Serval의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/serval ko 2026-04-25T01:44:22+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[ツボりますよね、この姿 ゴマフアザラシ #water #aquarium #seal KOBE SUMA SEA WORLD 神戸市須磨区 | eriko]]> https://www.cizucu.com/ko/photos/WN938bBOGZ8axUwZmzNZ eriko https://www.cizucu.com/ko/users/VPyyWuW6pWhvCm1rpBV6m5INcPE2 https://www.cizucu.com/ko/photos/WN938bBOGZ8axUwZmzNZ Sat, 04 Oct 2025 19:29:08 GMT 2025-10-04T19:29:08+09:00 https://cdn.cizucu.com/images/photos/WN938bBOGZ8axUwZmzNZ.jpg?auto=compress,format <![CDATA[水鏡の天井 ゴマフアザラシ #water #aquarium #seal #mirror KOBE SUMA SEA WORLD 神戸市須磨区 | eriko]]> https://www.cizucu.com/ko/photos/Xv04zSizqqOvjk2L8EhC eriko https://www.cizucu.com/ko/users/VPyyWuW6pWhvCm1rpBV6m5INcPE2 https://www.cizucu.com/ko/photos/Xv04zSizqqOvjk2L8EhC Sat, 04 Oct 2025 19:27:39 GMT 2025-10-04T19:27:39+09:00 https://cdn.cizucu.com/images/photos/Xv04zSizqqOvjk2L8EhC.jpg?auto=compress,format <![CDATA[いい湯？だな♪ ゴマフアザラシ #water #aquarium #seal #relax KOBE SUMA SEA WORLD 神戸市須磨区 | eriko]]> https://www.cizucu.com/ko/photos/4oViqJGQGsFGGFSP54Lq eriko https://www.cizucu.com/ko/users/VPyyWuW6pWhvCm1rpBV6m5INcPE2 https://www.cizucu.com/ko/photos/4oViqJGQGsFGGFSP54Lq Sat, 04 Oct 2025 19:25:42 GMT 2025-10-04T19:25:42+09:00 https://cdn.cizucu.com/images/photos/4oViqJGQGsFGGFSP54Lq.jpg?auto=compress,format <![CDATA[No wind serves him who addresses his voyage to no certain port. | Yosuke0312]]> https://www.cizucu.com/ko/photos/dMUgnvR1jlAcNwm7t1n3 Yosuke0312 https://www.cizucu.com/ko/users/Wq6tVKsLfQM2RvL8nqY7YJQCtX12 https://www.cizucu.com/ko/photos/dMUgnvR1jlAcNwm7t1n3 Sun, 05 Oct 2025 08:46:19 GMT 2025-10-05T08:46:19+09:00 https://cdn.cizucu.com/images/photos/dMUgnvR1jlAcNwm7t1n3.jpg?auto=compress,format <![CDATA[An aerial view of a snow-covered forest, showcasing tall evergreen trees blanketed in frost. | Matthieu]]> https://www.cizucu.com/ko/photos/2umeGgMytCpxuCwxahRD Matthieu https://www.cizucu.com/ko/matthieu https://www.cizucu.com/ko/photos/2umeGgMytCpxuCwxahRD Mon, 09 Feb 2026 01:05:44 GMT 2026-02-09T01:05:44+09:00 https://cdn.cizucu.com/images/photos/2umeGgMytCpxuCwxahRD.jpg?auto=compress,format <![CDATA[Dramatic aerial view of thick cloud layers with a towering cumulonimbus cloud rising into a dark, stormy sky. | Matthieu]]> https://www.cizucu.com/ko/photos/imbXmZ8vMdtYYxlnIfdv Matthieu https://www.cizucu.com/ko/matthieu https://www.cizucu.com/ko/photos/imbXmZ8vMdtYYxlnIfdv Mon, 09 Feb 2026 01:00:56 GMT 2026-02-09T01:00:56+09:00 https://cdn.cizucu.com/images/photos/imbXmZ8vMdtYYxlnIfdv.jpg?auto=compress,format <![CDATA[Kuntsilo is an award winning building and was a former grain silo on the island of Odderøya in Kristiansand. It used to serve as an emergency storage for 15000 tonnes of grain. | Thecynicalfox]]> https://www.cizucu.com/ko/photos/sHDHl5CRlhtIZOL3EiLv Thecynicalfox https://www.cizucu.com/ko/thecyicalfox https://www.cizucu.com/ko/photos/sHDHl5CRlhtIZOL3EiLv Mon, 12 Jan 2026 16:50:01 GMT 2026-01-12T16:50:01+09:00 https://cdn.cizucu.com/images/photos/sHDHl5CRlhtIZOL3EiLv.jpg?auto=compress,format <![CDATA[This photo was taken at a kopitiam in Kuching, Malaysia. They serve coffee with butter over here and as you can see, it is a regular hangout spot for locals to talk about their day. I really enjoy the decor of the space as it reminds me of a simpler time. | toot_a_loot]]> https://www.cizucu.com/ko/photos/p5LpWRZZdSfzF4LfqujX toot_a_loot https://www.cizucu.com/ko/tootaloot https://www.cizucu.com/ko/photos/p5LpWRZZdSfzF4LfqujX Tue, 13 Jan 2026 16:48:53 GMT 2026-01-13T16:48:53+09:00 https://cdn.cizucu.com/images/photos/p5LpWRZZdSfzF4LfqujX.jpg?auto=compress,format <![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect. I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]> https://www.cizucu.com/ko/photos/z51tp1hZVa8RWblaxQor Souvik Roy https://www.cizucu.com/ko/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2 https://www.cizucu.com/ko/photos/z51tp1hZVa8RWblaxQor Sat, 14 Mar 2026 18:17:45 GMT 2026-03-14T18:17:45+09:00 https://cdn.cizucu.com/images/photos/z51tp1hZVa8RWblaxQor.jpg?auto=compress,format <![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect. I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]> https://www.cizucu.com/ko/photos/2liSNRVpSQ1iBWS2wvoy Souvik Roy https://www.cizucu.com/ko/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2 https://www.cizucu.com/ko/photos/2liSNRVpSQ1iBWS2wvoy Mon, 16 Mar 2026 03:16:14 GMT 2026-03-16T03:16:14+09:00 https://cdn.cizucu.com/images/photos/2liSNRVpSQ1iBWS2wvoy.jpg?auto=compress,format <![CDATA[These 2 photo are from my photo series called “無” (VOID) "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence. All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]> https://www.cizucu.com/ko/photos/F3NgSSzO6r8lgqyxoKae Him謙 https://www.cizucu.com/ko/users/zjBHZF3XZ2fazvjboU8yuc0bVdA3 https://www.cizucu.com/ko/photos/F3NgSSzO6r8lgqyxoKae Wed, 15 Apr 2026 13:40:04 GMT 2026-04-15T13:40:04+09:00 https://cdn.cizucu.com/images/photos/F3NgSSzO6r8lgqyxoKae.jpg?auto=compress,format <![CDATA[Agony Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface. In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm. This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]> https://www.cizucu.com/ko/photos/c4l8EClWI13vYtOt0C54 Urasha https://www.cizucu.com/ko/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3 https://www.cizucu.com/ko/photos/c4l8EClWI13vYtOt0C54 Fri, 13 Feb 2026 01:37:10 GMT 2026-02-13T01:37:10+09:00 https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format <![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata. Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children. Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade. Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]> https://www.cizucu.com/ko/photos/KZDnxBOM6WBleZ6DoLfC DrChuaYang https://www.cizucu.com/ko/users/GWI7CPKnpjcKL3y0b7xMpqZRTg12 https://www.cizucu.com/ko/photos/KZDnxBOM6WBleZ6DoLfC Wed, 11 Mar 2026 19:46:29 GMT 2026-03-11T19:46:29+09:00 https://cdn.cizucu.com/images/photos/KZDnxBOM6WBleZ6DoLfC.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/ko/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/ko/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/ko/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/ko/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/ko/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/ko/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format <![CDATA[Feral Grace II: Bound, Yet Willing to Fly Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series. At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted. The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum. Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it. 《野性優雅 II：向前飛行的束縛》 《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。 在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。 畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。 真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]> https://www.cizucu.com/ko/photos/4YB1R7rZka3WwEA2UxGN W Mick https://www.cizucu.com/ko/mick116 https://www.cizucu.com/ko/photos/4YB1R7rZka3WwEA2UxGN Sun, 21 Dec 2025 01:52:37 GMT 2025-12-21T01:52:37+09:00 https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format