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          <title><![CDATA[Filtering through the Canopy | phyyy]]></title>
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          <pubDate>Fri, 03 Apr 2026 17:43:02 GMT</pubDate>
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          <title><![CDATA[ヒメウラナミジャノメ Common Fivering Ypthima argus May 2, 2024 横浜市  #Butterfly #チョウ #Insect #昆虫 | konoda]]></title>
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          <description><![CDATA[ดาวน์โหลดภาพถ่าย ผีเสื้อเกาะอยู่บนใบไม้ท่ามกลางหญ้า ที่ถ่ายโดย konoda ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
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          <pubDate>Mon, 20 May 2024 16:34:10 GMT</pubDate>
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          <title><![CDATA[If a city’s neon could breathe, it would be here in Dotonbori, lingering like a quiet thought. | Lawrence Liou]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lawrence Liou ใน cizucu]]></description>
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          <pubDate>Sat, 21 Mar 2026 16:34:05 GMT</pubDate>
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          <title><![CDATA[A misty mountain landscape with faint sunlight filtering through the fog, highlighting the silhouettes of trees. | Matthieu]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Matthieu ใน cizucu]]></description>
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            <name>Matthieu</name>
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          <pubDate>Mon, 09 Feb 2026 00:55:18 GMT</pubDate>
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            <media:title><![CDATA[A misty mountain landscape with faint sunlight filtering through the fog, highlighting the silhouettes of trees. | Matthieu]]></media:title>
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          <title><![CDATA[Wong Kar Wai's Rhapsody. Inspired by the color palette of Wong Kar-wai’s cinema, this photograph explores memory as atmosphere rather than narrative. The yellow-green room evokes a childhood space altered by time, while the girl’s tights and skirt reference images I once loved and imagined for myself. The work becomes a projection of past emotions—uncertain, intimate, and softly lingering. | Erica_林瑋瑜]]></title>
          <link>https://www.cizucu.com/th/photos/JY74wsRQI1CZhEOkJ8cN</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Erica_林瑋瑜 ใน cizucu]]></description>
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            <name>Erica_林瑋瑜</name>
            <uri>https://www.cizucu.com/th/erica09174</uri>
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          <pubDate>Thu, 22 Jan 2026 22:48:13 GMT</pubDate>
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            <media:title><![CDATA[Wong Kar Wai's Rhapsody. Inspired by the color palette of Wong Kar-wai’s cinema, this photograph explores memory as atmosphere rather than narrative. The yellow-green room evokes a childhood space altered by time, while the girl’s tights and skirt reference images I once loved and imagined for myself. The work becomes a projection of past emotions—uncertain, intimate, and softly lingering. | Erica_林瑋瑜]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Erica_林瑋瑜 ใน cizucu]]></media:description>
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          <title><![CDATA[To photograph is to be a silent witness to the unseen. It is the art of stepping into the quiet corners of curiosity and capturing life in its rawest form. Lingering only for a heartbeat, the objective is to capture the moment as it is and vanishing like dust in the wind, leaving nothing behind except for an untold story, slowly becoming only a memory. | timkoh]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก timkoh ใน cizucu]]></description>
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            <name>timkoh</name>
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          <pubDate>Mon, 05 Jan 2026 13:14:38 GMT</pubDate>
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            <media:title><![CDATA[To photograph is to be a silent witness to the unseen. It is the art of stepping into the quiet corners of curiosity and capturing life in its rawest form. Lingering only for a heartbeat, the objective is to capture the moment as it is and vanishing like dust in the wind, leaving nothing behind except for an untold story, slowly becoming only a memory. | timkoh]]></media:title>
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          <title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Hiren Patel ใน cizucu]]></description>
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            <name>Hiren Patel</name>
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          <pubDate>Thu, 12 Mar 2026 18:28:23 GMT</pubDate>
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            <media:title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></media:title>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก analogbysissi ใน cizucu]]></media:description>
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