Forgotten의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/forgotten ko 2026-04-21T21:04:10+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[A forgotten hobby. I tried many times to learn guitar but never got fully into it and the guitar sat by my wall for many years | matthewfinchley]]> https://www.cizucu.com/ko/photos/5seBOdPXfe7lK4vSg3nO matthewfinchley https://www.cizucu.com/ko/users/9XtOrUcyytZI7wqwYOqLGYo0jIY2 https://www.cizucu.com/ko/photos/5seBOdPXfe7lK4vSg3nO Mon, 06 Apr 2026 01:32:24 GMT 2026-04-06T01:32:24+09:00 https://cdn.cizucu.com/images/photos/5seBOdPXfe7lK4vSg3nO.jpg?auto=compress,format <![CDATA[A massive cargo ship lies stranded on the quiet Tainan shore. The beach stretches empty under a muted sky, waves gently lapping at the hull, as if the world has forgotten this giant. Salted air mixes with the faint rust of metal, and in the stillness, the ship feels like a solitary monument, suspended between land and sea. | Lawrence Liou]]> https://www.cizucu.com/ko/photos/UnayETiolFkVNPJRdLUH Lawrence Liou https://www.cizucu.com/ko/momoliou https://www.cizucu.com/ko/photos/UnayETiolFkVNPJRdLUH Sat, 28 Mar 2026 21:23:56 GMT 2026-03-28T21:23:56+09:00 https://cdn.cizucu.com/images/photos/UnayETiolFkVNPJRdLUH.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/ko/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/ko/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge. At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]> https://www.cizucu.com/ko/photos/c6X5QFypeVexSKsL3yma INKAN https://www.cizucu.com/ko/users/394o0WNHj6P0jZeascrsAkgBWDx1 https://www.cizucu.com/ko/photos/c6X5QFypeVexSKsL3yma Sat, 14 Mar 2026 02:33:47 GMT 2026-03-14T02:33:47+09:00 https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/ko/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/ko/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/ko/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/ko/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format <![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’. Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world. Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me. It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary. His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]> https://www.cizucu.com/ko/photos/RsubPbXXibrVGCnrOtp8 Yash Rane https://www.cizucu.com/ko/users/p4C2inUv1ih89epMzxU1Djvz4B03 https://www.cizucu.com/ko/photos/RsubPbXXibrVGCnrOtp8 Fri, 13 Mar 2026 17:52:43 GMT 2026-03-13T17:52:43+09:00 https://cdn.cizucu.com/images/photos/RsubPbXXibrVGCnrOtp8.jpg?auto=compress,format