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      <title>Korn의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드</title>
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      <description><![CDATA[cizucu에서 가장 뛰어난 고해상도 Korn 사진 16장을 찾아보세요. 모든 사진은 로열티 프리이며 무료로 다운로드 가능하며, 어떤 프로젝트에도 적합하고 저작권 표기가 필요 없습니다.]]></description>
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          <title><![CDATA[No Parking  #corn #AKS #MNT #TOKYO #street #cityscape | つばさ製作所]]></title>
          <link>https://www.cizucu.com/ko/photos/rjrbmG0LYNmWTRkLrjUV</link>
          <description><![CDATA[つばさ製作所가 촬영한 고품질의 무료 도로에 배치된 오렌지색 교통 콘과 배경의 장벽이 있는 장면 사진을 cizucu에서 다운로드하세요.]]></description>
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          <pubDate>Sun, 05 Jan 2025 18:31:14 GMT</pubDate>
          <atom:updated>2025-01-11T10:49:21+09:00</atom:updated>
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            <media:description><![CDATA[つばさ製作所가 촬영한 고품질의 무료 도로에 배치된 오렌지색 교통 콘과 배경의 장벽이 있는 장면 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[赤いコーンが並ぶ  #red #corn #MAOY #tokyo #MNT #cityscape | つばさ製作所]]></title>
          <link>https://www.cizucu.com/ko/photos/0m5CNXjPTnx38u74FRtR</link>
          <description><![CDATA[つばさ製作所가 촬영한 고품질의 무료 도로에서 빨간 원뿔로 차량 통행을 관리하는 작업자 사진을 cizucu에서 다운로드하세요.]]></description>
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          <pubDate>Tue, 04 Mar 2025 23:11:04 GMT</pubDate>
          <atom:updated>2025-03-12T17:34:20+09:00</atom:updated>
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            <media:description><![CDATA[つばさ製作所가 촬영한 고품질의 무료 도로에서 빨간 원뿔로 차량 통행을 관리하는 작업자 사진을 cizucu에서 다운로드하세요.]]></media:description>
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        <item>
          <title><![CDATA[2023.6.27 Shakujii-Koen  Leica M(typ262) with  Leitz Summarit 5cm f1.5 | Masato]]></title>
          <link>https://www.cizucu.com/ko/photos/iYm8C7Ep5mAp5xateAAS</link>
          <description><![CDATA[Masato가 촬영한 고품질의 무료 나무 테이블 위에 있는 투명한 물잔과 재떨이 사진을 cizucu에서 다운로드하세요.]]></description>
          <author>
            <name>Masato</name>
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          <pubDate>Sun, 23 Feb 2025 22:54:15 GMT</pubDate>
          <atom:updated>2025-02-26T09:41:21+09:00</atom:updated>
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            <media:description><![CDATA[Masato가 촬영한 고품질의 무료 나무 테이블 위에 있는 투명한 물잔과 재떨이 사진을 cizucu에서 다운로드하세요.]]></media:description>
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        <item>
          <title><![CDATA[2023.6.27 Shakujii-Koen  Leica M(typ262) with  Leitz Summarit 5cm f1.5 | Masato]]></title>
          <link>https://www.cizucu.com/ko/photos/0r79Hy8kaFvS8ZPHok0e</link>
          <description><![CDATA[Masato가 촬영한 고품질의 무료 잔잔한 호수 표면에 비친 나무의 모습과 부드러운 물결 사진을 cizucu에서 다운로드하세요.]]></description>
          <author>
            <name>Masato</name>
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          <pubDate>Sun, 23 Feb 2025 22:54:11 GMT</pubDate>
          <atom:updated>2025-02-26T09:41:43+09:00</atom:updated>
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            <media:description><![CDATA[Masato가 촬영한 고품질의 무료 잔잔한 호수 표면에 비친 나무의 모습과 부드러운 물결 사진을 cizucu에서 다운로드하세요.]]></media:description>
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        <item>
          <title><![CDATA[The born of Takoyaki  #Osaka #takoyaki #japanesefood #japan #japan #food #tako | Joanne Chan]]></title>
          <link>https://www.cizucu.com/ko/photos/X7Gm1JE4XWPDwEwUqiSV</link>
          <description><![CDATA[cizucu에서 Joanne Chan님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Joanne Chan</name>
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          <pubDate>Wed, 11 Jun 2025 17:58:48 GMT</pubDate>
          <atom:updated>2025-06-11T17:58:48+09:00</atom:updated>
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            <media:description><![CDATA[cizucu에서 Joanne Chan님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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        <item>
          <title><![CDATA[Born to be wild  #japan #notopeninsula #あばれ祭 #祭り | Jang Kumi]]></title>
          <link>https://www.cizucu.com/ko/photos/8DLbLXgRHqTcklSrweVk</link>
          <description><![CDATA[cizucu에서 Jang Kumi님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Jang Kumi</name>
            <uri>https://www.cizucu.com/ko/users/75y6y4wfsKg1bchWCNP4FlmVLpJ3</uri>
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          <pubDate>Thu, 11 Jul 2024 22:27:54 GMT</pubDate>
          <atom:updated>2024-07-19T08:00:36+09:00</atom:updated>
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            <media:title><![CDATA[Born to be wild  #japan #notopeninsula #あばれ祭 #祭り | Jang Kumi]]></media:title>
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            <media:description><![CDATA[cizucu에서 Jang Kumi님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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        <item>
          <title><![CDATA[#red A pair of red chairs with a playful design, set against an industrial backdrop with worn walls and minimal furnishings. | Matthieu]]></title>
          <link>https://www.cizucu.com/ko/photos/LnHBFx6DiuVSH1pJsXee</link>
          <description><![CDATA[cizucu에서 Matthieu님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Matthieu</name>
            <uri>https://www.cizucu.com/ko/matthieu</uri>
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          <pubDate>Tue, 10 Feb 2026 16:18:04 GMT</pubDate>
          <atom:updated>2026-02-10T16:18:04+09:00</atom:updated>
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            <media:title><![CDATA[#red A pair of red chairs with a playful design, set against an industrial backdrop with worn walls and minimal furnishings. | Matthieu]]></media:title>
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            <media:description><![CDATA[cizucu에서 Matthieu님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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        <item>
          <title><![CDATA[手を伸ばした　風がそっと解いた春を受け止めて   Reaching, she catches a spring torn tenderly by the breeze. | Etsu]]></title>
          <link>https://www.cizucu.com/ko/photos/6YUkp2jJcXWQZEBFXss1</link>
          <description><![CDATA[cizucu에서 Etsu님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Etsu</name>
            <uri>https://www.cizucu.com/ko/users/9JJMgZX7w4dda6YZboXcvaRZMtH3</uri>
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          <pubDate>Fri, 08 Aug 2025 16:08:42 GMT</pubDate>
          <atom:updated>2025-08-08T16:08:42+09:00</atom:updated>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/6YUkp2jJcXWQZEBFXss1.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Etsu님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/6YUkp2jJcXWQZEBFXss1.jpg?auto=compress,format</webfeeds:featuredImage>
        </item>
      
