Fillings의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/fillings ko 2026-05-03T14:36:03+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Not filling the stomach. | Howie]]> https://www.cizucu.com/ko/photos/WUDMbgS0L4PXwPwGqn70 Howie https://www.cizucu.com/ko/users/vq51rALCH5Tw1wkR3T7o27j3mXE3 https://www.cizucu.com/ko/photos/WUDMbgS0L4PXwPwGqn70 Sat, 02 May 2026 20:27:21 GMT 2026-05-03T09:19:38+09:00 https://cdn.cizucu.com/images/photos/WUDMbgS0L4PXwPwGqn70.jpg?auto=compress,format <![CDATA[Falling into winter. | kim eunhyeok]]> https://www.cizucu.com/ko/photos/cGRSSJ8WST0gjgjjYwCN kim eunhyeok https://www.cizucu.com/ko/kimeunhyuk https://www.cizucu.com/ko/photos/cGRSSJ8WST0gjgjjYwCN Mon, 29 Dec 2025 14:52:43 GMT 2025-12-29T14:52:43+09:00 https://cdn.cizucu.com/images/photos/cGRSSJ8WST0gjgjjYwCN.jpg?auto=compress,format <![CDATA[in the falling rain | Akito Iwanaga]]> https://www.cizucu.com/ko/photos/mIJ4g2TYWtymUHU1dRHk Akito Iwanaga https://www.cizucu.com/ko/users/wLASP8PdbIP1idMl7A8qM3NgcIS2 https://www.cizucu.com/ko/photos/mIJ4g2TYWtymUHU1dRHk Mon, 02 Jun 2025 23:18:27 GMT 2025-06-02T23:18:27+09:00 https://cdn.cizucu.com/images/photos/mIJ4g2TYWtymUHU1dRHk.jpg?auto=compress,format <![CDATA[I believe that: To be a photographer is to be willing to give up the opportunity of admiring the present moment, to exclude ourselves from reality, in order to immortalize a fraction of a second. As the shutter opens and the viewfinder dims, all what is left of that moment in our memory is pitch black, but is also immortalized on the film. | vemuon]]> https://www.cizucu.com/ko/photos/l6PApopjFqAxzegIdmWb vemuon https://www.cizucu.com/ko/vemuon https://www.cizucu.com/ko/photos/l6PApopjFqAxzegIdmWb Tue, 20 Feb 2024 20:58:35 GMT 2024-11-22T17:28:15+09:00 https://cdn.cizucu.com/images/photos/l6PApopjFqAxzegIdmWb.jpg?auto=compress,format <![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced. The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]> https://www.cizucu.com/ko/photos/zwyI5V45BjqrtNtht6mx Lousycameraman https://www.cizucu.com/ko/lousycameraman https://www.cizucu.com/ko/photos/zwyI5V45BjqrtNtht6mx Tue, 20 Jan 2026 16:30:45 GMT 2026-01-20T16:30:45+09:00 https://cdn.cizucu.com/images/photos/zwyI5V45BjqrtNtht6mx.jpg?auto=compress,format <![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me. Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo. #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]> https://www.cizucu.com/ko/photos/ONcdjCaE4a7tXO0fGQKO Giuliana E. Miceli https://www.cizucu.com/ko/users/X0Uppurh6OXofv9sRiTUGtUb9x73 https://www.cizucu.com/ko/photos/ONcdjCaE4a7tXO0fGQKO Sat, 06 Dec 2025 13:27:26 GMT 2025-12-06T13:27:26+09:00 https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?auto=compress,format <![CDATA[I did a series of photos after seeing how the Greenvines HBD Tampines had interesting colour walls and this was done as we were coming out from covid. I choose this photo because during covid I was battling through a lot of things in life, which almost defeated me. To have a friend who is like a sister to me, and who is always so willing to be my model means a lot to me. And this photo particularly means a lot because it shows how a person may be going through their own issues in life symbolize by the red glasses and plastic round tank on her head but still looking towards the light which symbolizes the future. | hy.sei.chan]]> https://www.cizucu.com/ko/photos/J8t2cQHeRGBdWscsAHIv hy.sei.chan https://www.cizucu.com/ko/users/qPbozcgOgFSr4VTHY2wuV6GoQmq2 https://www.cizucu.com/ko/photos/J8t2cQHeRGBdWscsAHIv Sun, 19 Apr 2026 20:56:07 GMT 2026-04-19T20:56:07+09:00 https://cdn.cizucu.com/images/photos/J8t2cQHeRGBdWscsAHIv.jpg?auto=compress,format <![CDATA[I did a series of photos after seeing how the Greenvines HBD Tampines had interesting colour walls and this was done as we were coming out from covid. I choose this photo because during covid I was battling through a lot of things in life, which almost defeated me. To have a friend who is like a sister to me, and who is always so willing to be my model means a lot to me. And this photo particularly means a lot because it shows how a person may be going through their own issues in life symbolize by the red glasses and plastic round tank on her head but still looking towards the light which symbolizes the future. | hy.sei.chan]]> https://www.cizucu.com/ko/photos/J8t2cQHeRGBdWscsAHIv hy.sei.chan https://www.cizucu.com/ko/users/qPbozcgOgFSr4VTHY2wuV6GoQmq2 https://www.cizucu.com/ko/photos/J8t2cQHeRGBdWscsAHIv Sun, 19 Apr 2026 20:56:07 GMT 2026-05-03T11:33:24+09:00 https://cdn.cizucu.com/images/photos/J8t2cQHeRGBdWscsAHIv.jpg?auto=compress,format <![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village. Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge. As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]> https://www.cizucu.com/ko/photos/FGecy4iXa0FxyLmFPs1x Serene Teo https://www.cizucu.com/ko/users/MS8bT7nahBOt8T9NcnwxpToVv9h1 https://www.cizucu.com/ko/photos/FGecy4iXa0FxyLmFPs1x Sun, 15 Mar 2026 16:26:26 GMT 2026-03-15T16:26:26+09:00 https://cdn.cizucu.com/images/photos/FGecy4iXa0FxyLmFPs1x.jpg?auto=compress,format <![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village. Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge. As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]> https://www.cizucu.com/ko/photos/4ZXYEpJisBKlm4YA82Qu Serene Teo https://www.cizucu.com/ko/users/MS8bT7nahBOt8T9NcnwxpToVv9h1 https://www.cizucu.com/ko/photos/4ZXYEpJisBKlm4YA82Qu Mon, 16 Mar 2026 23:54:50 GMT 2026-03-16T23:54:50+09:00 https://cdn.cizucu.com/images/photos/4ZXYEpJisBKlm4YA82Qu.jpg?auto=compress,format <![CDATA[A Language Beyond Words Chiang Mai taught me that the deepest conversations do not always depend on perfect language. I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper. Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]> https://www.cizucu.com/ko/photos/bqXUVMgMXBlAsPM7Qjwu Lanna Shuttered Moments https://www.cizucu.com/ko/users/zLWK6aZf3majg9NHN7feKot3mzs1 https://www.cizucu.com/ko/photos/bqXUVMgMXBlAsPM7Qjwu Sat, 14 Feb 2026 10:30:49 GMT 2026-02-14T10:30:49+09:00 https://cdn.cizucu.com/images/photos/bqXUVMgMXBlAsPM7Qjwu.jpg?auto=compress,format <![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village. Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge. As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]> https://www.cizucu.com/ko/photos/FGecy4iXa0FxyLmFPs1x Serene Teo https://www.cizucu.com/ko/users/MS8bT7nahBOt8T9NcnwxpToVv9h1 https://www.cizucu.com/ko/photos/FGecy4iXa0FxyLmFPs1x Sun, 15 Mar 2026 16:26:26 GMT 2026-03-15T16:26:45+09:00 https://cdn.cizucu.com/images/photos/FGecy4iXa0FxyLmFPs1x.jpg?auto=compress,format <![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village. Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge. As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]> https://www.cizucu.com/ko/photos/4ZXYEpJisBKlm4YA82Qu Serene Teo https://www.cizucu.com/ko/users/MS8bT7nahBOt8T9NcnwxpToVv9h1 https://www.cizucu.com/ko/photos/4ZXYEpJisBKlm4YA82Qu Mon, 16 Mar 2026 23:54:50 GMT 2026-05-03T13:43:37+09:00 https://cdn.cizucu.com/images/photos/4ZXYEpJisBKlm4YA82Qu.jpg?auto=compress,format <![CDATA[Juliet in the garden, December 2025 By Leonie Freeman In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover. I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes. Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden. Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film. | Leonie Freeman]]> https://www.cizucu.com/ko/photos/LcfITjpuir5fca1v6H39 Leonie Freeman https://www.cizucu.com/ko/users/Z3nyxOavExSZa5rmcDPnnZRo9P03 https://www.cizucu.com/ko/photos/LcfITjpuir5fca1v6H39 Tue, 07 Apr 2026 23:00:45 GMT 2026-04-07T23:00:52+09:00 https://cdn.cizucu.com/images/photos/LcfITjpuir5fca1v6H39.jpg?auto=compress,format <![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before. My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water). | Chan Jian Liang]]> https://www.cizucu.com/ko/photos/wabEk4UMRZfjPjeVSzPy Chan Jian Liang https://www.cizucu.com/ko/users/RE5XitgnvzN0FtDjC58Fh6T1rz03 https://www.cizucu.com/ko/photos/wabEk4UMRZfjPjeVSzPy Tue, 20 Jan 2026 22:11:12 GMT 2026-01-20T22:11:12+09:00 https://cdn.cizucu.com/images/photos/wabEk4UMRZfjPjeVSzPy.jpg?auto=compress,format <![CDATA[Juliet in the garden, December 2025 By Leonie Freeman In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover. I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes. Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden. Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film. | Leonie Freeman]]> https://www.cizucu.com/ko/photos/LcfITjpuir5fca1v6H39 Leonie Freeman https://www.cizucu.com/ko/users/Z3nyxOavExSZa5rmcDPnnZRo9P03 https://www.cizucu.com/ko/photos/LcfITjpuir5fca1v6H39 Tue, 07 Apr 2026 23:00:45 GMT 2026-04-08T16:47:49+09:00 https://cdn.cizucu.com/images/photos/LcfITjpuir5fca1v6H39.jpg?auto=compress,format <![CDATA[Feral Grace II: Bound, Yet Willing to Fly Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series. At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted. The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum. Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it. 《野性優雅 II：向前飛行的束縛》 《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。 在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。 畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。 真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]> https://www.cizucu.com/ko/photos/4YB1R7rZka3WwEA2UxGN W Mick https://www.cizucu.com/ko/mick116 https://www.cizucu.com/ko/photos/4YB1R7rZka3WwEA2UxGN Sun, 21 Dec 2025 01:52:37 GMT 2025-12-21T01:52:37+09:00 https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format