ภาพถ่าย Hamster | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/Hamster th 2026-04-25T21:49:35+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[#flower #aster 本当にアスターなのかはわからない | Jang Kumi]]> https://www.cizucu.com/th/photos/2cLnrhyonOrJAVQRaFTh Jang Kumi https://www.cizucu.com/th/users/75y6y4wfsKg1bchWCNP4FlmVLpJ3 https://www.cizucu.com/th/photos/2cLnrhyonOrJAVQRaFTh Tue, 26 Dec 2023 19:01:10 GMT 2024-11-25T23:46:17+09:00 https://cdn.cizucu.com/images/photos/2cLnrhyonOrJAVQRaFTh.jpg?auto=compress,format <![CDATA[2 partners, 2 bestfriends but who's the Master ? | Pikanchor]]> https://www.cizucu.com/th/photos/9knLuV2LCZZhqb4TAdnT Pikanchor https://www.cizucu.com/th/users/BGZ8WhAoOLbR8IbStD2ON5jI9wo1 https://www.cizucu.com/th/photos/9knLuV2LCZZhqb4TAdnT Sun, 30 Nov 2025 21:57:33 GMT 2025-11-30T21:57:33+09:00 https://cdn.cizucu.com/images/photos/9knLuV2LCZZhqb4TAdnT.jpg?auto=compress,format <![CDATA[パステルカラーのドーナツとチョコレート、うさぎのマシュマロでイースターをお祝い #イースター #ドーナツ #チョコレート #スイーツ #テーブルフォト #food #foodphotography #sweets #sweetsphoto #easter #donut #chocolate #marshmallow #hungry | littlekiss photography]]> https://www.cizucu.com/th/photos/0DlfMYuPXfzbucTdNs3I littlekiss photography https://www.cizucu.com/th/users/QX8v0O7G4OctkDoy71O5UDQjxpq2 https://www.cizucu.com/th/photos/0DlfMYuPXfzbucTdNs3I Sun, 17 Mar 2024 03:31:15 GMT 2024-11-21T01:05:13+09:00 https://cdn.cizucu.com/images/photos/0DlfMYuPXfzbucTdNs3I.jpg?auto=compress,format <![CDATA[When the wind moves faster than memory. | Yash Rane]]> https://www.cizucu.com/th/photos/o7UD6zwmHSFxohuTkZNk Yash Rane https://www.cizucu.com/th/users/p4C2inUv1ih89epMzxU1Djvz4B03 https://www.cizucu.com/th/photos/o7UD6zwmHSFxohuTkZNk Fri, 13 Mar 2026 17:03:17 GMT 2026-03-13T17:03:17+09:00 https://cdn.cizucu.com/images/photos/o7UD6zwmHSFxohuTkZNk.jpg?auto=compress,format <![CDATA[it stood there for years holding the sky without asking one day the ground changed its mind steel arrived machines spoke in noise and time moved faster than roots could follow still for a brief moment it was just a tree and the light was still gentle | benjamin]]> https://www.cizucu.com/th/photos/xPGuT6cdUmJxbXHRRNdl benjamin https://www.cizucu.com/th/benjamin https://www.cizucu.com/th/photos/xPGuT6cdUmJxbXHRRNdl Mon, 20 Apr 2026 20:59:00 GMT 2026-04-20T20:59:00+09:00 https://cdn.cizucu.com/images/photos/xPGuT6cdUmJxbXHRRNdl.jpg?auto=compress,format <![CDATA[“The Master of Stillness” Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.” Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/th/photos/1eyhxZQn4uTXWO7fHhv6 Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/th/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/th/photos/1eyhxZQn4uTXWO7fHhv6 Sat, 24 Jan 2026 20:08:23 GMT 2026-01-24T20:08:23+09:00 https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format <![CDATA['The Master of Stares' Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect. Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/th/photos/GmG5c98t8qyvIemmkbiY Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/th/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/th/photos/GmG5c98t8qyvIemmkbiY Mon, 16 Mar 2026 19:26:03 GMT 2026-03-16T19:26:03+09:00 https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=compress,format <![CDATA[March, Unlived I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence. In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls. Here, where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between. And yet I find myself missing that fragile hesitation. The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months. I traded that uncertainty for endless warmth, for skies that do not question themselves. But March— March was never about certainty. It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return. Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole. And here, palm leaves move without memory. I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility. And maybe that is what I miss most: not the cold, not the country— but the feeling of something beginning without knowing if it will last. | analogbysissi]]> https://www.cizucu.com/th/photos/ZGnqRjAS6NTCzWe3Irv5 analogbysissi https://www.cizucu.com/th/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/th/photos/ZGnqRjAS6NTCzWe3Irv5 Wed, 25 Mar 2026 15:24:24 GMT 2026-03-25T15:24:24+09:00 https://cdn.cizucu.com/images/photos/ZGnqRjAS6NTCzWe3Irv5.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/th/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/th/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/th/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia! I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot! A vision of this image would be that, in life, as we grow older and our pace of life gets faster where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life. | Chan Jian Liang]]> https://www.cizucu.com/th/photos/ztgEOwf07vQcHPzE3Kka Chan Jian Liang https://www.cizucu.com/th/users/RE5XitgnvzN0FtDjC58Fh6T1rz03 https://www.cizucu.com/th/photos/ztgEOwf07vQcHPzE3Kka Tue, 20 Jan 2026 21:49:17 GMT 2026-01-20T21:49:17+09:00 https://cdn.cizucu.com/images/photos/ztgEOwf07vQcHPzE3Kka.jpg?auto=compress,format <![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood. Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection. This photograph is one of the works in the ongoing project G-Book. G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR. From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft. G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。 我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。 G-Book —— 歲歲年年 自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。 這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]> https://www.cizucu.com/th/photos/u6xSn3fkwJSSHC9JLUdV shotbyje9_3 https://www.cizucu.com/th/users/hmqEmG8wfhU70SggnLFpm5U0eVy1 https://www.cizucu.com/th/photos/u6xSn3fkwJSSHC9JLUdV Thu, 02 Oct 2025 13:37:24 GMT 2025-10-02T13:37:24+09:00 https://cdn.cizucu.com/images/photos/u6xSn3fkwJSSHC9JLUdV.jpg?auto=compress,format