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          <title><![CDATA[桜巡りの途中で立ち寄った グランビルアイランド。 建物を結ぶ外通路の屋根を見上げてみた  #屋根 #シンメトリー #グランビルイランド #バンクーバー #4月 #symmetry #abstract #granvilleisland #vancouver #april #dailylife #diary #cityscape | littlekiss photography]]></title>
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          <description><![CDATA[ดาวน์โหลดภาพถ่าย มุมมองของโครงสร้างภายในเต็นท์ที่มีสีแดงและสีเขียว ที่ถ่ายโดย littlekiss photography ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
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          <pubDate>Thu, 11 Apr 2024 17:21:50 GMT</pubDate>
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          <title><![CDATA[#yurakuchostation  #tokyointernationalforum  #symmetry  | yoshiokatomohiro]]></title>
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          <pubDate>Sat, 14 Jun 2025 21:18:22 GMT</pubDate>
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          <title><![CDATA[Surreal Echoes  A moment captured within the symmetry of Leadenhall Market, where architecture and human presence intersect. The lone figure introduces scale and emotion, while the enhanced reflection blurs reality, suggesting both solitude and clarity within the same space. | Reumel Brooks]]></title>
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          <pubDate>Sun, 05 Apr 2026 21:37:15 GMT</pubDate>
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          <title><![CDATA[This photo was taken at The Bombay Samachar building during a photo walk with my friend, Senora. Having been on several photo walks earlier, I always aimed for perfect, symmetrical shots. However, on this day, at this instant, I let go and asked her to pose casually. We captured a photo that incorporated symmetry with a human touch of asymmetry. | Abhijit Dey]]></title>
          <link>https://www.cizucu.com/th/photos/ky7N7KQJjPoiSOJYPkZW</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Abhijit Dey ใน cizucu]]></description>
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          <pubDate>Sat, 14 Mar 2026 19:20:51 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken at The Bombay Samachar building during a photo walk with my friend, Senora. Having been on several photo walks earlier, I always aimed for perfect, symmetrical shots. However, on this day, at this instant, I let go and asked her to pose casually. We captured a photo that incorporated symmetry with a human touch of asymmetry. | Abhijit Dey]]></media:title>
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          <title><![CDATA[I took this photo on the last day day of my three day trip to Hong Kong in November 2025. As someone who loves capturing lines, symmetry and geometry, this spot was on the top of my list of places to visit in the city. When I arrived it in the morning, the play of light and shadow was just perfect. I waited for a while, hoping for a subject to step into the frame and add a sense of scale and depth. Luckily, two people walked through and I was able to capture the shot I had been imagining. | Gautami Golani]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Gautami Golani ใน cizucu]]></description>
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          <pubDate>Wed, 21 Jan 2026 01:20:57 GMT</pubDate>
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            <media:title><![CDATA[I took this photo on the last day day of my three day trip to Hong Kong in November 2025. As someone who loves capturing lines, symmetry and geometry, this spot was on the top of my list of places to visit in the city. When I arrived it in the morning, the play of light and shadow was just perfect. I waited for a while, hoping for a subject to step into the frame and add a sense of scale and depth. Luckily, two people walked through and I was able to capture the shot I had been imagining. | Gautami Golani]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Gautami Golani ใน cizucu]]></media:description>
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          <title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Shikhar Bafna ใน cizucu]]></description>
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            <name>Shikhar Bafna</name>
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          <pubDate>Sun, 15 Mar 2026 02:16:04 GMT</pubDate>
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            <media:title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Shikhar Bafna ใน cizucu]]></media:description>
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