Gerade의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/gerade ko 2026-04-29T02:02:21+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[AKASAKA Geisha Parade #AKS #cityscape #tokyo #MNT | つばさ製作所]]> https://www.cizucu.com/ko/photos/Tk3twltJG8V3XTHaszkd つばさ製作所 https://www.cizucu.com/ko/tsubasa_mfg https://www.cizucu.com/ko/photos/Tk3twltJG8V3XTHaszkd Sat, 22 Mar 2025 20:49:05 GMT 2025-03-26T20:42:23+09:00 https://cdn.cizucu.com/images/photos/Tk3twltJG8V3XTHaszkd.jpg?auto=compress,format <![CDATA[#grape | PAPALIN]]> https://www.cizucu.com/ko/photos/ATEl0w6DrAfKCrTDVRwG PAPALIN https://www.cizucu.com/ko/users/IuasRv677Bd12ViHIRMiirkFjXH3 https://www.cizucu.com/ko/photos/ATEl0w6DrAfKCrTDVRwG Sun, 02 Nov 2025 23:56:13 GMT 2025-11-02T23:56:13+09:00 https://cdn.cizucu.com/images/photos/ATEl0w6DrAfKCrTDVRwG.jpg?auto=compress,format <![CDATA[街に出たらAKASAKA Geisha Paradeが行われていた。 #AKS #tokyo #MNT #TBS #cityscape #人力車 #一ツ木通り | つばさ製作所]]> https://www.cizucu.com/ko/photos/9bXlawTV1cHUrEPvb4vF つばさ製作所 https://www.cizucu.com/ko/tsubasa_mfg https://www.cizucu.com/ko/photos/9bXlawTV1cHUrEPvb4vF Sat, 22 Mar 2025 20:34:12 GMT 2025-03-26T20:42:13+09:00 https://cdn.cizucu.com/images/photos/9bXlawTV1cHUrEPvb4vF.jpg?auto=compress,format <![CDATA[shadow #cityscape #garage #shutter | つばさ製作所]]> https://www.cizucu.com/ko/photos/Jb9VRZmrhCLmQph8edrx つばさ製作所 https://www.cizucu.com/ko/tsubasa_mfg https://www.cizucu.com/ko/photos/Jb9VRZmrhCLmQph8edrx Wed, 18 Jun 2025 22:15:19 GMT 2025-06-18T22:15:19+09:00 https://cdn.cizucu.com/images/photos/Jb9VRZmrhCLmQph8edrx.jpg?auto=compress,format <![CDATA[#整備 #修理 #ガレージ #Garage | kent]]> https://www.cizucu.com/ko/photos/2YLEQ8mY9WlGjIBLrzN6 kent https://www.cizucu.com/ko/users/N3iUuiuXRGc2QOvZUrELWqhLJGN2 https://www.cizucu.com/ko/photos/2YLEQ8mY9WlGjIBLrzN6 Sun, 12 Apr 2026 18:35:59 GMT 2026-04-12T18:35:59+09:00 https://cdn.cizucu.com/images/photos/2YLEQ8mY9WlGjIBLrzN6.jpg?auto=compress,format <![CDATA[GINZA 再現像・再編集 #ginza #tokyo #cityscape #rain #umbrella #transform #erase #generate #AI | つばさ製作所]]> https://www.cizucu.com/ko/photos/Zcys2RFLgtzleZuApDBB つばさ製作所 https://www.cizucu.com/ko/tsubasa_mfg https://www.cizucu.com/ko/photos/Zcys2RFLgtzleZuApDBB Sat, 17 May 2025 23:49:12 GMT 2025-05-17T23:49:12+09:00 https://cdn.cizucu.com/images/photos/Zcys2RFLgtzleZuApDBB.jpg?auto=compress,format <![CDATA[Suspended Between Gravity and Grace. | INSA Clicks -Sanoj Dangol]]> https://www.cizucu.com/ko/photos/jLuLEwGUjWMjzzrppVSz INSA Clicks -Sanoj Dangol https://www.cizucu.com/ko/users/Qi6npT3YDgNcbXCeaT7Dw82MBmB2 https://www.cizucu.com/ko/photos/jLuLEwGUjWMjzzrppVSz Wed, 01 Apr 2026 16:56:14 GMT 2026-04-01T16:56:14+09:00 https://cdn.cizucu.com/images/photos/jLuLEwGUjWMjzzrppVSz.jpg?auto=compress,format <![CDATA[Mute swans on a lake, shot in Lake Como, Italy. Lifelong paired bonds, the cultural significance of grace and love. | lucion j. orion]]> https://www.cizucu.com/ko/photos/gclmE48ZmYJFhCkssC7l lucion j. orion https://www.cizucu.com/ko/users/sHuYH7JK2ySh1yqgaj7U61AtsOl2 https://www.cizucu.com/ko/photos/gclmE48ZmYJFhCkssC7l Sat, 18 Apr 2026 15:15:18 GMT 2026-04-18T15:15:18+09:00 https://cdn.cizucu.com/images/photos/gclmE48ZmYJFhCkssC7l.jpg?auto=compress,format <![CDATA[Lines of Becoming is not about arriving at certainty, but about learning to move