Weingut의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/weingut ko 2026-04-17T19:18:00+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[산으로 둘러싸인 와이너리의 입구 대형 통과 초록색 병이 특징 | TATSU]]> https://www.cizucu.com/ko/photos/IF4d4R5FJgm4JwO4vmrJ TATSU https://www.cizucu.com/ko/users/xCZxztyw7eQncdziHMwIxZDiTsR2 https://www.cizucu.com/ko/photos/IF4d4R5FJgm4JwO4vmrJ Tue, 25 Jun 2024 17:58:02 GMT 2024-06-25T17:58:02+09:00 https://cdn.cizucu.com/images/photos/IF4d4R5FJgm4JwO4vmrJ.jpg?auto=compress,format <![CDATA[아름다운 포도밭에 둘러싸인 오래된 성 | fyonetsu]]> https://www.cizucu.com/ko/photos/liTHb11oo3ptQWeNNOkL fyonetsu https://www.cizucu.com/ko/users/axdz6UovsTVPhSTai5jh28JIQe62 https://www.cizucu.com/ko/photos/liTHb11oo3ptQWeNNOkL Sun, 21 Apr 2024 21:32:00 GMT 2024-11-18T22:00:02+09:00 https://cdn.cizucu.com/images/photos/liTHb11oo3ptQWeNNOkL.jpg?auto=compress,format <![CDATA[번호 214이 적힌 큰 나무 통 | Giostudio]]> https://www.cizucu.com/ko/photos/f56OLBtedZjt5NRl0Lgf Giostudio https://www.cizucu.com/ko/users/9fHBDwUqucR9u5mHu5mo0RSKrZl2 https://www.cizucu.com/ko/photos/f56OLBtedZjt5NRl0Lgf Fri, 08 Mar 2024 19:38:08 GMT 2024-11-21T15:25:48+09:00 https://cdn.cizucu.com/images/photos/f56OLBtedZjt5NRl0Lgf.jpg?auto=compress,format <![CDATA[녹음이 우거진 언덕에 있는 와이너리 간판과 포도밭 | akira tomiguchi]]> https://www.cizucu.com/ko/photos/6NT7KQ4f1TJhgHQWvuoh akira tomiguchi https://www.cizucu.com/ko/users/8JO4VmhxhxVE2BhjmIvMgCTYwjv2 https://www.cizucu.com/ko/photos/6NT7KQ4f1TJhgHQWvuoh Tue, 17 Dec 2024 17:06:22 GMT 2024-12-17T17:06:55+09:00 https://cdn.cizucu.com/images/photos/6NT7KQ4f1TJhgHQWvuoh.jpg?auto=compress,format <![CDATA[마룬색 벤치와 문이 있는 기차 내부 | みぃこ＊]]> https://www.cizucu.com/ko/photos/9XO37T6fGMPD1KpgoQxD みぃこ＊ https://www.cizucu.com/ko/users/Xp2dbJLQmIOFOxckm9VzuBaruvJ2 https://www.cizucu.com/ko/photos/9XO37T6fGMPD1KpgoQxD Thu, 04 Apr 2024 15:54:54 GMT 2024-11-19T14:23:57+09:00 https://cdn.cizucu.com/images/photos/9XO37T6fGMPD1KpgoQxD.jpg?auto=compress,format <![CDATA[1歳の誕生日 大泣き | ザトウクジラ]]> https://www.cizucu.com/ko/photos/9pttHBHl6sbwvIvkba4M ザトウクジラ https://www.cizucu.com/ko/users/obDABlFTmYTckwSzXk49lEpqOxE3 https://www.cizucu.com/ko/photos/9pttHBHl6sbwvIvkba4M Tue, 14 May 2024 21:20:17 GMT 2024-05-15T00:34:24+09:00 https://cdn.cizucu.com/images/photos/9pttHBHl6sbwvIvkba4M.jpg?auto=compress,format <![CDATA[四番目と五番目 | shoji masahiro]]> https://www.cizucu.com/ko/photos/KvYbOuB1DF9NPgTcy6XV shoji masahiro https://www.cizucu.com/ko/users/pj0BVnUFKjbT7uhCgHa29vbmGK02 https://www.cizucu.com/ko/photos/KvYbOuB1DF9NPgTcy6XV Sun, 06 Apr 2025 20:08:34 GMT 2025-04-16T13:48:40+09:00 https://cdn.cizucu.com/images/photos/KvYbOuB1DF9NPgTcy6XV.jpg?auto=compress,format <![CDATA[바닥에 누워 있는 아버지와 놀고 있는 아이가 울고 있다 | Roy and Lia ]]> https://www.cizucu.com/ko/photos/7dcf7FAznLKES0zKsZ0Z Roy and Lia https://www.cizucu.com/ko/users/DYOalBs0x1Wl6rTydBAndyMVRr42 https://www.cizucu.com/ko/photos/7dcf7FAznLKES0zKsZ0Z Wed, 20 Nov 2024 09:38:05 GMT 2024-11-20T09:38:28+09:00 https://cdn.cizucu.com/images/photos/7dcf7FAznLKES0zKsZ0Z.jpg?auto=compress,format <![CDATA["The weight of love" A small life crossing a vast frame-my backyard. #love #goose #shape #photography #composition #mood | CLori]]> https://www.cizucu.com/ko/photos/4996ERygxkFAnSuDhwsp CLori https://www.cizucu.com/ko/users/htwaD6LJmwRXZz8PbLMBZLoO05v2 