilyo]]> https://www.cizucu.com/th/photos/FnWXJCTeKcZ4hsPNKkDE emilyo https://www.cizucu.com/th/users/QRurHVWycYQRwVvb9EWrOTxxPUO2 https://www.cizucu.com/th/photos/FnWXJCTeKcZ4hsPNKkDE Tue, 05 Nov 2024 10:55:26 GMT 2024-11-05T10:55:26+09:00 https://cdn.cizucu.com/images/photos/FnWXJCTeKcZ4hsPNKkDE.jpg?auto=compress,format <![CDATA[Stairwell Flare | Tokyo #mutsuboyphotography #leica | むつボーイ]]> https://www.cizucu.com/th/photos/SL0nH8LqarRdS2lMlebi むつボーイ https://www.cizucu.com/th/mutsu_boy https://www.cizucu.com/th/photos/SL0nH8LqarRdS2lMlebi Fri, 11 Jul 2025 18:33:36 GMT 2025-07-11T18:33:36+09:00 https://cdn.cizucu.com/images/photos/SL0nH8LqarRdS2lMlebi.jpg?auto=compress,format <![CDATA[#sign | YuKoreeda ]]> https://www.cizucu.com/th/photos/duEy7fiCLP95H6R5Qbbw YuKoreeda https://www.cizucu.com/th/yu___koreeda https://www.cizucu.com/th/photos/duEy7fiCLP95H6R5Qbbw Mon, 09 Dec 2024 12:25:24 GMT 2025-04-17T22:42:49+09:00 https://cdn.cizucu.com/images/photos/duEy7fiCLP95H6R5Qbbw.jpg?auto=compress,format <![CDATA[Shadows of late afternoon glare | Joyce Ngan]]> https://www.cizucu.com/th/photos/DTC3DC5XuV4dr3rU2PAS Joyce Ngan https://www.cizucu.com/th/jn https://www.cizucu.com/th/photos/DTC3DC5XuV4dr3rU2PAS Mon, 05 Jan 2026 14:10:10 GMT 2026-01-05T14:10:10+09:00 https://cdn.cizucu.com/images/photos/DTC3DC5XuV4dr3rU2PAS.jpg?auto=compress,format <![CDATA[Hippo scoping us out in Lake Kariba, Zimbabwe. All the others sunk underwater, this one remained and was quite menacing. You can feel the stare. | Shayden Cathro]]> https://www.cizucu.com/th/photos/9OdPpCTcqT66tzu9QT1i Shayden Cathro https://www.cizucu.com/th/users/OxjnRhC0ayThgh6q7y1CCVhAOQ92 https://www.cizucu.com/th/photos/9OdPpCTcqT66tzu9QT1i Wed, 30 Oct 2024 00:43:32 GMT 2024-10-30T00:47:41+09:00 https://cdn.cizucu.com/images/photos/9OdPpCTcqT66tzu9QT1i.jpg?auto=compress,format <![CDATA[Longing is created by unanswered questions, sketching invisible doorways in the thin air.  Ordinary afternoons turn into constellations of possibility; silence becomes sacred. Once I stood on solid ground. The allure of unanswered possibility lingers throughout the universe.  | The Monochromatic Society]]> https://www.cizucu.com/th/photos/bQO2TQiqeUBIOLT3b8jq The Monochromatic Society https://www.cizucu.com/th/users/P7rAItiV10cIu7YIF8lT26YypiK2 https://www.cizucu.com/th/photos/bQO2TQiqeUBIOLT3b8jq Fri, 20 Feb 2026 22:20:49 GMT 2026-02-20T22:20:49+09:00 https://cdn.cizucu.com/images/photos/bQO2TQiqeUBIOLT3b8jq.jpg?auto=compress,format <![CDATA[In the Altay Mountains of Xinjiang Uyghur Autonomous Region, a Kazakh man blows a sybyzgy (a traditional Kazakh wind instrument) on a frozen lake. | Rudy]]> https://www.cizucu.com/th/photos/MkSbvygLFumzK0CSRB4p Rudy https://www.cizucu.com/th/users/iGrdYECmLLh3PJGenioghC2kpSg1 https://www.cizucu.com/th/photos/MkSbvygLFumzK0CSRB4p Tue, 10 Mar 2026 22:09:16 GMT 2026-03-10T22:09:16+09:00 https://cdn.cizucu.com/images/photos/MkSbvygLFumzK0CSRB4p.jpg?auto=compress,format <![CDATA[Wong Kar Wai's Rhapsody. Inspired by the color palette of Wong Kar-wai’s cinema, this photograph explores memory as atmosphere rather than narrative. The yellow-green room evokes a childhood space altered by time, while the girl’s tights and skirt reference images I once loved and imagined for myself. The work becomes a projection of past emotions—uncertain, intimate, and softly lingering. | Erica_林瑋瑜]]> https://www.cizucu.com/th/photos/JY74wsRQI1CZhEOkJ8cN Erica_林瑋瑜 https://www.cizucu.com/th/erica09174 https://www.cizucu.com/th/photos/JY74wsRQI1CZhEOkJ8cN Thu, 22 Jan 2026 22:48:13 GMT 2026-01-22T22:48:13+09:00 https://cdn.cizucu.com/images/photos/JY74wsRQI1CZhEOkJ8cN.jpg?auto=compress,format <![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations. This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power. Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]> https://www.cizucu.com/th/photos/G1pEI8qxiuHKo467vUR2 Shawn Lim https://www.cizucu.com/th/users/xqTklW7ZRMMZLnKUUWJS4uVjhh53 https://www.cizucu.com/th/photos/G1pEI8qxiuHKo467vUR2 Sat, 17 Jan 2026 02:27:45 GMT 2026-01-17T02:27:45+09:00 https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format <![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt. Gentle Protection and the Loneliness of Being. An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.” Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects. Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated. The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness. Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence. To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world. Gentleness can be observed.Loneliness must be endured. | Wee]]> https://www.cizucu.com/th/photos/mXCKJcjBdjZJvYzybHbi Wee https://www.cizucu.com/th/users/canqHYy9pXY5B11gyQqx3jcPe5z1 https://www.cizucu.com/th/photos/mXCKJcjBdjZJvYzybHbi Sun, 22 Feb 2026 16:57:32 GMT 2026-02-22T16:57:32+09:00 https://cdn.cizucu.com/images/photos/mXCKJcjBdjZJvYzybHbi.jpg?auto=compress,format <![CDATA['The Master of Stares' Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect. Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/th/photos/GmG5c98t8qyvIemmkbiY Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/th/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/th/photos/GmG5c98t8qyvIemmkbiY Mon, 16 Mar 2026 19:26:03 GMT 2026-03-16T19:26:03+09:00 https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=compress,format <![CDATA[“The Master of Stillness” Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.” Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/th/photos/1eyhxZQn4uTXWO7fHhv6 Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/th/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/th/photos/1eyhxZQn4uTXWO7fHhv6 Sat, 24 Jan 2026 20:08:23 GMT 2026-01-24T20:08:23+09:00 https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format <![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align. In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying. There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines. This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic. A place where everyone meets—yet no one stays. | analogbysissi]]> https://www.cizucu.com/th/photos/T23GHpu4jeBibaaVi8wS analogbysissi https://www.cizucu.com/th/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/th/photos/T23GHpu4jeBibaaVi8wS Fri, 10 Apr 2026 15:23:09 GMT 2026-04-10T15:23:09+09:00 https://cdn.cizucu.com/images/photos/T23GHpu4jeBibaaVi8wS.jpg?auto=compress,format