Llevar의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/llevar ko 2026-04-21T07:27:10+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[미국 군대 로고와 NA KOA LEVA 텍스트가 있는 노란 배너 | 鉄観音重工]]> https://www.cizucu.com/ko/photos/VK1Jbt9gafhPzZMR4LhM 鉄観音重工 https://www.cizucu.com/ko/users/ucjl0dwaTAd8diaQY8iBCtALv5E2 https://www.cizucu.com/ko/photos/VK1Jbt9gafhPzZMR4LhM Wed, 06 Dec 2023 11:32:59 GMT 2024-11-26T09:02:40+09:00 https://cdn.cizucu.com/images/photos/VK1Jbt9gafhPzZMR4LhM.jpg?auto=compress,format <![CDATA[Clear during the cold. | krutarth mehta]]> https://www.cizucu.com/ko/photos/whEZ9pGAegSVP9csAt7W krutarth mehta https://www.cizucu.com/ko/users/2FjDrxkBwcXK5ICCzHeRaOvei493 https://www.cizucu.com/ko/photos/whEZ9pGAegSVP9csAt7W Mon, 16 Mar 2026 19:47:50 GMT 2026-03-16T19:47:50+09:00 https://cdn.cizucu.com/images/photos/whEZ9pGAegSVP9csAt7W.jpg?auto=compress,format <![CDATA[Alvar Aalto’s house/ Finland | emilyo]]> https://www.cizucu.com/ko/photos/FnWXJCTeKcZ4hsPNKkDE emilyo https://www.cizucu.com/ko/users/QRurHVWycYQRwVvb9EWrOTxxPUO2 https://www.cizucu.com/ko/photos/FnWXJCTeKcZ4hsPNKkDE Tue, 05 Nov 2024 10:55:26 GMT 2024-11-05T10:55:26+09:00 https://cdn.cizucu.com/images/photos/FnWXJCTeKcZ4hsPNKkDE.jpg?auto=compress,format <![CDATA[冬の寒さも優しくなり春の訪れを日に日に感じるそんな晴れた冬の夕方。 On a clear winter evening, the cold of winter becomes gentler and the arrival of spring is felt day by day. | cmasac]]> https://www.cizucu.com/ko/photos/HJWXEBN0pMnBYDvYGpOD cmasac https://www.cizucu.com/ko/users/yfzYWuSfTqQdErc6n1mZA57N5l23 https://www.cizucu.com/ko/photos/HJWXEBN0pMnBYDvYGpOD Wed, 18 Feb 2026 18:34:47 GMT 2026-02-18T18:34:47+09:00 https://cdn.cizucu.com/images/photos/HJWXEBN0pMnBYDvYGpOD.jpg?auto=compress,format <![CDATA[A fisheye perspective transforms the iconic Supertree Grove into a glowing cosmic canopy, bending the OCBC Skyway into an arc that frames the entire expanse. Singapore rarely gets clear, starry night skies but in this moment, the illuminated Supertrees become our constellations. Their pink and violet lights scatter across the darkness like stars, transforming the urban canopy into a galaxy of our own. | kevouthere]]> https://www.cizucu.com/ko/photos/g88J64lQJj6l7N8jfLy9 kevouthere https://www.cizucu.com/ko/users/vAKSb90hfjR5d00YSCW8pmxtTHp2 https://www.cizucu.com/ko/photos/g88J64lQJj6l7N8jfLy9 Wed, 18 Feb 2026 20:05:35 GMT 2026-02-18T20:05:35+09:00 https://cdn.cizucu.com/images/photos/g88J64lQJj6l7N8jfLy9.jpg?auto=compress,format <![CDATA[That day, my brother and I braved our fist self-guided multi-day adventure through the Central Highlands of Tasmania/Luruwita. What looked like clear skies and path ahead took a turn when a raging blizzard arrived in the first hour. In hindsight, it was quite telling of what else lay ahead. That day was just the beginning of what we now reflect on as “The Hero’s Journey”. | nai.msz]]> https://www.cizucu.com/ko/photos/qJnNFlE9XeqYSoFj3kOI nai.msz https://www.cizucu.com/ko/users/ISYkRVxR9SUS8Fb6DMOXBb9pTho1 https://www.cizucu.com/ko/photos/qJnNFlE9XeqYSoFj3kOI Sun, 15 Mar 2026 20:03:55 GMT 2026-03-15T20:03:55+09:00 https://cdn.cizucu.com/images/photos/qJnNFlE9XeqYSoFj3kOI.jpg?auto=compress,format <![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]> https://www.cizucu.com/ko/photos/H8kjUw4s4hrqBulgGNLl Nayoung https://www.cizucu.com/ko/users/dG3PxV81AtbvL9OB3hitUDX5O2E3 https://www.cizucu.com/ko/photos/H8kjUw4s4hrqBulgGNLl Mon, 30 Mar 2026 10:00:56 GMT 2026-03-30T10:00:56+09:00 https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format <![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]> https://www.cizucu.com/ko/photos/ptgrWt5D0viXPBHMmuIv shantanu sarwade https://www.cizucu.com/ko/users/z0yPobGDqLSJ9surYr8iKVCRybm2 https://www.cizucu.com/ko/photos/ptgrWt5D0viXPBHMmuIv Fri, 13 Mar 2026 01:38:35 GMT 2026-03-13T01:38:35+09:00 https://cdn.cizucu.com/images/photos/ptgrWt5D0viXPBHMmuIv.jpg?auto=compress,format <![CDATA[As I explored the Blue Pools Track with my family in New Zealand, I remember standing on the bridge and taking the scenery in, until I looked down and was immediately drawn to the silhouettes of the people on the bridge. This moment was all that I wanted to capture - the calm amidst the chaos, the clear blue waters, and the people I love in a unique way. For now, I am still learning how to look - what catches my eye, what feels gentle, what makes me pause a little longer. This is just a glimpse into a collection of things I like, things I notice, and moments that make me feel warm. | chloeyoshi]]> https://www.cizucu.com/ko/photos/Ba4TB7s4q4GfqChvKpfc chloeyoshi https://www.cizucu.com/ko/users/2MxRZFpbNCV1cBQMPxMRXxhfYCp2 https://www.cizucu.com/ko/photos/Ba4TB7s4q4GfqChvKpfc Mon, 19 Jan 2026 00:36:28 GMT 2026-01-19T00:36:28+09:00 https://cdn.cizucu.com/images/photos/Ba4TB7s4q4GfqChvKpfc.jpg?auto=compress,format <![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image. The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength. Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]> https://www.cizucu.com/ko/photos/l7VzRAizhwBNTQosF4N3 Liza Medvedeva https://www.cizucu.com/ko/users/izN8mAH1xrflfRBeXFE1dCE6BIw1 https://www.cizucu.com/ko/photos/l7VzRAizhwBNTQosF4N3 Sun, 15 Feb 2026 17:10:10 GMT 2026-02-15T17:10:10+09:00 https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format <![CDATA[Finding Color in the Noise Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet. This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye. The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]> https://www.cizucu.com/ko/photos/aGY2A7d0GmEodnh54l7X Big_Dins_Photos https://www.cizucu.com/ko/users/gJbHvWrvqbed5w1B2kcf9iwiKCB3 https://www.cizucu.com/ko/photos/aGY2A7d0GmEodnh54l7X Sun, 18 Jan 2026 05:30:11 GMT 2026-01-18T05:30:11+09:00 https://cdn.cizucu.com/images/photos/aGY2A7d0GmEodnh54l7X.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/ko/photos/vOCvJjkgnBuOr1S8axhJ Park Seongjjn https://www.cizucu.com/ko/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/ko/photos/vOCvJjkgnBuOr1S8axhJ Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/vOCvJjkgnBuOr1S8axhJ.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/ko/photos/v0mqxmWKtkFVtHmBGIug Park Seongjjn https://www.cizucu.com/ko/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/ko/photos/v0mqxmWKtkFVtHmBGIug Thu, 16 Apr 2026 21:40:58 GMT 2026-04-16T21:40:58+09:00 https://cdn.cizucu.com/images/photos/v0mqxmWKtkFVtHmBGIug.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/ko/photos/tu9NjuRORzGAKRsfryuw Park Seongjjn https://www.cizucu.com/ko/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/ko/photos/tu9NjuRORzGAKRsfryuw Thu, 16 Apr 2026 21:42:27 GMT 2026-04-16T21:42:27+09:00 https://cdn.cizucu.com/images/photos/tu9NjuRORzGAKRsfryuw.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/ko/photos/qnQUbgXG3pbTjP0a8jS0 Park Seongjjn https://www.cizucu.com/ko/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/ko/photos/qnQUbgXG3pbTjP0a8jS0 Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/qnQUbgXG3pbTjP0a8jS0.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/ko/photos/q28pR46TecyGGVZQfGW4 Park Seongjjn https://www.cizucu.com/ko/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/ko/photos/q28pR46TecyGGVZQfGW4 Thu, 16 Apr 2026 21:38:50 GMT 2026-04-16T21:38:50+09:00 https://cdn.cizucu.com/images/photos/q28pR46TecyGGVZQfGW4.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/ko/photos/ppsgLuUPLwSlXtuXmpAY Park Seongjjn https://www.cizucu.com/ko/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/ko/photos/ppsgLuUPLwSlXtuXmpAY Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/ppsgLuUPLwSlXtuXmpAY.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/ko/photos/pDEF2WwGv6LygllBRgZG Park Seongjjn https://www.cizucu.com/ko/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/ko/photos/pDEF2WwGv6LygllBRgZG Sun, 19 Apr 2026 23:07:22 GMT 2026-04-19T23:07:22+09:00 https://cdn.cizucu.com/images/photos/pDEF2WwGv6LygllBRgZG.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/ko/photos/mbvMaH5wgcNAcYKhEg0g Park Seongjjn https://www.cizucu.com/ko/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/ko/photos/mbvMaH5wgcNAcYKhEg0g Thu, 16 Apr 2026 21:38:50 GMT 2026-04-16T21:38:50+09:00 https://cdn.cizucu.com/images/photos/mbvMaH5wgcNAcYKhEg0g.jpg?auto=compress,format <![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。 In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]> https://www.cizucu.com/ko/photos/eYreLsajjuD22xo2yEoP Park Seongjjn https://www.cizucu.com/ko/users/ya4adYGh3hVOG6C3qVT7j6kHqx13 https://www.cizucu.com/ko/photos/eYreLsajjuD22xo2yEoP Thu, 16 Apr 2026 21:40:57 GMT 2026-04-16T21:40:57+09:00 https://cdn.cizucu.com/images/photos/eYreLsajjuD22xo2yEoP.jpg?auto=compress,format