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          <title><![CDATA[Scarlet Flare | ありぺい]]></title>
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          <title><![CDATA[#fire #flame #firework #summer | riku]]></title>
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          <title><![CDATA[路地  #路地 #flame #京都 #奥行き | yNAK]]></title>
          <link>https://www.cizucu.com/th/photos/gCV2S39s4tYAVxk9lyiW</link>
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            <name>yNAK</name>
            <uri>https://www.cizucu.com/th/ynak</uri>
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          <pubDate>Thu, 19 Jun 2025 23:08:08 GMT</pubDate>
          <atom:updated>2025-06-19T23:08:08+09:00</atom:updated>
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          <title><![CDATA[Shadows of late afternoon glare | Joyce Ngan]]></title>
          <link>https://www.cizucu.com/th/photos/DTC3DC5XuV4dr3rU2PAS</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Joyce Ngan ใน cizucu]]></description>
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            <name>Joyce Ngan</name>
            <uri>https://www.cizucu.com/th/jn</uri>
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          <pubDate>Mon, 05 Jan 2026 14:10:10 GMT</pubDate>
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          <title><![CDATA[Large Magellanic Cloud 大マゼラン雲 撮影日2023/10/30 場所チリ（リモート撮影） 機材Samyang 135mm F2->3.5+ZWO 2600MM 露出SⅡ300秒x3枚Ha300秒x4枚+OⅢ300秒x8枚 #リコリモ#仙台天文同好会#天体#天体写真#星雲#銀河 | さら]]></title>
          <link>https://www.cizucu.com/th/photos/gGfXsVx1eko4cxy3b5CH</link>
          <description><![CDATA[ดาวน์โหลดภาพถ่าย ภาพที่น่าทึ่งของเนบิวล่าและกาแล็กซีในจักรวาล ที่ถ่ายโดย さら ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
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            <name>さら</name>
            <uri>https://www.cizucu.com/th/sara56kg</uri>
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          <pubDate>Tue, 11 Mar 2025 17:13:50 GMT</pubDate>
          <atom:updated>2025-03-13T08:43:21+09:00</atom:updated>
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          <title><![CDATA[日曜、光の中で  日曜の午後、 光を纏って、 彼はただ立っていた。 静かな色気が 肌に滲んでゆく。  Dimanche, baigné de lumière  Un dimanche après-midi, il se tenait là, vêtu de soleil. Son charme tranquille se diffusait sur sa peau.  Shot with my Contax G1 & Cinestill 400D  | Louan Saint Silver]]></title>
          <link>https://www.cizucu.com/th/photos/pH8KQsUlmrlCfU6pGgLz</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Louan Saint Silver ใน cizucu]]></description>
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            <name>Louan Saint Silver</name>
            <uri>https://www.cizucu.com/th/saintsilver</uri>
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          <pubDate>Fri, 20 Jun 2025 13:35:19 GMT</pubDate>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/th/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Shawn Lim ใน cizucu]]></description>
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            <name>Shawn Lim</name>
            <uri>https://www.cizucu.com/th/users/xqTklW7ZRMMZLnKUUWJS4uVjhh53</uri>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
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            <media:title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></media:title>
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          <title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></title>
          <link>https://www.cizucu.com/th/photos/mXCKJcjBdjZJvYzybHbi</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Wee ใน cizucu]]></description>
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            <name>Wee</name>
            <uri>https://www.cizucu.com/th/users/canqHYy9pXY5B11gyQqx3jcPe5z1</uri>
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          <pubDate>Sun, 22 Feb 2026 16:57:32 GMT</pubDate>
          <atom:updated>2026-02-22T16:57:32+09:00</atom:updated>
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            <media:title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></media:title>
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          <title><![CDATA[Thee Kuttichathan Theyyam, captured in Kozhikode, embodies the fiery spirit of the revered deity believed to be the mischievous yet protective child spirit of Lord Shiva and Goddess Parvati.  Rooted in centuries old folklore, this ritual invokes Kuttichathan through vibrant costume, rhythmic chenda drum beats, dance, and sacred fire.  The photograph is not just an image of a ritual, but a living story of Kerala’s cultural heritage, preserved in flame and motion, witnessed by the local community and visitors from different parts of the world who comes together in spirit of faith and culture. Performed by the very talented Nidheesh Peruvannan Sir. | Poulomi Das]]></title>
          <link>https://www.cizucu.com/th/photos/0ufaljTfbGbNMY5rPlRC</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Poulomi Das ใน cizucu]]></description>
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            <name>Poulomi Das</name>
            <uri>https://www.cizucu.com/th/users/jn2H4skRTIQEknDvI1p3oRzn9AC2</uri>
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          <pubDate>Sat, 14 Mar 2026 22:35:46 GMT</pubDate>
          <atom:updated>2026-03-14T22:35:46+09:00</atom:updated>
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            <media:title><![CDATA[Thee Kuttichathan Theyyam, captured in Kozhikode, embodies the fiery spirit of the revered deity believed to be the mischievous yet protective child spirit of Lord Shiva and Goddess Parvati.  Rooted in centuries old folklore, this ritual invokes Kuttichathan through vibrant costume, rhythmic chenda drum beats, dance, and sacred fire.  The photograph is not just an image of a ritual, but a living story of Kerala’s cultural heritage, preserved in flame and motion, witnessed by the local community and visitors from different parts of the world who comes together in spirit of faith and culture. Performed by the very talented Nidheesh Peruvannan Sir. | Poulomi Das]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Poulomi Das ใน cizucu]]></media:description>
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          <title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></title>
          <link>https://www.cizucu.com/th/photos/O797H3ePbKxuqGDdvLjo</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Anamika ใน cizucu]]></description>
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            <name>Anamika</name>
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            <media:title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
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