https://www.cizucu.com/ko/photos/4996ERygxkFAnSuDhwsp Thu, 05 Feb 2026 00:21:36 GMT 2026-02-05T00:21:36+09:00 https://cdn.cizucu.com/images/photos/4996ERygxkFAnSuDhwsp.jpg?auto=compress,format <![CDATA[Midnight The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]> https://www.cizucu.com/ko/photos/zeQBG1PWRCcLsqxhUIaK Sam Ting https://www.cizucu.com/ko/users/S4JiP3bMWXdhjAT70s84hhyZHQE3 https://www.cizucu.com/ko/photos/zeQBG1PWRCcLsqxhUIaK Wed, 04 Mar 2026 21:51:13 GMT 2026-03-04T21:51:13+09:00 https://cdn.cizucu.com/images/photos/zeQBG1PWRCcLsqxhUIaK.jpg?auto=compress,format <![CDATA[Title: Midnight The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]> https://www.cizucu.com/ko/photos/wVpXzN0qEuF4aZ4VjKcX Sam Ting https://www.cizucu.com/ko/users/S4JiP3bMWXdhjAT70s84hhyZHQE3 https://www.cizucu.com/ko/photos/wVpXzN0qEuF4aZ4VjKcX Wed, 04 Mar 2026 21:49:14 GMT 2026-03-04T21:49:14+09:00 https://cdn.cizucu.com/images/photos/wVpXzN0qEuF4aZ4VjKcX.jpg?auto=compress,format <![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important. The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]> https://www.cizucu.com/ko/photos/9kCJljqc2Dn8wVHzN9lG Anamika https://www.cizucu.com/ko/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/ko/photos/9kCJljqc2Dn8wVHzN9lG Sat, 14 Mar 2026 01:57:30 GMT 2026-03-14T01:57:30+09:00 https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?auto=compress,format <![CDATA[That night wasn’t about the building. It was about stillness in a city that never slows down. I stood at the crossing as headlights carved through the dark, engines humming like a restless pulse. Steel and glass towered above like a portal in the sky. For a moment, I didn’t move. I let the city perform. The world rushes forward. Dreamers stay grounded. Alan Ng— chasing light in the weight of night. | Alan Ng]]> https://www.cizucu.com/ko/photos/81r3xqsW6KWsDWn7AIQ1 Alan Ng https://www.cizucu.com/ko/5fivegraphy https://www.cizucu.com/ko/photos/81r3xqsW6KWsDWn7AIQ1 Tue, 17 Feb 2026 16:26:55 GMT 2026-02-17T16:26:55+09:00 https://cdn.cizucu.com/images/photos/81r3xqsW6KWsDWn7AIQ1.jpg?auto=compress,format <![CDATA[Title: The Moment In Between. It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence. These images are not about where people are going. They are about where they pause. | Chawin Terk]]> https://www.cizucu.com/ko/photos/trC4T1git609KqNYjLla Chawin Terk https://www.cizucu.com/ko/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3 https://www.cizucu.com/ko/photos/trC4T1git609KqNYjLla Mon, 02 Feb 2026 18:05:46 GMT 2026-02-02T18:05:46+09:00 https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?auto=compress,format <![CDATA[These 2 photo are from my photo series called “無” (VOID) "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence. All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]> https://www.cizucu.com/ko/photos/F3NgSSzO6r8lgqyxoKae Him謙 https://www.cizucu.com/ko/users/zjBHZF3XZ2fazvjboU8yuc0bVdA3 https://www.cizucu.com/ko/photos/F3NgSSzO6r8lgqyxoKae Wed, 15 Apr 2026 13:40:04 GMT 2026-04-15T13:40:04+09:00 https://cdn.cizucu.com/images/photos/F3NgSSzO6r8lgqyxoKae.jpg?auto=compress,format <![CDATA[Agony Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface. In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm. This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]> https://www.cizucu.com/ko/photos/c4l8EClWI13vYtOt0C54 Urasha https://www.cizucu.com/ko/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3 https://www.cizucu.com/ko/photos/c4l8EClWI13vYtOt0C54 Fri, 13 Feb 2026 01:37:10 GMT 2026-02-13T01:37:10+09:00 https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format <![CDATA[Today I want to share this portrait I made at Singapore Japanese Cemetery Park, a place most people associate with quietness and memory. It’s not where you’d normally go looking for “pretty”, and yet that’s exactly the point: beauty often hides in the least expected places, waiting for us to slow down enough to notice it. The afternoon light was gentle, the bougainvillea was in bloom, and in that stillness, her expression felt even more tender, like a small moment of life whispering back into a space meant for remembrance. I love how photography can do that: it doesn’t erase the weight of a place, but it lets grace exist alongside it. | keithwee]]> https://www.cizucu.com/ko/photos/bPTnOCwkXSKamWI4XYCz keithwee https://www.cizucu.com/ko/users/fxdhdPm0AKY0fV1ane3AERkTCXk2 https://www.cizucu.com/ko/photos/bPTnOCwkXSKamWI4XYCz Mon, 16 Feb 2026 21:28:40 GMT 2026-02-16T21:28:40+09:00 https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?auto=compress,format <![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly. The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm. This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]> https://www.cizucu.com/ko/photos/wrp6m3nBJ201XnfheCWK Nishikantsnaps https://www.cizucu.com/ko/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2 https://www.cizucu.com/ko/photos/wrp6m3nBJ201XnfheCWK Fri, 13 Mar 2026 13:29:26 GMT 2026-03-13T13:29:26+09:00 https://cdn.cizucu.com/images/photos/wrp6m3nBJ201XnfheCWK.jpg?auto=compress,format <![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married. In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married. And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion. Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day. The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation. Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion. With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]> https://www.cizucu.com/ko/photos/HYQtjMa45dQlz5PrPH13 Tristan Tan https://www.cizucu.com/ko/users/sveWBa5Xithgvc2oZ0zUbvnYPKn2 https://www.cizucu.com/ko/photos/HYQtjMa45dQlz5PrPH13 Sat, 21 Feb 2026 04:20:42 GMT 2026-02-21T04:20:42+09:00 https://cdn.cizucu.com/images/photos/HYQtjMa45dQlz5PrPH13.jpg?auto=compress,format <![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align. In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying. There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines. This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic. A place where everyone meets—yet no one stays. | analogbysissi]]> https://www.cizucu.com/ko/photos/T23GHpu4jeBibaaVi8wS analogbysissi https://www.cizucu.com/ko/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/ko/photos/T23GHpu4jeBibaaVi8wS Fri, 10 Apr 2026 15:23:09 GMT 2026-04-10T15:23:09+09:00 https://cdn.cizucu.com/images/photos/T23GHpu4jeBibaaVi8wS.jpg?auto=compress,format