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      <title>Magazzini의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드</title>
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      <description><![CDATA[cizucu에서 가장 뛰어난 고해상도 Magazzini 사진 6장을 찾아보세요. 모든 사진은 로열티 프리이며 무료로 다운로드 가능하며, 어떤 프로젝트에도 적합하고 저작권 표기가 필요 없습니다.]]></description>
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          <title><![CDATA[A cup of coffee  #coffee #magazine | Shimakou]]></title>
          <link>https://www.cizucu.com/ko/photos/ofaTZb41DqLv4wdhpg2a</link>
          <description><![CDATA[Shimakou가 촬영한 고품질의 무료 검은 배경에 있는 테주 콜의 빨간 책 표지와 흰색 커피 컵 사진을 cizucu에서 다운로드하세요.]]></description>
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            <name>Shimakou</name>
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          <pubDate>Fri, 04 Aug 2023 13:51:16 GMT</pubDate>
          <atom:updated>2024-09-09T18:10:07+09:00</atom:updated>
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            <media:title><![CDATA[A cup of coffee  #coffee #magazine | Shimakou]]></media:title>
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            <media:description><![CDATA[Shimakou가 촬영한 고품질의 무료 검은 배경에 있는 테주 콜의 빨간 책 표지와 흰색 커피 컵 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[Interior in grey with VICTORY magazine #victorymagazine #interior #composition | hikaru masamiya]]></title>
          <link>https://www.cizucu.com/ko/photos/eMznX1E9T9llsa1PsicP</link>
          <description><![CDATA[hikaru masamiya가 촬영한 고품질의 무료 테이블 위에 놓인 VICTORY라는 제목의 두 개의 잡지 표지 배경은 나무 바닥 사진을 cizucu에서 다운로드하세요.]]></description>
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            <name>hikaru masamiya</name>
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          <pubDate>Thu, 09 Feb 2023 13:55:17 GMT</pubDate>
          <atom:updated>2024-09-09T15:28:58+09:00</atom:updated>
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            <media:title><![CDATA[Interior in grey with VICTORY magazine #victorymagazine #interior #composition | hikaru masamiya]]></media:title>
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            <media:description><![CDATA[hikaru masamiya가 촬영한 고품질의 무료 테이블 위에 놓인 VICTORY라는 제목의 두 개의 잡지 표지 배경은 나무 바닥 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[#popeye #books #magazine | Yusei]]></title>
          <link>https://www.cizucu.com/ko/photos/WrmQdC6Tv4RX749BVMO2</link>
          <description><![CDATA[cizucu에서 Yusei님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Yusei</name>
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          <pubDate>Thu, 23 Mar 2023 17:58:57 GMT</pubDate>
          <atom:updated>2024-09-09T15:50:08+09:00</atom:updated>
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            <media:description><![CDATA[cizucu에서 Yusei님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[「Threads × cizucu Magazine」「nature」 | 呂 榮烜]]></title>
          <link>https://www.cizucu.com/ko/photos/psa0Flprt7pXnp8kTDbd</link>
          <description><![CDATA[cizucu에서 呂 榮烜님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>呂 榮烜</name>
            <uri>https://www.cizucu.com/ko/users/fZSJK1tAaAUyRXySAUu4bkU2RPx1</uri>
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          <pubDate>Tue, 10 Feb 2026 12:27:33 GMT</pubDate>
          <atom:updated>2026-02-10T12:27:33+09:00</atom:updated>
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            <media:title><![CDATA[「Threads × cizucu Magazine」「nature」 | 呂 榮烜]]></media:title>
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            <media:description><![CDATA[cizucu에서 呂 榮烜님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[<Before Frame One>  光落下的地方，剛好是開始。 把日子捲進片匣，也捲進自己的一部分。  Where the light fell, a beginning quietly took shape. Rolling the day into the film magazine, I tuck away a part of myself. | Roger Huang]]></title>
          <link>https://www.cizucu.com/ko/photos/gAT4n7gA28NGwB8OhKz5</link>
          <description><![CDATA[cizucu에서 Roger Huang님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Roger Huang</name>
            <uri>https://www.cizucu.com/ko/users/b2DSOR6AKbTML6uWxVN7T8ZdxB83</uri>
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          <pubDate>Tue, 18 Nov 2025 23:27:38 GMT</pubDate>
          <atom:updated>2025-11-18T23:27:38+09:00</atom:updated>
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            <media:title><![CDATA[<Before Frame One>  光落下的地方，剛好是開始。 把日子捲進片匣，也捲進自己的一部分。  Where the light fell, a beginning quietly took shape. Rolling the day into the film magazine, I tuck away a part of myself. | Roger Huang]]></media:title>
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            <media:description><![CDATA[cizucu에서 Roger Huang님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/ko/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[cizucu에서 Lucho Dávila님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/ko/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[cizucu에서 Lucho Dávila님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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