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      <title>Skink의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드</title>
      <link>https://www.cizucu.com/ko/explore/photos/skink</link>
      <description><![CDATA[cizucu에서 가장 뛰어난 고해상도 Skink 사진 12장을 찾아보세요. 모든 사진은 로열티 프리이며 무료로 다운로드 가능하며, 어떤 프로젝트에도 적합하고 저작권 표기가 필요 없습니다.]]></description>
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      <dc:language>ko</dc:language>
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          <title><![CDATA[Asian skunk cabbage  #SONY #Flower #水芭蕉  | daphoto]]></title>
          <link>https://www.cizucu.com/ko/photos/fUTriRjvnCCtwCzE4DUQ</link>
          <description><![CDATA[daphoto가 촬영한 고품질의 무료 흰 꽃잎과 초록색 수술의 클로즈업 사진을 cizucu에서 다운로드하세요.]]></description>
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            <name>daphoto</name>
            <uri>https://www.cizucu.com/ko/users/ii9LFGGPaRZNCqgjpXypHnN3RPn2</uri>
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          <pubDate>Mon, 22 Apr 2024 20:41:53 GMT</pubDate>
          <atom:updated>2024-04-26T16:30:50+09:00</atom:updated>
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            <media:title><![CDATA[Asian skunk cabbage  #SONY #Flower #水芭蕉  | daphoto]]></media:title>
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            <media:description><![CDATA[daphoto가 촬영한 고품질의 무료 흰 꽃잎과 초록색 수술의 클로즈업 사진을 cizucu에서 다운로드하세요.]]></media:description>
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        <item>
          <title><![CDATA[Tree skin | Djana Wang]]></title>
          <link>https://www.cizucu.com/ko/photos/HxUIPtMz8utKd1Ph6vvw</link>
          <description><![CDATA[cizucu에서 Djana Wang님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Djana Wang</name>
            <uri>https://www.cizucu.com/ko/users/RLRXgalhUMaVezzXiyoLdXzXopd2</uri>
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          <pubDate>Mon, 23 Mar 2026 07:29:18 GMT</pubDate>
          <atom:updated>2026-03-23T07:29:18+09:00</atom:updated>
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            <media:title><![CDATA[Tree skin | Djana Wang]]></media:title>
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            <media:description><![CDATA[cizucu에서 Djana Wang님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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        <item>
          <title><![CDATA[The time when spring’s colors softly sink into everything  春の色が静かに溶け込む時 | chanyeong]]></title>
          <link>https://www.cizucu.com/ko/photos/7eLlCGZzKRsUBs83Aba9</link>
          <description><![CDATA[cizucu에서 chanyeong님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>chanyeong</name>
            <uri>https://www.cizucu.com/ko/chanyeong</uri>
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          <pubDate>Wed, 08 Apr 2026 09:23:44 GMT</pubDate>
          <atom:updated>2026-04-08T09:23:44+09:00</atom:updated>
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            <media:title><![CDATA[The time when spring’s colors softly sink into everything  春の色が静かに溶け込む時 | chanyeong]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/7eLlCGZzKRsUBs83Aba9.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[cizucu에서 chanyeong님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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        <item>
          <title><![CDATA[『 skin 』 皮を剥かれた桃は、むき出しの肌のよう。 朝日を纏って、かすかに息をしている。 | onu]]></title>
          <link>https://www.cizucu.com/ko/photos/T3YbmOSinsWvPjlEjP6d</link>
          <description><![CDATA[cizucu에서 onu님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>onu</name>
            <uri>https://www.cizucu.com/ko/users/yNQGV4Yk2Zgw7W7zHYeIkExA22M2</uri>
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          <pubDate>Sat, 30 Aug 2025 21:38:50 GMT</pubDate>
          <atom:updated>2025-08-30T21:38:50+09:00</atom:updated>
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            <media:title><![CDATA[『 skin 』 皮を剥かれた桃は、むき出しの肌のよう。 朝日を纏って、かすかに息をしている。 | onu]]></media:title>
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            <media:description><![CDATA[cizucu에서 onu님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[The water halls on my skin  体験したことは身体に降り注ぎ、通り抜けて、 自分の中に僅かに蓄積されていく。 それをただ繰り返していくのが、ぼくたちの表現。  ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ | haru wagnus]]></title>
          <link>https://www.cizucu.com/ko/photos/vVICRK9yifQbnzIkl3T9</link>
          <description><![CDATA[cizucu에서 haru wagnus님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>haru wagnus</name>
            <uri>https://www.cizucu.com/ko/users/3r4mPvz7UyUxyhhVBUvIMIxjQ392</uri>
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          <pubDate>Wed, 23 Jul 2025 17:08:07 GMT</pubDate>
          <atom:updated>2025-07-23T17:08:07+09:00</atom:updated>
