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      <title>Formica의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드</title>
      <link>https://www.cizucu.com/ko/explore/photos/formica</link>
      <description><![CDATA[cizucu에서 가장 뛰어난 고해상도 Formica 사진 8장을 찾아보세요. 모든 사진은 로열티 프리이며 무료로 다운로드 가능하며, 어떤 프로젝트에도 적합하고 저작권 표기가 필요 없습니다.]]></description>
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          <title><![CDATA[クロヤマアリ Japanese Wood Ant Formica japonica May 5, 2024 横浜市  #Insect #アリ #昆虫 | konoda]]></title>
          <link>https://www.cizucu.com/ko/photos/1Us8JRy7Q6vUum7lqfLZ</link>
          <description><![CDATA[konoda가 촬영한 고품질의 무료 땅 위의 검은 개미 클로즈업 사진 사진을 cizucu에서 다운로드하세요.]]></description>
          <author>
            <name>konoda</name>
            <uri>https://www.cizucu.com/ko/users/qXutUu0gv3Uq8PLPZSggX5bGNri1</uri>
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          <pubDate>Mon, 20 May 2024 16:32:09 GMT</pubDate>
          <atom:updated>2024-11-16T10:36:09+09:00</atom:updated>
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            <media:title><![CDATA[クロヤマアリ Japanese Wood Ant Formica japonica May 5, 2024 横浜市  #Insect #アリ #昆虫 | konoda]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1Us8JRy7Q6vUum7lqfLZ.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1Us8JRy7Q6vUum7lqfLZ.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[konoda가 촬영한 고품질의 무료 땅 위의 검은 개미 클로즈업 사진 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[クモンクサカゲロウ Chrysopa formosa June 13, 2024 上田市  #GreenLacewing | konoda]]></title>
          <link>https://www.cizucu.com/ko/photos/bJX6uoodsGyKH0LJ6fDl</link>
          <description><![CDATA[konoda가 촬영한 고품질의 무료 투명한 날개를 가진 초록색 곤충과 가느다란 몸 사진을 cizucu에서 다운로드하세요.]]></description>
          <author>
            <name>konoda</name>
            <uri>https://www.cizucu.com/ko/users/qXutUu0gv3Uq8PLPZSggX5bGNri1</uri>
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          <pubDate>Fri, 14 Jun 2024 14:08:32 GMT</pubDate>
          <atom:updated>2024-06-14T18:41:23+09:00</atom:updated>
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            <media:title><![CDATA[クモンクサカゲロウ Chrysopa formosa June 13, 2024 上田市  #GreenLacewing | konoda]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bJX6uoodsGyKH0LJ6fDl.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[konoda가 촬영한 고품질의 무료 투명한 날개를 가진 초록색 곤충과 가느다란 몸 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station.  Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city.  Seen from speed, the city appears motionless. | sho13nabe]]></title>
          <link>https://www.cizucu.com/ko/photos/DVqwj97uZqe2SH06OmL4</link>
          <description><![CDATA[cizucu에서 sho13nabe님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>sho13nabe</name>
            <uri>https://www.cizucu.com/ko/sho_13</uri>
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          <pubDate>Wed, 25 Mar 2026 19:40:59 GMT</pubDate>
          <atom:updated>2026-03-25T19:40:59+09:00</atom:updated>
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            <media:title><![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station.  Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city.  Seen from speed, the city appears motionless. | sho13nabe]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/DVqwj97uZqe2SH06OmL4.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/DVqwj97uZqe2SH06OmL4.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 sho13nabe님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[From afar, this image resembles two bold brushstrokes painted across a blank canvas, forming an “X”. On closer inspection, it reveals a pair of Himalayan Vultures crossing paths in mid-air. Captured in Singapore on 5 January 2026, this moment is especially rare: Himalayan Vultures are vagrants to the region and are typically sighted only in late December and early January. This image remains special to me as it reflects aspects of minimalism, precise timing, and use of space to convey the majestic presence and elegance of the Himalayan Vultures in flight. | Zhi Heng]]></title>
          <link>https://www.cizucu.com/ko/photos/uwvj8lq11KXp18A8xkWV</link>
          <description><![CDATA[cizucu에서 Zhi Heng님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Zhi Heng</name>
            <uri>https://www.cizucu.com/ko/users/jj3BdCn1YxVrCdFL995iWfIDMY63</uri>
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          <pubDate>Sat, 10 Jan 2026 17:11:31 GMT</pubDate>
          <atom:updated>2026-01-10T17:11:31+09:00</atom:updated>
