Rapidi의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/rapidi ko 2026-04-05T21:25:01+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[열차 목적지 표시판에 快速와 RAPID가 적혀 있음 | nnnoooo]]> https://www.cizucu.com/ko/photos/VWnOfF1DyIZs189TyNua nnnoooo https://www.cizucu.com/ko/users/lpocaFYU4tMbbaErRyQMTONpWod2 https://www.cizucu.com/ko/photos/VWnOfF1DyIZs189TyNua Fri, 29 Mar 2024 17:08:05 GMT 2024-11-20T00:28:51+09:00 https://cdn.cizucu.com/images/photos/VWnOfF1DyIZs189TyNua.jpg?auto=compress,format <![CDATA[Rapidly advanced | Tanner Lubuk]]> https://www.cizucu.com/ko/photos/ifqyMg5ZFkgtHYDUce8H Tanner Lubuk https://www.cizucu.com/ko/users/ODK5nzeAUbQILCBP15jc1jXt8nn1 https://www.cizucu.com/ko/photos/ifqyMg5ZFkgtHYDUce8H Thu, 19 Mar 2026 09:53:05 GMT 2026-03-19T09:53:05+09:00 https://cdn.cizucu.com/images/photos/ifqyMg5ZFkgtHYDUce8H.jpg?auto=compress,format <![CDATA[ Jadikan gambar tersebut menjadi HD di tambahan efek basah setelah hujan dan buatkan pantulan matahari terbenam di arah depan dan jangan buram harus rapih | tri Ulpa]]> https://www.cizucu.com/ko/photos/EccxL8zVUKED3S5G3o8b tri Ulpa https://www.cizucu.com/ko/users/WuKEGaIyY2bbua8YoF3XRSMhtsu2 https://www.cizucu.com/ko/photos/EccxL8zVUKED3S5G3o8b Sat, 09 Aug 2025 22:50:21 GMT 2025-08-09T22:50:21+09:00 https://cdn.cizucu.com/images/photos/EccxL8zVUKED3S5G3o8b.jpg?auto=compress,format <![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have. Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]> https://www.cizucu.com/ko/photos/jrUyyDVwvyIJ5TtiMGXS Moodeeprincess https://www.cizucu.com/ko/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2 https://www.cizucu.com/ko/photos/jrUyyDVwvyIJ5TtiMGXS Sun, 05 Apr 2026 06:44:38 GMT 2026-04-05T06:44:38+09:00 https://cdn.cizucu.com/images/photos/jrUyyDVwvyIJ5TtiMGXS.jpg?auto=compress,format <![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have. Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]> https://www.cizucu.com/ko/photos/d7oBNJGRG3OmKgbsoSBc Moodeeprincess https://www.cizucu.com/ko/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2 https://www.cizucu.com/ko/photos/d7oBNJGRG3OmKgbsoSBc Sun, 05 Apr 2026 06:46:15 GMT 2026-04-05T06:46:15+09:00 https://cdn.cizucu.com/images/photos/d7oBNJGRG3OmKgbsoSBc.jpg?auto=compress,format <![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have. Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]> https://www.cizucu.com/ko/photos/CxXrx2pjX0GCiSt7KmKs Moodeeprincess https://www.cizucu.com/ko/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2 https://www.cizucu.com/ko/photos/CxXrx2pjX0GCiSt7KmKs Sun, 05 Apr 2026 06:30:24 GMT 2026-04-05T06:30:24+09:00 https://cdn.cizucu.com/images/photos/CxXrx2pjX0GCiSt7KmKs.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/ko/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/ko/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/ko/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/ko/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/ko/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/ko/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format <![CDATA[Title: Dining with her Series: Dreams Status: On-going About: This is the first entry in this series, this as part of photo-essay will have a total of 15 main pictorial works and supporting supplements. “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage. REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief. This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function. I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations. - - - Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100 Fomadon LQN Year: August, 2025 - present Photo: November 2025 *** | Eli Mastaine]]> https://www.cizucu.com/ko/photos/lLVqB9q7T3gHEIJx8LId Eli Mastaine https://www.cizucu.com/ko/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3 https://www.cizucu.com/ko/photos/lLVqB9q7T3gHEIJx8LId Mon, 09 Mar 2026 02:16:10 GMT 2026-03-09T02:16:10+09:00 https://cdn.cizucu.com/images/photos/lLVqB9q7T3gHEIJx8LId.jpg?auto=compress,format