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      <title>Training의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드</title>
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      <description><![CDATA[cizucu에서 가장 뛰어난 고해상도 Training 사진 6장을 찾아보세요. 모든 사진은 로열티 프리이며 무료로 다운로드 가능하며, 어떤 프로젝트에도 적합하고 저작권 표기가 필요 없습니다.]]></description>
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          <title><![CDATA[無愛想 #野良猫　#柵の向こう　#睨み　#不機嫌 | なりるる]]></title>
          <link>https://www.cizucu.com/ko/photos/JHps8J7vrLtWlO81XOyD</link>
          <description><![CDATA[なりるる가 촬영한 고품질의 무료 창문에서 rusty railing과 낡은 벽을 배경으로 얼굴을 내민 고양이 사진을 cizucu에서 다운로드하세요.]]></description>
          <author>
            <name>なりるる</name>
            <uri>https://www.cizucu.com/ko/users/dZiKdZaZaqTffncHnBXtjsfLDDi1</uri>
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          <pubDate>Tue, 30 Jul 2024 06:14:41 GMT</pubDate>
          <atom:updated>2024-07-31T18:04:10+09:00</atom:updated>
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            <media:title><![CDATA[無愛想 #野良猫　#柵の向こう　#睨み　#不機嫌 | なりるる]]></media:title>
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            <media:description><![CDATA[なりるる가 촬영한 고품질의 무료 창문에서 rusty railing과 낡은 벽을 배경으로 얼굴을 내민 고양이 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA["Color Raining"  **사진을 처음 입문할 때 찍은 사진입니다. 앞으로도 피사체를 바라보는 순수한 시선과 선명한 색감을 담아내겠습니다 | 김대운]]></title>
          <link>https://www.cizucu.com/ko/photos/DwvbEzEZBC2wrTJVfQqx</link>
          <description><![CDATA[cizucu에서 김대운님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>김대운</name>
            <uri>https://www.cizucu.com/ko/users/69GsmVRcEodeED4D6ZxMg6fN4D93</uri>
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          <pubDate>Fri, 05 Sep 2025 22:33:47 GMT</pubDate>
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            <media:title><![CDATA["Color Raining"  **사진을 처음 입문할 때 찍은 사진입니다. 앞으로도 피사체를 바라보는 순수한 시선과 선명한 색감을 담아내겠습니다 | 김대운]]></media:title>
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            <media:description><![CDATA[cizucu에서 김대운님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[This was taken in Beijing, forbidden palace. It shows a tour guide raising a red fish, which is a popular symbol in Chinese culture, depicting wealth. | Keira Low]]></title>
          <link>https://www.cizucu.com/ko/photos/khdIMNFnIdgHiYxlvIMb</link>
          <description><![CDATA[cizucu에서 Keira Low님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Keira Low</name>
            <uri>https://www.cizucu.com/ko/kwiechaen</uri>
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          <pubDate>Tue, 03 Feb 2026 08:03:45 GMT</pubDate>
          <atom:updated>2026-02-03T08:03:45+09:00</atom:updated>
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            <media:title><![CDATA[This was taken in Beijing, forbidden palace. It shows a tour guide raising a red fish, which is a popular symbol in Chinese culture, depicting wealth. | Keira Low]]></media:title>
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            <media:description><![CDATA[cizucu에서 Keira Low님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[While passing through this space, I noticed the sunlight tracing the part of the architecture, casting shadows from the pillars across the ground. At that very moment, a passerby walked through the light.  For a brief second, the passerby, the shadows, and the space aligned. This is a quiet reminder of how small we are within the spaces we move through, and how quickly such moments pass. | helloocheryl]]></title>
          <link>https://www.cizucu.com/ko/photos/8l7VNsvjX8wvnO4eI9rs</link>
          <description><![CDATA[cizucu에서 helloocheryl님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>helloocheryl</name>
            <uri>https://www.cizucu.com/ko/users/fZsvJr0XchbUBYHFf4Jx5BYsJyC3</uri>
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          <pubDate>Mon, 16 Mar 2026 13:34:59 GMT</pubDate>
          <atom:updated>2026-03-16T13:34:59+09:00</atom:updated>
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            <media:title><![CDATA[While passing through this space, I noticed the sunlight tracing the part of the architecture, casting shadows from the pillars across the ground. At that very moment, a passerby walked through the light.  For a brief second, the passerby, the shadows, and the space aligned. This is a quiet reminder of how small we are within the spaces we move through, and how quickly such moments pass. | helloocheryl]]></media:title>
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            <media:description><![CDATA[cizucu에서 helloocheryl님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/ko/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[cizucu에서 Lucho Dávila님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/ko/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[cizucu에서 Lucho Dávila님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]></title>
          <link>https://www.cizucu.com/ko/photos/bITb7ULYlXIwtideTst0</link>
          <description><![CDATA[cizucu에서 thebirdingdude님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>thebirdingdude</name>
            <uri>https://www.cizucu.com/ko/users/uumn11m9lkgtduPibPPUk24xETm2</uri>
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          <pubDate>Thu, 12 Mar 2026 22:48:04 GMT</pubDate>
          <atom:updated>2026-03-12T22:48:04+09:00</atom:updated>
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            <media:title><![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bITb7ULYlXIwtideTst0.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[cizucu에서 thebirdingdude님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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