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            <media:title><![CDATA[The water halls on my skin  体験したことは身体に降り注ぎ、通り抜けて、 自分の中に僅かに蓄積されていく。 それをただ繰り返していくのが、ぼくたちの表現。  ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ | haru wagnus]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/vVICRK9yifQbnzIkl3T9.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 haru wagnus님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/ko/photos/Ytnb12FBlbK88ss0n1aC</link>
          <description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 05 Mar 2026 03:55:29 GMT</pubDate>
          <atom:updated>2026-03-05T03:55:29+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/ko/photos/Jnx8ZtJKhekws72e8Vrq</link>
          <description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 26 Feb 2026 19:22:02 GMT</pubDate>
          <atom:updated>2026-02-26T19:22:02+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/ko/photos/IemCQRfOA2gw9KrhLd3m</link>
          <description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 05 Mar 2026 03:14:04 GMT</pubDate>
          <atom:updated>2026-03-05T03:14:04+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/ko/photos/BTPbTcVh6XvRHMAZaqsB</link>
          <description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 26 Feb 2026 18:25:42 GMT</pubDate>
          <atom:updated>2026-02-26T18:25:42+09:00</atom:updated>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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            <media:description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></title>
          <link>https://www.cizucu.com/ko/photos/5Ziz9Ckz3TpGlEq3rcU3</link>
          <description><![CDATA[cizucu에서 Giuliana E. Miceli님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Giuliana E. Miceli</name>
            <uri>https://www.cizucu.com/ko/users/X0Uppurh6OXofv9sRiTUGtUb9x73</uri>
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          <pubDate>Sat, 06 Dec 2025 13:50:34 GMT</pubDate>
          <atom:updated>2025-12-06T13:50:34+09:00</atom:updated>
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            <media:title><![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person.   I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park.  Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5Ziz9Ckz3TpGlEq3rcU3.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Giuliana E. Miceli님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Amidst the transience of Tokyo, where glass and steel are but fleeting shadows, only the clarity of the spirit remains. Upon the raw skin of concrete, the geisha’s presence lingers like an eternal whisper. Even as the city fades, light and tradition stand as the only immutable architecture of our souls. ガラスと鉄の影が移ろう東京の無常の中で、ただ精神の光だけがそこに留まります。コンクリートの肌に浮かぶ芸者の面影は、永遠の囁きのようです。都市が消え去っても、光と伝統こそが私たちの魂に刻まれた唯一の不変の建築なのです。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/ko/photos/npfZSamp3sezVDiZMAJb</link>
          <description><![CDATA[cizucu에서 Corinne Vallienne님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Corinne Vallienne</name>
            <uri>https://www.cizucu.com/ko/japantokyodaybyday</uri>
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          <pubDate>Mon, 09 Mar 2026 11:10:42 GMT</pubDate>
          <atom:updated>2026-03-09T11:10:42+09:00</atom:updated>
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            <media:title><![CDATA[Amidst the transience of Tokyo, where glass and steel are but fleeting shadows, only the clarity of the spirit remains. Upon the raw skin of concrete, the geisha’s presence lingers like an eternal whisper. Even as the city fades, light and tradition stand as the only immutable architecture of our souls. ガラスと鉄の影が移ろう東京の無常の中で、ただ精神の光だけがそこに留まります。コンクリートの肌に浮かぶ芸者の面影は、永遠の囁きのようです。都市が消え去っても、光と伝統こそが私たちの魂に刻まれた唯一の不変の建築なのです。 | Corinne Vallienne]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/npfZSamp3sezVDiZMAJb.jpg?fm=jpg" type="image/jpeg" width="5000" height="7500" />
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            <media:description><![CDATA[cizucu에서 Corinne Vallienne님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></title>
          <link>https://www.cizucu.com/ko/photos/u6xSn3fkwJSSHC9JLUdV</link>
          <description><![CDATA[cizucu에서 shotbyje9_3님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <uri>https://www.cizucu.com/ko/users/hmqEmG8wfhU70SggnLFpm5U0eVy1</uri>
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          <pubDate>Thu, 02 Oct 2025 13:37:24 GMT</pubDate>
          <atom:updated>2025-10-02T13:37:24+09:00</atom:updated>
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            <media:title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></media:title>
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            <media:description><![CDATA[cizucu에서 shotbyje9_3님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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