Eraser의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/eraser ko 2026-04-28T12:30:16+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Light eater | dede dos film]]> https://www.cizucu.com/ko/photos/XzidW9icABNnjjyIsSTy dede dos film https://www.cizucu.com/ko/users/ou3Xb5dQZWfMwCFVM6fhXb4k2jj1 https://www.cizucu.com/ko/photos/XzidW9icABNnjjyIsSTy Fri, 05 Jul 2024 10:22:31 GMT 2024-08-22T07:43:38+09:00 https://cdn.cizucu.com/images/photos/XzidW9icABNnjjyIsSTy.jpg?auto=compress,format <![CDATA[「Deep prayer」 in Taipei | Takao@]]> https://www.cizucu.com/ko/photos/SL3rPXOod9NGCjil6ZtN Takao@ https://www.cizucu.com/ko/users/UcjAvVKYVfM3kOh5cj2AClqj5Uf1 https://www.cizucu.com/ko/photos/SL3rPXOod9NGCjil6ZtN Sun, 01 Feb 2026 09:58:48 GMT 2026-02-01T09:58:48+09:00 https://cdn.cizucu.com/images/photos/SL3rPXOod9NGCjil6ZtN.jpg?auto=compress,format <![CDATA[Laser train | Gonta]]> https://www.cizucu.com/ko/photos/1ovLxOXbweY9hT9zf3OP Gonta https://www.cizucu.com/ko/users/24n3U291BeT3mYqe3w3flVA89QD2 https://www.cizucu.com/ko/photos/1ovLxOXbweY9hT9zf3OP Sat, 09 Mar 2024 22:03:08 GMT 2024-11-21T12:51:39+09:00 https://cdn.cizucu.com/images/photos/1ovLxOXbweY9hT9zf3OP.jpg?auto=compress,format <![CDATA[GINZA 再現像・再編集 #ginza #tokyo #cityscape #rain #umbrella #transform #erase #generate #AI | つばさ製作所]]> https://www.cizucu.com/ko/photos/Zcys2RFLgtzleZuApDBB つばさ製作所 https://www.cizucu.com/ko/tsubasa_mfg https://www.cizucu.com/ko/photos/Zcys2RFLgtzleZuApDBB Sat, 17 May 2025 23:49:12 GMT 2025-05-17T23:49:12+09:00 https://cdn.cizucu.com/images/photos/Zcys2RFLgtzleZuApDBB.jpg?auto=compress,format <![CDATA[パステルカラーのドーナツとチョコレート、うさぎのマシュマロでイースターをお祝い #イースター #ドーナツ #チョコレート #スイーツ #テーブルフォト #food #foodphotography #sweets #sweetsphoto #easter #donut #chocolate #marshmallow #hungry | littlekiss photography]]> https://www.cizucu.com/ko/photos/0DlfMYuPXfzbucTdNs3I littlekiss photography https://www.cizucu.com/ko/users/QX8v0O7G4OctkDoy71O5UDQjxpq2 https://www.cizucu.com/ko/photos/0DlfMYuPXfzbucTdNs3I Sun, 17 Mar 2024 03:31:15 GMT 2024-11-21T01:05:13+09:00 https://cdn.cizucu.com/images/photos/0DlfMYuPXfzbucTdNs3I.jpg?auto=compress,format <![CDATA[night of prayer 三篠神社 | なうち]]> https://www.cizucu.com/ko/photos/cI68TdlxB28bTFqbd71Q なうち https://www.cizucu.com/ko/users/cJzVdiUn68Sr6ak7ayhkLA8ZHuj1 https://www.cizucu.com/ko/photos/cI68TdlxB28bTFqbd71Q Tue, 17 Mar 2026 21:31:06 GMT 2026-03-17T21:31:06+09:00 https://cdn.cizucu.com/images/photos/cI68TdlxB28bTFqbd71Q.jpg?auto=compress,format <![CDATA[A prayer answered. Shot in Punjab, Anandpur sahib. | Nirvair Singh]]> https://www.cizucu.com/ko/photos/5U9p2UTVqm1btW5xD0z1 Nirvair Singh https://www.cizucu.com/ko/users/YU9DYCSN7kX3G95IjMQGDMAug023 https://www.cizucu.com/ko/photos/5U9p2UTVqm1btW5xD0z1 Wed, 11 Mar 2026 21:27:25 GMT 2026-03-11T21:27:25+09:00 https://cdn.cizucu.com/images/photos/5U9p2UTVqm1btW5xD0z1.jpg?auto=compress,format <![CDATA[Like Father, Like Daughter Just before prayer, a father sat beside his daughter as she played and imitated prayer in the quiet mosque. Watching her brought back memories of my own childhood visits, when the mosque was a place of comfort, safety, and familiarity. In that moment, far from home in Albania, the call to prayer brought those memories rushing back. | capturedbytashh]]> https://www.cizucu.com/ko/photos/QlokBK6l1DAK4O8bF8Gl capturedbytashh https://www.cizucu.com/ko/users/0Bm6eYWZj2ZMZjtVUsHir1iJQOv1 https://www.cizucu.com/ko/photos/QlokBK6l1DAK4O8bF8Gl Sun, 05 Apr 2026 07:31:25 GMT 2026-04-05T07:31:25+09:00 https://cdn.cizucu.com/images/photos/QlokBK6l1DAK4O8bF8Gl.jpg?auto=compress,format <![CDATA[The city doesn’t ask if you’re tired. It just keeps going. So