        <item>
          <title><![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]></title>
          <link>https://www.cizucu.com/ko/photos/ZPLdPl9OCw2jT7XnH1P4</link>
          <description><![CDATA[cizucu에서 donparohinog님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>donparohinog</name>
            <uri>https://www.cizucu.com/ko/users/XIR62JTKUiMagFjBwdux3bcrdK82</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/ko/photos/ZPLdPl9OCw2jT7XnH1P4</guid>
          <pubDate>Fri, 13 Feb 2026 23:45:07 GMT</pubDate>
          <atom:updated>2026-02-13T23:45:07+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/ZPLdPl9OCw2jT7XnH1P4.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[This alley becomes a living metaphor of society’s layered realities. The beggar relies on other people's generosity. The rider chases progress. The buyer present who can afford the luxuries in life. All of them share the same narrow passage, brushing past one another, connected by space but separated by circumstance. The light pouring through the torn ceiling quietly suggests that while their journeys differ, they all walk beneath the same fragile shelter called life — where fate, opportunity, and struggle intersect in ways both visible and unseen. | donparohinog]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/ZPLdPl9OCw2jT7XnH1P4.jpg?fm=jpg" type="image/jpeg" width="2160" height="3840" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZPLdPl9OCw2jT7XnH1P4.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZPLdPl9OCw2jT7XnH1P4.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZPLdPl9OCw2jT7XnH1P4.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 donparohinog님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/ZPLdPl9OCw2jT7XnH1P4.jpg?auto=compress,format</webfeeds:featuredImage>
        </item>
      