with the wind—trusting that even in the unknown, there is direction, grace, and purpose. | paritem]]> https://www.cizucu.com/ko/photos/kRYPyPkz5VPhTspCE0sL paritem https://www.cizucu.com/ko/paritem https://www.cizucu.com/ko/photos/kRYPyPkz5VPhTspCE0sL Wed, 25 Mar 2026 18:57:06 GMT 2026-03-25T18:57:06+09:00 https://cdn.cizucu.com/images/photos/kRYPyPkz5VPhTspCE0sL.jpg?auto=compress,format <![CDATA["A decade from a dream." - In 2015, I admired some photographers who climbed rooftops in Shanghai. 10 years later, I finally stood there myself. | Issei Kimura]]> https://www.cizucu.com/ko/photos/u0HPZD8x7xm2yaliksRi Issei Kimura https://www.cizucu.com/ko/users/B6N5AOSciINEz5ikO4vau75rlxq1 https://www.cizucu.com/ko/photos/u0HPZD8x7xm2yaliksRi Tue, 02 Dec 2025 11:52:39 GMT 2025-12-02T11:52:39+09:00 https://cdn.cizucu.com/images/photos/u0HPZD8x7xm2yaliksRi.jpg?auto=compress,format <![CDATA[A CH-47SD Chinook helicopter carrying the Singapore state flag escorted by 2 AH-64D Apache Attack Helicopters during a National Day Parade rehearsal | Denzyl K Thomas]]> https://www.cizucu.com/ko/photos/bLM4uGI7baYZcacprthD Denzyl K Thomas https://www.cizucu.com/ko/users/pWCdWqQG81MPj1SmXEC8ffzgKMA3 https://www.cizucu.com/ko/photos/bLM4uGI7baYZcacprthD Sun, 15 Mar 2026 17:59:10 GMT 2026-03-15T17:59:10+09:00 https://cdn.cizucu.com/images/photos/bLM4uGI7baYZcacprthD.jpg?auto=compress,format <![CDATA[Today I want to share this portrait I made at Singapore Japanese Cemetery Park, a place most people associate with quietness and memory. It’s not where you’d normally go looking for “pretty”, and yet that’s exactly the point: beauty often hides in the least expected places, waiting for us to slow down enough to notice it. The afternoon light was gentle, the bougainvillea was in bloom, and in that stillness, her expression felt even more tender, like a small moment of life whispering back into a space meant for remembrance. I love how photography can do that: it doesn’t erase the weight of a place, but it lets grace exist alongside it. | Keith Wee]]> https://www.cizucu.com/ko/photos/bPTnOCwkXSKamWI4XYCz Keith Wee https://www.cizucu.com/ko/users/fxdhdPm0AKY0fV1ane3AERkTCXk2 https://www.cizucu.com/ko/photos/bPTnOCwkXSKamWI4XYCz Mon, 16 Feb 2026 21:28:40 GMT 2026-02-16T21:28:40+09:00 https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?auto=compress,format <![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata. Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children. Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade. Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]> https://www.cizucu.com/ko/photos/KZDnxBOM6WBleZ6DoLfC DrChuaYang https://www.cizucu.com/ko/users/GWI7CPKnpjcKL3y0b7xMpqZRTg12 https://www.cizucu.com/ko/photos/KZDnxBOM6WBleZ6DoLfC Wed, 11 Mar 2026 19:46:29 GMT 2026-03-11T19:46:29+09:00 https://cdn.cizucu.com/images/photos/KZDnxBOM6WBleZ6DoLfC.jpg?auto=compress,format <![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]> https://www.cizucu.com/ko/photos/JpBL1xNfUyJEXEAjQECk Petratheactionsuperstar https://www.cizucu.com/ko/users/cGhdI6z90hf12ObxDv2NMx2pUms2 https://www.cizucu.com/ko/photos/JpBL1xNfUyJEXEAjQECk Wed, 18 Mar 2026 04:11:12 GMT 2026-03-18T04:11:12+09:00 https://cdn.cizucu.com/images/photos/JpBL1xNfUyJEXEAjQECk.jpg?auto=compress,format <![CDATA[The Last Interred I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]> https://www.cizucu.com/ko/photos/p4nmJi7ozAJ0V0pp0po0 Kitty Chirapongse https://www.cizucu.com/ko/users/6NcUAX3SVjaeZ4F1gQC9SxNeuKs2 https://www.cizucu.com/ko/photos/p4nmJi7ozAJ0V0pp0po0 Mon, 06 Apr 2026 13:35:44 GMT 2026-04-06T13:35:44+09:00 https://cdn.cizucu.com/images/photos/p4nmJi7ozAJ0V0pp0po0.jpg?auto=compress,format <![CDATA[Title: Is this a Phoenix? Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light. This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration. I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]> https://www.cizucu.com/ko/photos/HaRlbV8HZph6qTP7CEe0 Victor Zhuo https://www.cizucu.com/ko/users/4QDNraPSayPI6l1z44LmNKePpYg2 https://www.cizucu.com/ko/photos/HaRlbV8HZph6qTP7CEe0 Tue, 06 Jan 2026 15:31:12 GMT 2026-01-06T15:31:12+09:00 https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format <![CDATA[Feral Grace II: Bound, Yet Willing to Fly Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series. At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted. The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum. Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it. 《野性優雅 II：向前飛行的束縛》 《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。 在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。 畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。 真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]> https://www.cizucu.com/ko/photos/4YB1R7rZka3WwEA2UxGN W Mick https://www.cizucu.com/ko/mick116 https://www.cizucu.com/ko/photos/4YB1R7rZka3WwEA2UxGN Sun, 21 Dec 2025 01:52:37 GMT 2025-12-21T01:52:37+09:00 https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format <![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words. Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come. The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life. Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]> https://www.cizucu.com/ko/photos/SaattyEITUWZ19MyOfcT Shetty Karthik https://www.cizucu.com/ko/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232 https://www.cizucu.com/ko/photos/SaattyEITUWZ19MyOfcT Tue, 24 Feb 2026 18:17:48 GMT 2026-02-24T18:17:48+09:00 https://cdn.cizucu.com/images/photos/SaattyEITUWZ19MyOfcT.jpg?auto=compress,format <![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]> https://www.cizucu.com/ko/photos/MCq2HUqc07Cf0tkiHfQs Nicholas https://www.cizucu.com/ko/nickkloo https://www.cizucu.com/ko/photos/MCq2HUqc07Cf0tkiHfQs Sat, 17 Jan 2026 23:42:28 GMT 2026-01-17T23:42:28+09:00 https://cdn.cizucu.com/images/photos/MCq2HUqc07Cf0tkiHfQs.jpg?auto=compress,format <![CDATA[Juliet in the garden, December 2025 By Leonie Freeman In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover. I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes. Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden. Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film. | Leonie Freeman]]> https://www.cizucu.com/ko/photos/LcfITjpuir5fca1v6H39 Leonie Freeman https://www.cizucu.com/ko/users/Z3nyxOavExSZa5rmcDPnnZRo9P03 https://www.cizucu.com/ko/photos/LcfITjpuir5fca1v6H39 Tue, 07 Apr 2026 23:00:45 GMT 2026-04-07T23:00:52+09:00 https://cdn.cizucu.com/images/photos/LcfITjpuir5fca1v6H39.jpg?auto=compress,format