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      <title>Place Name의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드</title>
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      <description><![CDATA[cizucu에서 가장 뛰어난 고해상도 Place Name 사진 7장을 찾아보세요. 모든 사진은 로열티 프리이며 무료로 다운로드 가능하며, 어떤 프로젝트에도 적합하고 저작권 표기가 필요 없습니다.]]></description>
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          <title><![CDATA[역 이름 표지판에 적힌 ‘사마니’와 ‘니시사마니’ | taso583]]></title>
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          <description><![CDATA[taso583가 촬영한 「역 이름 표지판에 적힌 ‘사마니’와 ‘니시사마니’」를 담은 고품질 무료 이미지를 cizucu에서 다운로드하세요.]]></description>
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          <pubDate>Tue, 27 Aug 2024 20:53:25 GMT</pubDate>
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            <media:description><![CDATA[taso583가 촬영한 「역 이름 표지판에 적힌 ‘사마니’와 ‘니시사마니’」를 담은 고품질 무료 이미지를 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[우라카와와 히다카 지명이 적힌 표지판 클로즈업 | taso583]]></title>
          <link>https://www.cizucu.com/ko/photos/Z29H5lacFUPx4hzVab5Z</link>
          <description><![CDATA[taso583가 촬영한 「우라카와와 히다카 지명이 적힌 표지판 클로즈업」를 담은 고품질 무료 이미지를 cizucu에서 다운로드하세요.]]></description>
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          <pubDate>Tue, 27 Aug 2024 20:51:04 GMT</pubDate>
          <atom:updated>2026-05-06T20:46:26+09:00</atom:updated>
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            <media:description><![CDATA[taso583가 촬영한 「우라카와와 히다카 지명이 적힌 표지판 클로즈업」를 담은 고품질 무료 이미지를 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[일본어 지명과 방향 화살표가 적힌 도로 표지판 | 木葉]]></title>
          <link>https://www.cizucu.com/ko/photos/pWWRcok6KOvUizsSVIEb</link>
          <description><![CDATA[木葉가 촬영한 「일본어 지명과 방향 화살표가 적힌 도로 표지판」를 담은 고품질 무료 이미지를 cizucu에서 다운로드하세요.]]></description>
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            <name>木葉</name>
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          <pubDate>Fri, 29 Mar 2024 17:44:13 GMT</pubDate>
          <atom:updated>2026-01-22T11:54:15+09:00</atom:updated>
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            <media:description><![CDATA[木葉가 촬영한 「일본어 지명과 방향 화살표가 적힌 도로 표지판」를 담은 고품질 무료 이미지를 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[오다바야시 앞에 있는 자전거와 역 안내 표지 | エルエルシー]]></title>
          <link>https://www.cizucu.com/ko/photos/rQhPsIQ1uVVQEjFhtKqK</link>
          <description><![CDATA[エルエルシー가 촬영한 「오다바야시 앞에 있는 자전거와 역 안내 표지」를 담은 고품질 무료 이미지를 cizucu에서 다운로드하세요.]]></description>
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            <name>エルエルシー</name>
            <uri>https://www.cizucu.com/ko/users/0H3PuPkjF8Yhs1Dc5tH3ABFbEQy1</uri>
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          <pubDate>Thu, 09 May 2024 10:25:52 GMT</pubDate>
          <atom:updated>2026-05-08T04:18:29+09:00</atom:updated>
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            <media:description><![CDATA[エルエルシー가 촬영한 「오다바야시 앞에 있는 자전거와 역 안내 표지」를 담은 고품질 무료 이미지를 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[“오바스테(Obasute)” 등 지명이 적힌 역 표지판 | 木葉]]></title>
          <link>https://www.cizucu.com/ko/photos/shvTlQMuZjGa9xhqQK9L</link>
          <description><![CDATA[木葉가 촬영한 「“오바스테(Obasute)” 등 지명이 적힌 역 표지판」를 담은 고품질 무료 이미지를 cizucu에서 다운로드하세요.]]></description>
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            <name>木葉</name>
            <uri>https://www.cizucu.com/ko/users/uUbL0Bl0bUQ7RE4vveiN8jOVIl33</uri>
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          <pubDate>Fri, 29 Mar 2024 17:44:06 GMT</pubDate>
          <atom:updated>2026-01-22T11:55:44+09:00</atom:updated>
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            <media:description><![CDATA[木葉가 촬영한 「“오바스테(Obasute)” 등 지명이 적힌 역 표지판」를 담은 고품질 무료 이미지를 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[That day,  Smoke hung in the air.  Mahjong tiles cracked against the table like small acts of violence.  Under a single lamp, the players emerged just enough to be seen, then slipped back into shadow.  No names.  No introductions.  No one cared who you were outside the light. All that matters, IS TO WIN.   This is a recreation of what it was like,  The outfits were planned to fit how it was like.  and only the lady boss of the house was the prominent one. the rest were just name less and fodder in the place. | Justin Ignatius Seow]]></title>
          <link>https://www.cizucu.com/ko/photos/OJq0C8tvGcOSUud9DHMx</link>
          <description><![CDATA[cizucu에서 Justin Ignatius Seow님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Justin Ignatius Seow</name>
            <uri>https://www.cizucu.com/ko/users/Xio2aQc1xLVifEs8ZWI9QhWKGVz1</uri>
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          <pubDate>Mon, 16 Mar 2026 19:36:54 GMT</pubDate>
          <atom:updated>2026-05-03T13:44:34+09:00</atom:updated>
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            <media:title><![CDATA[That day,  Smoke hung in the air.  Mahjong tiles cracked against the table like small acts of violence.  Under a single lamp, the players emerged just enough to be seen, then slipped back into shadow.  No names.  No introductions.  No one cared who you were outside the light. All that matters, IS TO WIN.   This is a recreation of what it was like,  The outfits were planned to fit how it was like.  and only the lady boss of the house was the prominent one. the rest were just name less and fodder in the place. | Justin Ignatius Seow]]></media:title>
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            <media:description><![CDATA[cizucu에서 Justin Ignatius Seow님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/ko/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[cizucu에서 Lucho Dávila님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/ko/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:52:00+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[cizucu에서 Lucho Dávila님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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