        <item>
          <title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></title>
          <link>https://www.cizucu.com/ko/photos/tNvj9nrgQC5d5SljdyVw</link>
          <description><![CDATA[cizucu에서 Gautami Golani님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Gautami Golani</name>
            <uri>https://www.cizucu.com/ko/users/bFG0G5hunNUksWb1Xw5wXNFzYXC3</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/ko/photos/tNvj9nrgQC5d5SljdyVw</guid>
          <pubDate>Wed, 21 Jan 2026 01:20:58 GMT</pubDate>
          <atom:updated>2026-01-21T01:20:58+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?fm=jpg" type="image/jpeg" width="4000" height="5000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Gautami Golani님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/tNvj9nrgQC5d5SljdyVw.jpg?auto=compress,format</webfeeds:featuredImage>
        </item>
      
        <item>
          <title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></title>
          <link>https://www.cizucu.com/ko/photos/l7VzRAizhwBNTQosF4N3</link>
          <description><![CDATA[cizucu에서 Liza Medvedeva님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Liza Medvedeva</name>
            <uri>https://www.cizucu.com/ko/users/izN8mAH1xrflfRBeXFE1dCE6BIw1</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/ko/photos/l7VzRAizhwBNTQosF4N3</guid>
          <pubDate>Sun, 15 Feb 2026 17:10:10 GMT</pubDate>
          <atom:updated>2026-02-15T17:10:10+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?fm=jpg" type="image/jpeg" width="3705" height="5558" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Liza Medvedeva님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format</webfeeds:featuredImage>
        </item>
      
        <item>
          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/ko/photos/cLMlwd2zuriHaAa7UIXB</link>
          <description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/ko/photos/cLMlwd2zuriHaAa7UIXB</guid>
          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
          <atom:updated>2026-03-22T16:38:29+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?fm=jpg" type="image/jpeg" width="4419" height="6629" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format</webfeeds:featuredImage>
        </item>
      
        <item>
          <title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></title>
          <link>https://www.cizucu.com/ko/photos/c6X5QFypeVexSKsL3yma</link>
          <description><![CDATA[cizucu에서 INKAN님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>INKAN</name>
            <uri>https://www.cizucu.com/ko/users/394o0WNHj6P0jZeascrsAkgBWDx1</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/ko/photos/c6X5QFypeVexSKsL3yma</guid>
          <pubDate>Sat, 14 Mar 2026 02:33:47 GMT</pubDate>
          <atom:updated>2026-03-14T02:33:47+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?fm=jpg" type="image/jpeg" width="4950" height="7020" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 INKAN님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format</webfeeds:featuredImage>
        </item>
      
        <item>
          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/ko/photos/aCRdHvBtI6EE9pHD6Jud</link>
          <description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/ko/photos/aCRdHvBtI6EE9pHD6Jud</guid>
          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
          <atom:updated>2026-03-22T16:32:12+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?fm=jpg" type="image/jpeg" width="4419" height="6629" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format</webfeeds:featuredImage>
        </item>
      
        <item>
          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/ko/photos/RDduCIQ1jlKWBqn7gdBH</link>
          <description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/ko/photos/RDduCIQ1jlKWBqn7gdBH</guid>
          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
          <atom:updated>2026-03-22T16:29:33+09:00</atom:updated>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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            <media:description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></title>
          <link>https://www.cizucu.com/ko/photos/4YB1R7rZka3WwEA2UxGN</link>
          <description><![CDATA[cizucu에서 W Mick님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>W Mick</name>
            <uri>https://www.cizucu.com/ko/mick116</uri>
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          <pubDate>Sun, 21 Dec 2025 01:52:37 GMT</pubDate>
          <atom:updated>2025-12-21T01:52:37+09:00</atom:updated>
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            <media:title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 W Mick님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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