I learned to keep going too. Through pressure. Through silence. Through nights where giving up felt easier. Concrete life didn’t break me — it built me. Still here. Still dreaming. Never give up. | Alan Ng]]> https://www.cizucu.com/ko/photos/2xfn0NaTYQvQ7zq6RWEV Alan Ng https://www.cizucu.com/ko/5fivegraphy https://www.cizucu.com/ko/photos/2xfn0NaTYQvQ7zq6RWEV Tue, 20 Jan 2026 23:38:08 GMT 2026-01-20T23:38:08+09:00 https://cdn.cizucu.com/images/photos/2xfn0NaTYQvQ7zq6RWEV.jpg?auto=compress,format <![CDATA[I call this Image " Who is the BOSS !!" We were very lucky to see this. We were done for safaris on the day - we were changing Hotels and moving from one Serengeti National Park to Ngoro Ngoro Crater. All my camera gear was packed up and we had a few hours of driving ahead of us. But we were still driving through the Serengeti - suddenly our driver spotted this Lion and Lioness together, and we stopped to watch. I quickly prepared my camera Gear and was happy to have captured this image. Just a quick background of what is happening - After mating, the Lioness is very angry and the Lion obviously looks scared !! Quick information for those who are interested - Serengeti is the largest National park in Tanzania and Ngoro Ngoro is a UNESCO World Heritage Site - it is the worlds largest Caldera ( Volcanic Crater) - it is about 19km in diameter and has an area of 260sq km - it was formed by a huge volcanic eruption 2.5million years ago. It has unique and dense biodiversity | DM]]> https://www.cizucu.com/ko/photos/rzPkFfvPoU0lCl2enBSM DM https://www.cizucu.com/ko/users/OppWVhKsx6UfCRxeYHVXekOmHpx1 https://www.cizucu.com/ko/photos/rzPkFfvPoU0lCl2enBSM Mon, 27 Apr 2026 13:59:02 GMT 2026-04-27T13:59:02+09:00 https://cdn.cizucu.com/images/photos/rzPkFfvPoU0lCl2enBSM.jpg?auto=compress,format <![CDATA[Today I want to share this portrait I made at Singapore Japanese Cemetery Park, a place most people associate with quietness and memory. It’s not where you’d normally go looking for “pretty”, and yet that’s exactly the point: beauty often hides in the least expected places, waiting for us to slow down enough to notice it. The afternoon light was gentle, the bougainvillea was in bloom, and in that stillness, her expression felt even more tender, like a small moment of life whispering back into a space meant for remembrance. I love how photography can do that: it doesn’t erase the weight of a place, but it lets grace exist alongside it. | Keith Wee]]> https://www.cizucu.com/ko/photos/bPTnOCwkXSKamWI4XYCz Keith Wee https://www.cizucu.com/ko/users/fxdhdPm0AKY0fV1ane3AERkTCXk2 https://www.cizucu.com/ko/photos/bPTnOCwkXSKamWI4XYCz Mon, 16 Feb 2026 21:28:40 GMT 2026-02-16T21:28:40+09:00 https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?auto=compress,format <![CDATA[Let your light shine It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true) | Anamika]]> https://www.cizucu.com/ko/photos/O797H3ePbKxuqGDdvLjo Anamika https://www.cizucu.com/ko/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/ko/photos/O797H3ePbKxuqGDdvLjo Wed, 18 Feb 2026 11:16:35 GMT 2026-02-18T11:16:35+09:00 https://cdn.cizucu.com/images/photos/O797H3ePbKxuqGDdvLjo.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/ko/photos/Ytnb12FBlbK88ss0n1aC Ek Cheeze Dikhau https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/ko/photos/Ytnb12FBlbK88ss0n1aC Thu, 05 Mar 2026 03:55:29 GMT 2026-03-05T03:55:29+09:00 https://cdn.cizucu.com/images/photos/Ytnb12FBlbK88ss0n1aC.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/ko/photos/Jnx8ZtJKhekws72e8Vrq Ek Cheeze Dikhau https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/ko/photos/Jnx8ZtJKhekws72e8Vrq Thu, 26 Feb 2026 19:22:02 GMT 2026-02-26T19:22:02+09:00 https://cdn.cizucu.com/images/photos/Jnx8ZtJKhekws72e8Vrq.