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      <title>Blend의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드</title>
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      <description><![CDATA[cizucu에서 가장 뛰어난 고해상도 Blend 사진 5장을 찾아보세요. 모든 사진은 로열티 프리이며 무료로 다운로드 가능하며, 어떤 프로젝트에도 적합하고 저작권 표기가 필요 없습니다.]]></description>
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          <title><![CDATA[友人  #flend #fujifilm #fujfilmx10 | sho sato]]></title>
          <link>https://www.cizucu.com/ko/photos/pXwcgRfgpbohG6IuPixQ</link>
          <description><![CDATA[cizucu에서 sho sato님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>sho sato</name>
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          <pubDate>Wed, 23 Apr 2025 05:30:05 GMT</pubDate>
          <atom:updated>2025-04-23T05:30:28+09:00</atom:updated>
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            <media:title><![CDATA[友人  #flend #fujifilm #fujfilmx10 | sho sato]]></media:title>
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            <media:description><![CDATA[cizucu에서 sho sato님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Taken during a sunset in Sri Lanka, this image blends the fading light with handwritten traces from that moment, an attempt to hold onto something fleeting, where place and memory quietly overlap. | tiffany]]></title>
          <link>https://www.cizucu.com/ko/photos/yBGtHfObRxatszZkUjsq</link>
          <description><![CDATA[cizucu에서 tiffany님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>tiffany</name>
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          <pubDate>Sat, 04 Apr 2026 03:47:32 GMT</pubDate>
          <atom:updated>2026-04-04T03:47:32+09:00</atom:updated>
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            <media:title><![CDATA[Taken during a sunset in Sri Lanka, this image blends the fading light with handwritten traces from that moment, an attempt to hold onto something fleeting, where place and memory quietly overlap. | tiffany]]></media:title>
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            <media:description><![CDATA[cizucu에서 tiffany님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Three shadows stretch long across the warm gravel road, the late-summer sun turning a simple walk into something timeless. It was a day at the lake with Princess Ivy — the air soft, the trees standing tall, and love quietly holding our hands together. We were in that effortless space where happiness feels natural, where being in love blends seamlessly with the joy of being around a laughing child. Suspended between light and earth, our silhouettes tell the story: not of faces, but of feeling — a family moment carried gently by the golden hour. | R.J. Savoie]]></title>
          <link>https://www.cizucu.com/ko/photos/NUec0OXvq7COMIl2TDDZ</link>
          <description><![CDATA[cizucu에서 R.J. Savoie님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>R.J. Savoie</name>
            <uri>https://www.cizucu.com/ko/users/j6yiLuwhPhQc3xCu9wY1qJq54dH2</uri>
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          <pubDate>Fri, 13 Feb 2026 17:09:43 GMT</pubDate>
          <atom:updated>2026-02-13T17:09:43+09:00</atom:updated>
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            <media:title><![CDATA[Three shadows stretch long across the warm gravel road, the late-summer sun turning a simple walk into something timeless. It was a day at the lake with Princess Ivy — the air soft, the trees standing tall, and love quietly holding our hands together. We were in that effortless space where happiness feels natural, where being in love blends seamlessly with the joy of being around a laughing child. Suspended between light and earth, our silhouettes tell the story: not of faces, but of feeling — a family moment carried gently by the golden hour. | R.J. Savoie]]></media:title>
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            <media:description><![CDATA[cizucu에서 R.J. Savoie님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/ko/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[cizucu에서 Lucho Dávila님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/ko/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[cizucu에서 Lucho Dávila님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/ko/photos/bm1s4iqsLRZClLEvpQxw</link>
          <description><![CDATA[cizucu에서 Nishikantsnaps님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Nishikantsnaps</name>
            <uri>https://www.cizucu.com/ko/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2</uri>
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          <pubDate>Fri, 13 Mar 2026 13:43:41 GMT</pubDate>
          <atom:updated>2026-03-13T13:43:41+09:00</atom:updated>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
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            <media:description><![CDATA[cizucu에서 Nishikantsnaps님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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