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            <media:title><![CDATA[From afar, this image resembles two bold brushstrokes painted across a blank canvas, forming an “X”. On closer inspection, it reveals a pair of Himalayan Vultures crossing paths in mid-air. Captured in Singapore on 5 January 2026, this moment is especially rare: Himalayan Vultures are vagrants to the region and are typically sighted only in late December and early January. This image remains special to me as it reflects aspects of minimalism, precise timing, and use of space to convey the majestic presence and elegance of the Himalayan Vultures in flight. | Zhi Heng]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/uwvj8lq11KXp18A8xkWV.jpg?fm=jpg" type="image/jpeg" width="2792" height="3490" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uwvj8lq11KXp18A8xkWV.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uwvj8lq11KXp18A8xkWV.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uwvj8lq11KXp18A8xkWV.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Zhi Heng님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></title>
          <link>https://www.cizucu.com/ko/photos/AT0547TetpyjwEl35ryF</link>
          <description><![CDATA[cizucu에서 Franco Volpi님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Franco Volpi</name>
            <uri>https://www.cizucu.com/ko/users/koYtNqNSKaZsk6JSlEAEA3jrODf2</uri>
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          <pubDate>Tue, 31 Mar 2026 02:52:38 GMT</pubDate>
          <atom:updated>2026-03-31T02:52:38+09:00</atom:updated>
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            <media:title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?fm=jpg" type="image/jpeg" width="6346" height="9000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 Franco Volpi님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[2025.8.3 FORMULA DRIFT JAPAN 3  FDJ撮りに行ってきましたが暑すぎて最後まではいられず。。。 今までKANI FilterのPLフィルターつけていたと思ったけど実際はUVカットのを付けてたという。。。 改めてPLフィルターに変更して撮影するとしっかりコントラストが乗って良い感じです。  改めて設定を探し出さないといけなくなりましたw まぁ、頑張っていきます。。。  Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/500sec f/4.0 ISO 100 Edit : Lrレタッチ →Ps現像  #s15 #kpgc110  #kpgc10  #nissan #silvia #skyline #s15silvia #kpgc #sr20 #ドリフト #drift #drifting  #日産 #s15シルビア  #ハコスカ #ドリフト好きな人と繋がりたい  #canon  #eos  #eos1dx  #eos1dxmarkiii  #ef600mmf4lisiiusm  #kanifilter  #一眼レフ  #カメラ好きな人と繋がりたい  #cizucu_photo  #purpleline | hira_toshi]]></title>
          <link>https://www.cizucu.com/ko/photos/uQxOU1bNbUUGv45egQpO</link>
          <description><![CDATA[cizucu에서 hira_toshi님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>hira_toshi</name>
            <uri>https://www.cizucu.com/ko/users/MmMek3rz9FMTdsnGiIEvd0bN8v43</uri>
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          <pubDate>Mon, 04 Aug 2025 23:41:31 GMT</pubDate>
          <atom:updated>2025-08-04T23:41:31+09:00</atom:updated>
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            <media:title><![CDATA[2025.8.3 FORMULA DRIFT JAPAN 3  FDJ撮りに行ってきましたが暑すぎて最後まではいられず。。。 今までKANI FilterのPLフィルターつけていたと思ったけど実際はUVカットのを付けてたという。。。 改めてPLフィルターに変更して撮影するとしっかりコントラストが乗って良い感じです。  改めて設定を探し出さないといけなくなりましたw まぁ、頑張っていきます。。。  Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/500sec f/4.0 ISO 100 Edit : Lrレタッチ →Ps現像  #s15 #kpgc110  #kpgc10  #nissan #silvia #skyline #s15silvia #kpgc #sr20 #ドリフト #drift #drifting  #日産 #s15シルビア  #ハコスカ #ドリフト好きな人と繋がりたい  #canon  #eos  #eos1dx  #eos1dxmarkiii  #ef600mmf4lisiiusm  #kanifilter  #一眼レフ  #カメラ好きな人と繋がりたい  #cizucu_photo  #purpleline | hira_toshi]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/uQxOU1bNbUUGv45egQpO.jpg?fm=jpg" type="image/jpeg" width="5472" height="3648" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uQxOU1bNbUUGv45egQpO.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uQxOU1bNbUUGv45egQpO.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uQxOU1bNbUUGv45egQpO.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 hira_toshi님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
          </media:group>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/ko/photos/sVh1uqHQzy9Jq3sPjFco</link>
          <description><![CDATA[cizucu에서 John Hupa님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>John Hupa</name>
            <uri>https://www.cizucu.com/ko/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/ko/photos/sVh1uqHQzy9Jq3sPjFco</guid>
          <pubDate>Wed, 11 Feb 2026 12:29:25 GMT</pubDate>
          <atom:updated>2026-02-11T12:29:25+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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            <media:description><![CDATA[cizucu에서 John Hupa님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/ko/photos/cI8eCjEr7pTX08wnzCdu</link>
          <description><![CDATA[cizucu에서 John Hupa님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>John Hupa</name>
            <uri>https://www.cizucu.com/ko/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
          <atom:updated>2026-02-11T12:30:12+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/cI8eCjEr7pTX08wnzCdu.jpg?fm=jpg" type="image/jpeg" width="2362" height="4200" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cI8eCjEr7pTX08wnzCdu.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cI8eCjEr7pTX08wnzCdu.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 John Hupa님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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