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/ko/photos/IemCQRfOA2gw9KrhLd3m Ek Cheeze Dikhau https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/ko/photos/IemCQRfOA2gw9KrhLd3m Thu, 05 Mar 2026 03:14:04 GMT 2026-03-05T03:14:04+09:00 https://cdn.cizucu.com/images/photos/IemCQRfOA2gw9KrhLd3m.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/ko/photos/BTPbTcVh6XvRHMAZaqsB Ek Cheeze Dikhau https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/ko/photos/BTPbTcVh6XvRHMAZaqsB Thu, 26 Feb 2026 18:25:42 GMT 2026-02-26T18:25:42+09:00 https://cdn.cizucu.com/images/photos/BTPbTcVh6XvRHMAZaqsB.jpg?auto=compress,format <![CDATA[March, Unlived I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence. In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls. Here, where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between. And yet I find myself missing that fragile hesitation. The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months. I traded that uncertainty for endless warmth, for skies that do not question themselves. But March— March was never about certainty. It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return. Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole. And here, palm leaves move without memory. I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility. And maybe that is what I miss most: not the cold, not the country— but the feeling of something beginning without knowing if it will last. | analogbysissi]]> https://www.cizucu.com/ko/photos/ZGnqRjAS6NTCzWe3Irv5 analogbysissi https://www.cizucu.com/ko/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/ko/photos/ZGnqRjAS6NTCzWe3Irv5 Wed, 25 Mar 2026 15:24:24 GMT 2026-03-25T15:24:24+09:00 https://cdn.cizucu.com/images/photos/ZGnqRjAS6NTCzWe3Irv5.jpg?auto=compress,format <![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]> https://www.cizucu.com/ko/photos/hgTYSErakAPBxlkfS9Iv a.da.md https://www.cizucu.com/ko/users/wLkRPPkJVNhxaYlznXVZoat6s4h1 https://www.cizucu.com/ko/photos/hgTYSErakAPBxlkfS9Iv Sun, 18 Jan 2026 15:17:34 GMT 2026-01-18T15:17:34+09:00 https://cdn.cizucu.com/images/photos/hgTYSErakAPBxlkfS9Iv.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/ko/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/ko/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/ko/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[The Lion’s Awakening: A Legacy in Motion Once a vibrant thread woven into the fabric of daily life, the Lion Dance is becoming a fading echo of the past. The thunder of the drums has grown distant, and the kaleidoscopic flicker of the lion is a rarer sight on our modern streets. Yet, beneath the silk and fur lies a timeless narrative. The performance is more than a spectacle; it is a story of resilience. It follows the lion as it awakens, navigates treacherous terrain, and crosses mountains and rivers in a symbolic quest for meaning and purpose. Documenting this art is a form of preservation. By capturing the spirit of the dance, we ensure that its identity isn't lost to time. It is a quiet and hopeful bridge that carries the stories of our ancestors into the light of the future, ensuring the lion continues to roar for generations to come. | snapsbyxavier]]> https://www.cizucu.com/ko/photos/mGaSMUo72Va9G9aRQKpq snapsbyxavier https://www.cizucu.com/ko/snapsbyxavier https://www.cizucu.com/ko/photos/mGaSMUo72Va9G9aRQKpq Tue, 14 Apr 2026 21:36:49 GMT 2026-04-14T21:36:49+09:00 https://cdn.cizucu.com/images/photos/mGaSMUo72Va9G9aRQKpq.jpg?auto=compress,format