Sean O'Shea

Where We Wear Ourselves Naz, Hoxton This body of work traces the quiet relationship between identity, clothing, and place. Subjects are photographed first in private, dressing in the outfit that feels most like them, before stepping into a location from their everyday life, chosen for what it means to them. The shoot becomes a kind of street-style editorial, but one rooted in intimacy rather than performance. Here, Naz obscures his own face, hands stacked over his eyes, rings and a watch catching the light where they might otherwise show expression. Identity is worn in the details: the jewellery, the leather, the bitten grin beneath.

FUJIFILM X-Pro1 런던

2026년 9월 25일

cizucu 라이선스 하에 무료로 이용 가능

3264 × 4896

Sean O'Shea

Where We Wear Ourselves Naz, Hoxton This body of work traces the quiet relationship between identity, clothing, and place. Subjects are photographed first in private, dressing in the outfit that feels most like them, before stepping into a location from their everyday life, chosen for what it means to them. The shoot becomes a kind of street-style editorial, but one rooted in intimacy rather than performance. Here, Naz obscures his own face, hands stacked over his eyes, rings and a watch catching the light where they might otherwise show expression. Identity is worn in the details: the jewellery, the leather, the bitten grin beneath.

FUJIFILM X-Pro1 런던

2026년 9월 25일

cizucu 라이선스 하에 무료로 이용 가능

3264 × 4896

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