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          <title><![CDATA[파란 노렌에 흰색 문자 'yu'와 'PUBLIC BATH GENTLEMEN' 텍스트가 있는 | dsuke999]]></title>
          <link>https://www.cizucu.com/ko/photos/uqVIjqcGYVRATLbgYMGD</link>
          <description><![CDATA[dsuke999가 촬영한 고품질의 무료 파란 노렌에 흰색 문자 'yu'와 'PUBLIC BATH GENTLEMEN' 텍스트가 있는 사진을 cizucu에서 다운로드하세요.]]></description>
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            <name>dsuke999</name>
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          <pubDate>Tue, 06 Feb 2024 13:07:55 GMT</pubDate>
          <atom:updated>2024-11-23T18:58:37+09:00</atom:updated>
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            <media:description><![CDATA[dsuke999가 촬영한 고품질의 무료 파란 노렌에 흰색 문자 'yu'와 'PUBLIC BATH GENTLEMEN' 텍스트가 있는 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[파란 노렌에 한자 '湯'와 'PUBLIC BATH GENTLEMEN' 글씨가 적혀있음 | dsuke999]]></title>
          <link>https://www.cizucu.com/ko/photos/J5rPxa4rdkf9G7bUKvrI</link>
          <description><![CDATA[dsuke999가 촬영한 고품질의 무료 파란 노렌에 한자 '湯'와 'PUBLIC BATH GENTLEMEN' 글씨가 적혀있음 사진을 cizucu에서 다운로드하세요.]]></description>
          <author>
            <name>dsuke999</name>
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          <pubDate>Wed, 13 Mar 2024 19:08:54 GMT</pubDate>
          <atom:updated>2024-11-21T04:52:33+09:00</atom:updated>
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            <media:description><![CDATA[dsuke999가 촬영한 고품질의 무료 파란 노렌에 한자 '湯'와 'PUBLIC BATH GENTLEMEN' 글씨가 적혀있음 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[쇼핑백을 들고 HULIC & New 매장에 들어가거나 나오는 사람 | えみ]]></title>
          <link>https://www.cizucu.com/ko/photos/bNb6VVWeX04db1tKxAkc</link>
          <description><![CDATA[えみ가 촬영한 고품질의 무료 쇼핑백을 들고 HULIC & New 매장에 들어가거나 나오는 사람 사진을 cizucu에서 다운로드하세요.]]></description>
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            <name>えみ</name>
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          <pubDate>Wed, 09 Apr 2025 23:01:46 GMT</pubDate>
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            <media:description><![CDATA[えみ가 촬영한 고품질의 무료 쇼핑백을 들고 HULIC & New 매장에 들어가거나 나오는 사람 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[Public Twins | けいた]]></title>
          <link>https://www.cizucu.com/ko/photos/wI8Cr2RB9ofqQewvApR2</link>
          <description><![CDATA[cizucu에서 けいた님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>けいた</name>
            <uri>https://www.cizucu.com/ko/keita0126</uri>
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          <pubDate>Tue, 06 Jan 2026 18:43:06 GMT</pubDate>
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            <media:description><![CDATA[cizucu에서 けいた님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Christmas in Puglia | linyuhuan77@gmail.com]]></title>
          <link>https://www.cizucu.com/ko/photos/KSiSCA65XuMcsBigzqhy</link>
          <description><![CDATA[cizucu에서 linyuhuan77@gmail.com님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>linyuhuan77@gmail.com</name>
            <uri>https://www.cizucu.com/ko/users/eQYJc6jje5QEuupvpGOeTzeW8xM2</uri>
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          <pubDate>Thu, 29 Jan 2026 00:34:59 GMT</pubDate>
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            <media:description><![CDATA[cizucu에서 linyuhuan77@gmail.com님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Christmas in Puglia | linyuhuan77@gmail.com]]></title>
          <link>https://www.cizucu.com/ko/photos/67PaZvauxD39myyoWfqG</link>
          <description><![CDATA[cizucu에서 linyuhuan77@gmail.com님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>linyuhuan77@gmail.com</name>
            <uri>https://www.cizucu.com/ko/users/eQYJc6jje5QEuupvpGOeTzeW8xM2</uri>
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          <pubDate>Thu, 29 Jan 2026 00:34:59 GMT</pubDate>
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            <media:description><![CDATA[cizucu에서 linyuhuan77@gmail.com님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[The Taiwan High Speed Rail travel environment, under natural light, reveals a sense of lightness and soothing comfort. The orderly flow of boarding and alighting also reflects a gentle, self-disciplined public aesthetic. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/ko/photos/i4TAeQDMsR4AbTshTJ5c</link>
          <description><![CDATA[cizucu에서 Lawrence Liou님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Lawrence Liou</name>
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          <pubDate>Sun, 29 Mar 2026 11:10:01 GMT</pubDate>
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            <media:description><![CDATA[cizucu에서 Lawrence Liou님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></title>
          <link>https://www.cizucu.com/ko/photos/3E4rhpe5FtUxghqnpLYe</link>
          <description><![CDATA[cizucu에서 Uday Khambadkone님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Uday Khambadkone</name>
            <uri>https://www.cizucu.com/ko/users/fGsQRfunD0c4a7GMx48PJNbxaSE3</uri>
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          <pubDate>Fri, 13 Mar 2026 00:46:15 GMT</pubDate>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/3E4rhpe5FtUxghqnpLYe.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Uday Khambadkone님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></title>
          <link>https://www.cizucu.com/ko/photos/NyOeA5jkS61gAiFAZGZE</link>
          <description><![CDATA[cizucu에서 Shikhar Bafna님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Shikhar Bafna</name>
            <uri>https://www.cizucu.com/ko/users/DDGF9kV7LRTTzHwN2CUG3pTvfwA2</uri>
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          <pubDate>Sun, 15 Mar 2026 02:16:04 GMT</pubDate>
          <atom:updated>2026-03-15T02:16:04+09:00</atom:updated>
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            <media:title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?fm=jpg" type="image/jpeg" width="5457" height="7717" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NyOeA5jkS61gAiFAZGZE.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Shikhar Bafna님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></title>
          <link>https://www.cizucu.com/ko/photos/u35nF2vuBkD5ZcGa44FI</link>
          <description><![CDATA[cizucu에서 Nandan Nabodit님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Nandan Nabodit</name>
            <uri>https://www.cizucu.com/ko/nandannabodit</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/ko/photos/u35nF2vuBkD5ZcGa44FI</guid>
          <pubDate>Fri, 13 Mar 2026 16:26:03 GMT</pubDate>
          <atom:updated>2026-03-13T16:26:03+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/u35nF2vuBkD5ZcGa44FI.jpg?fm=jpg" type="image/jpeg" width="4032" height="6048" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/u35nF2vuBkD5ZcGa44FI.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/u35nF2vuBkD5ZcGa44FI.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/u35nF2vuBkD5ZcGa44FI.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Nandan Nabodit님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
          </media:group>
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