Lapide의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/lapide ko 2026-04-10T20:39:43+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[열차 목적지 표시판에 快速와 RAPID가 적혀 있음 | nnnoooo]]> https://www.cizucu.com/ko/photos/VWnOfF1DyIZs189TyNua nnnoooo https://www.cizucu.com/ko/users/lpocaFYU4tMbbaErRyQMTONpWod2 https://www.cizucu.com/ko/photos/VWnOfF1DyIZs189TyNua Fri, 29 Mar 2024 17:08:05 GMT 2024-11-20T00:28:51+09:00 https://cdn.cizucu.com/images/photos/VWnOfF1DyIZs189TyNua.jpg?auto=compress,format <![CDATA[Lisbon, Portugal (July 2025) - First stop of my (almost) solo Portugal-Spain trip. I decided that for this trip, I will play with film simulations using Veres Deni Alex' recipes for Sony to maximise the European summer sun. I took this photo while waiting for my tram back to the city centre. I remember it was scorching hot, but I liked how the sun shone on the store and the facilities around it and how it still represents Lisbon, trams aside. | _jotriessomething]]> https://www.cizucu.com/ko/photos/WzdwId8Hycik6J0VwAQS _jotriessomething https://www.cizucu.com/ko/users/jYwyL9fsZrR3ajHx1TLep1bCn4n2 https://www.cizucu.com/ko/photos/WzdwId8Hycik6J0VwAQS Sat, 21 Mar 2026 16:36:00 GMT 2026-03-21T16:36:00+09:00 https://cdn.cizucu.com/images/photos/WzdwId8Hycik6J0VwAQS.jpg?auto=compress,format <![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]> https://www.cizucu.com/ko/photos/JpBL1xNfUyJEXEAjQECk Petratheactionsuperstar https://www.cizucu.com/ko/users/cGhdI6z90hf12ObxDv2NMx2pUms2 https://www.cizucu.com/ko/photos/JpBL1xNfUyJEXEAjQECk Wed, 18 Mar 2026 04:11:12 GMT 2026-03-18T04:11:12+09:00 https://cdn.cizucu.com/images/photos/JpBL1xNfUyJEXEAjQECk.jpg?auto=compress,format <![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have. Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]> https://www.cizucu.com/ko/photos/jrUyyDVwvyIJ5TtiMGXS Moodeeprincess https://www.cizucu.com/ko/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2 https://www.cizucu.com/ko/photos/jrUyyDVwvyIJ5TtiMGXS Sun, 05 Apr 2026 06:44:38 GMT 2026-04-05T06:44:38+09:00 https://cdn.cizucu.com/images/photos/jrUyyDVwvyIJ5TtiMGXS.jpg?auto=compress,format <![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have. Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]> https://www.cizucu.com/ko/photos/d7oBNJGRG3OmKgbsoSBc Moodeeprincess https://www.cizucu.com/ko/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2 https://www.cizucu.com/ko/photos/d7oBNJGRG3OmKgbsoSBc Sun, 05 Apr 2026 06:46:15 GMT 2026-04-05T06:46:15+09:00 https://cdn.cizucu.com/images/photos/d7oBNJGRG3OmKgbsoSBc.jpg?auto=compress,format <![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have. Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]> https://www.cizucu.com/ko/photos/CxXrx2pjX0GCiSt7KmKs Moodeeprincess https://www.cizucu.com/ko/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2 https://www.cizucu.com/ko/photos/CxXrx2pjX0GCiSt7KmKs Sun, 05 Apr 2026 06:30:24 GMT 2026-04-05T06:30:24+09:00 https://cdn.cizucu.com/images/photos/CxXrx2pjX0GCiSt7KmKs.jpg?auto=compress,format <![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期 A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]> https://www.cizucu.com/ko/photos/dLwRdM8lYffqBzY9p6Of Lawrence Liou https://www.cizucu.com/ko/momoliou https://www.cizucu.com/ko/photos/dLwRdM8lYffqBzY9p6Of Wed, 07 Jan 2026 15:13:37 GMT 2026-01-07T15:13:37+09:00 https://cdn.cizucu.com/images/photos/dLwRdM8lYffqBzY9p6Of.jpg?auto=compress,format <![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect. I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]> https://www.cizucu.com/ko/photos/z51tp1hZVa8RWblaxQor Souvik Roy https://www.cizucu.com/ko/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2 https://www.cizucu.com/ko/photos/z51tp1hZVa8RWblaxQor Sat, 14 Mar 2026 18:17:45 GMT 2026-03-14T18:17:45+09:00 https://cdn.cizucu.com/images/photos/z51tp1hZVa8RWblaxQor.jpg?auto=compress,format <![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect. I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]> https://www.cizucu.com/ko/photos/2liSNRVpSQ1iBWS2wvoy Souvik Roy https://www.cizucu.com/ko/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2 https://www.cizucu.com/ko/photos/2liSNRVpSQ1iBWS2wvoy Mon, 16 Mar 2026 03:16:14 GMT 2026-03-16T03:16:14+09:00 https://cdn.cizucu.com/images/photos/2liSNRVpSQ1iBWS2wvoy.jpg?auto=compress,format <![CDATA[Title: Dining with her Series: Dreams Status: On-going About: This is the first entry in this series, this as part of photo-essay will have a total of 15 main pictorial works and supporting supplements. “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage. REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief. This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function. I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations. - - - Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100 Fomadon LQN Year: August, 2025 - present Photo: November 2025 *** | Eli Mastaine]]> https://www.cizucu.com/ko/photos/lLVqB9q7T3gHEIJx8LId Eli Mastaine https://www.cizucu.com/ko/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3 https://www.cizucu.com/ko/photos/lLVqB9q7T3gHEIJx8LId Mon, 09 Mar 2026 02:16:10 GMT 2026-03-09T02:16:10+09:00 https://cdn.cizucu.com/images/photos/lLVqB9q7T3gHEIJx8LId.jpg?auto=compress,format