Regalo의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/regalo ko 2026-04-06T08:15:41+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[여성이 Galo 축구 유니폼을 입고 웃고 있다 | giarola]]> https://www.cizucu.com/ko/photos/xon14nlL0e0NMf6Pq3lr giarola https://www.cizucu.com/ko/users/xUefslEhpkUTlYh0aij2IOB8OZH2 https://www.cizucu.com/ko/photos/xon14nlL0e0NMf6Pq3lr Mon, 26 May 2025 02:10:50 GMT 2025-05-26T02:10:50+09:00 https://cdn.cizucu.com/images/photos/xon14nlL0e0NMf6Pq3lr.jpg?auto=compress,format <![CDATA[Half-real, half-dream, when the sea’s in a good mood. | Anamika]]> https://www.cizucu.com/ko/photos/OEFmo7i32W2s9z8jiOUm Anamika https://www.cizucu.com/ko/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/ko/photos/OEFmo7i32W2s9z8jiOUm Mon, 09 Feb 2026 13:17:04 GMT 2026-02-09T13:17:04+09:00 https://cdn.cizucu.com/images/photos/OEFmo7i32W2s9z8jiOUm.jpg?auto=compress,format <![CDATA[One of the most incredible places I’ve been. Sandwich Harbour, Namibia. The vastness of the desert dunes that meet the vastness of the ocean was u real. | Shayden Cathro]]> https://www.cizucu.com/ko/photos/fhVWhisx7c9aZsSZLtG5 Shayden Cathro https://www.cizucu.com/ko/users/OxjnRhC0ayThgh6q7y1CCVhAOQ92 https://www.cizucu.com/ko/photos/fhVWhisx7c9aZsSZLtG5 Wed, 30 Oct 2024 00:49:13 GMT 2024-10-30T00:49:23+09:00 https://cdn.cizucu.com/images/photos/fhVWhisx7c9aZsSZLtG5.jpg?auto=compress,format <![CDATA[That afternoon, I turned a corner and met a slanting sunbeam—light and shadow dappled like a dream. It wasn’t merely a place touched by sunlight, but a realm where memory and imagination converged. And so, an unexpected encounter began. | Wesley Chiu]]> https://www.cizucu.com/ko/photos/Q5Oger2OROH1eJZrlNc2 Wesley Chiu https://www.cizucu.com/ko/users/fTNuN4tOGYgX3eJwlDOpAJj9tXk2 https://www.cizucu.com/ko/photos/Q5Oger2OROH1eJZrlNc2 Fri, 26 Dec 2025 19:16:58 GMT 2025-12-26T19:16:58+09:00 https://cdn.cizucu.com/images/photos/Q5Oger2OROH1eJZrlNc2.jpg?auto=compress,format <![CDATA[Title: Is this a Phoenix? Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light. This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration. I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]> https://www.cizucu.com/ko/photos/HaRlbV8HZph6qTP7CEe0 Victor Zhuo https://www.cizucu.com/ko/users/4QDNraPSayPI6l1z44LmNKePpYg2 https://www.cizucu.com/ko/photos/HaRlbV8HZph6qTP7CEe0 Tue, 06 Jan 2026 15:31:12 GMT 2026-01-06T15:31:12+09:00 https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format <![CDATA[A few days back, I had the privilege of attending a Kathakali performance at Kalamandam centre in Fort Kochi. I was also welcomed to watch them prepare themselves for the performance. Right from the base makeup, to the quills added to make the broad jaw, the frills added to make the flawless outfit and then the stunning jewellery.It was so thrilling to see it all come together in a span of 3 hours which were dedicatedly spent in donning a persona that felt so real. This photograph is also a part of 'Hands that speak' a series of photos/videos I capture to show people from different walks of life through small gestures in the form of photos/ videos. | AnushkaR]]> https://www.cizucu.com/ko/photos/rBD2HuMFlYrDklurQZND AnushkaR https://www.cizucu.com/ko/users/8TUcBLHS0mOCVDU62h5nI7FU7CZ2 https://www.cizucu.com/ko/photos/rBD2HuMFlYrDklurQZND Fri, 13 Mar 2026 23:35:43 GMT 2026-03-13T23:35:43+09:00 https://cdn.cizucu.com/images/photos/rBD2HuMFlYrDklurQZND.jpg?auto=compress,format <![CDATA[Title: Dream Job They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar. Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]> https://www.cizucu.com/ko/photos/TZwAqaxggJkW3ZVK8vLW Bhavik Solanki https://www.cizucu.com/ko/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63 https://www.cizucu.com/ko/photos/TZwAqaxggJkW3ZVK8vLW Sat, 14 Mar 2026 11:37:09 GMT 2026-03-14T11:37:09+09:00 https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format <![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]> https://www.cizucu.com/ko/photos/a18natgq2Cvi84J6arq9 JIYEJI https://www.cizucu.com/ko/jiyeji https://www.cizucu.com/ko/photos/a18natgq2Cvi84J6arq9 Sun, 07 Sep 2025 19:23:19 GMT 2025-09-07T19:23:19+09:00 https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?auto=compress,format <![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]> https://www.cizucu.com/ko/photos/0YqcAFIGmAt7Dv5EtyZy JIYEJI https://www.cizucu.com/ko/users/M2zHDaTlpZYaOsQpahReBUlgEWo2 https://www.cizucu.com/ko/photos/0YqcAFIGmAt7Dv5EtyZy Sun, 07 Sep 2025 17:31:56 GMT 2025-09-07T17:31:56+09:00 https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?auto=compress,format <![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic. In this realm, nothing is settled with certainty. Is this sleep, surrender, or aftermath? ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]> https://www.cizucu.com/ko/photos/A3CNYO4rLwcO7jbJhpI6 Yamedre https://www.cizucu.com/ko/users/nPYRwjPDAzQvkj5YCdt2W5y5Xc62 https://www.cizucu.com/ko/photos/A3CNYO4rLwcO7jbJhpI6 Sun, 21 Dec 2025 12:23:35 GMT 2025-12-21T12:23:35+09:00 https://cdn.cizucu.com/images/photos/A3CNYO4rLwcO7jbJhpI6.jpg?auto=compress,format