Crust의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/crust ko 2026-04-26T03:11:12+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[使われなくなった　　安全第一 #AKS #cityscape #rust | つばさ製作所]]> https://www.cizucu.com/ko/photos/qWX4MzlaqVZUayCU2a6Q つばさ製作所 https://www.cizucu.com/ko/tsubasa_mfg https://www.cizucu.com/ko/photos/qWX4MzlaqVZUayCU2a6Q Mon, 10 Mar 2025 22:50:58 GMT 2025-03-12T22:34:42+09:00 https://cdn.cizucu.com/images/photos/qWX4MzlaqVZUayCU2a6Q.jpg?auto=compress,format <![CDATA[trust | rikka]]> https://www.cizucu.com/ko/photos/SHbfsCIrDuA3WoDQKBlR rikka https://www.cizucu.com/ko/cheval53 https://www.cizucu.com/ko/photos/SHbfsCIrDuA3WoDQKBlR Mon, 27 Jan 2025 22:16:38 GMT 2025-02-01T16:08:03+09:00 https://cdn.cizucu.com/images/photos/SHbfsCIrDuA3WoDQKBlR.jpg?auto=compress,format <![CDATA[錆びついた柵 #Fence #Rust #AKS #MNT #tokyo #cityscape #parking | つばさ製作所]]> https://www.cizucu.com/ko/photos/xsBIEGiyiRV569oGk1qk つばさ製作所 https://www.cizucu.com/ko/tsubasa_mfg https://www.cizucu.com/ko/photos/xsBIEGiyiRV569oGk1qk Thu, 20 Feb 2025 21:58:13 GMT 2025-02-22T14:04:55+09:00 https://cdn.cizucu.com/images/photos/xsBIEGiyiRV569oGk1qk.jpg?auto=compress,format <![CDATA[The best way to find out, if you can trust somebody is to trust them. | Yosuke0312]]> https://www.cizucu.com/ko/photos/y6Fs3YhbogYF38Bbv2PT Yosuke0312 https://www.cizucu.com/ko/Yosuke0312 https://www.cizucu.com/ko/photos/y6Fs3YhbogYF38Bbv2PT Sat, 22 Nov 2025 22:55:14 GMT 2025-11-22T22:55:14+09:00 https://cdn.cizucu.com/images/photos/y6Fs3YhbogYF38Bbv2PT.jpg?auto=compress,format <![CDATA[Title: Crush on ... | TanJourney]]> https://www.cizucu.com/ko/photos/h7jatnIGPghMQUmAm5jf TanJourney https://www.cizucu.com/ko/tanjourney https://www.cizucu.com/ko/photos/h7jatnIGPghMQUmAm5jf Sun, 12 Apr 2026 16:05:52 GMT 2026-04-12T16:05:52+09:00 https://cdn.cizucu.com/images/photos/h7jatnIGPghMQUmAm5jf.jpg?auto=compress,format <![CDATA[A massive cargo ship lies stranded on the quiet Tainan shore. The beach stretches empty under a muted sky, waves gently lapping at the hull, as if the world has forgotten this giant. Salted air mixes with the faint rust of metal, and in the stillness, the ship feels like a solitary monument, suspended between land and sea. | Lawrence Liou]]> https://www.cizucu.com/ko/photos/UnayETiolFkVNPJRdLUH Lawrence Liou https://www.cizucu.com/ko/momoliou https://www.cizucu.com/ko/photos/UnayETiolFkVNPJRdLUH Sat, 28 Mar 2026 21:23:56 GMT 2026-03-28T21:23:56+09:00 https://cdn.cizucu.com/images/photos/UnayETiolFkVNPJRdLUH.jpg?auto=compress,format <![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image. The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength. Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]> https://www.cizucu.com/ko/photos/l7VzRAizhwBNTQosF4N3 Liza Medvedeva https://www.cizucu.com/ko/users/izN8mAH1xrflfRBeXFE1dCE6BIw1 https://www.cizucu.com/ko/photos/l7VzRAizhwBNTQosF4N3 Sun, 15 Feb 2026 17:10:10 GMT 2026-02-15T17:10:10+09:00 https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/ko/photos/sVh1uqHQzy9Jq3sPjFco John Hupa https://www.cizucu.com/ko/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/ko/photos/sVh1uqHQzy9Jq3sPjFco Wed, 11 Feb 2026 12:29:25 GMT 2026-02-11T12:29:25+09:00 https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/ko/photos/cI8eCjEr7pTX08wnzCdu John Hupa https://www.cizucu.com/ko/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/ko/photos/cI8eCjEr7pTX08wnzCdu Wed, 11 Feb 2026 12:30:12 GMT 2026-02-11T12:30:12+09:00 https://cdn.cizucu.com/images/photos/cI8eCjEr7pTX08wnzCdu.jpg?auto=compress,format <![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood. Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection. This photograph is one of the works in the ongoing project G-Book. G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR. From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft. G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。 我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。 G-Book —— 歲歲年年 自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。 這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]> https://www.cizucu.com/ko/photos/u6xSn3fkwJSSHC9JLUdV shotbyje9_3 https://www.cizucu.com/ko/users/hmqEmG8wfhU70SggnLFpm5U0eVy1 https://www.cizucu.com/ko/photos/u6xSn3fkwJSSHC9JLUdV Thu, 02 Oct 2025 13:37:24 GMT 2025-10-02T13:37:24+09:00 https://cdn.cizucu.com/images/photos/u6xSn3fkwJSSHC9JLUdV.jpg?auto=compress,format