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      <title>Traditionnel의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드</title>
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      <description><![CDATA[cizucu에서 가장 뛰어난 고해상도 Traditionnel 사진 21장을 찾아보세요. 모든 사진은 로열티 프리이며 무료로 다운로드 가능하며, 어떤 프로젝트에도 적합하고 저작권 표기가 필요 없습니다.]]></description>
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          <title><![CDATA[Letters from traditional | herohero228]]></title>
          <link>https://www.cizucu.com/ko/photos/KZrGSTXGA5Vp82W28MUd</link>
          <description><![CDATA[herohero228가 촬영한 고품질의 무료 손에 들린 두 권의 책에 서예와 도장이 보인다 사진을 cizucu에서 다운로드하세요.]]></description>
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          <pubDate>Sat, 01 Jun 2024 18:51:47 GMT</pubDate>
          <atom:updated>2024-06-02T17:21:08+09:00</atom:updated>
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            <media:description><![CDATA[herohero228가 촬영한 고품질의 무료 손에 들린 두 권의 책에 서예와 도장이 보인다 사진을 cizucu에서 다운로드하세요.]]></media:description>
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        <item>
          <title><![CDATA[#frame  日枝神社  #HIE #shrine #gate #NGC #CYD #tokyo #Traditional culture #japan | つばさ製作所]]></title>
          <link>https://www.cizucu.com/ko/photos/Yi33YiXlsYAkWjj7j01r</link>
          <description><![CDATA[つばさ製作所가 촬영한 고품질의 무료 전통 일본식 문과 배경에 신사가 보임 사진을 cizucu에서 다운로드하세요.]]></description>
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            <name>つばさ製作所</name>
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          <pubDate>Mon, 17 Feb 2025 21:17:25 GMT</pubDate>
          <atom:updated>2025-03-27T23:58:02+09:00</atom:updated>
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            <media:description><![CDATA[つばさ製作所가 촬영한 고품질의 무료 전통 일본식 문과 배경에 신사가 보임 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[Origami is a traditional Japanese art. You can play with just one sheet of paper.  Please come to Japan and experience Origami ! | bikkya]]></title>
          <link>https://www.cizucu.com/ko/photos/O4QKX14iBOci4WSaGvUW</link>
          <description><![CDATA[bikkya가 촬영한 고품질의 무료 어두운 배경에 떠 있는 빨간 종이학 사진을 cizucu에서 다운로드하세요.]]></description>
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            <name>bikkya</name>
            <uri>https://www.cizucu.com/ko/users/KqVuwDUWy6PnZGMNa3SYPgcd0Pi2</uri>
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          <pubDate>Sun, 26 May 2024 15:52:21 GMT</pubDate>
          <atom:updated>2025-03-27T23:52:37+09:00</atom:updated>
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            <media:description><![CDATA[bikkya가 촬영한 고품질의 무료 어두운 배경에 떠 있는 빨간 종이학 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[遠く離れる私に友人が贈ってくれた可愛いおひなさま。毎年飾ってお祝いするたびに一つ歳を重ねる。  ＃おひなさま ＃贈り物 ＃お祝い ＃誕生日 #hinamatsuri #hina-dolls #doll'sday #traditional #still-life #march #birthday | littlekiss photography]]></title>
          <link>https://www.cizucu.com/ko/photos/IH0uk22hjDZHA4DTF2is</link>
          <description><![CDATA[cizucu에서 littlekiss photography님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>littlekiss photography</name>
            <uri>https://www.cizucu.com/ko/users/QX8v0O7G4OctkDoy71O5UDQjxpq2</uri>
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          <pubDate>Thu, 28 Mar 2024 03:32:05 GMT</pubDate>
          <atom:updated>2024-11-20T04:51:39+09:00</atom:updated>
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            <media:description><![CDATA[cizucu에서 littlekiss photography님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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        <item>
          <title><![CDATA[Traditional juice vendor in Taiwan | Sullivan]]></title>
          <link>https://www.cizucu.com/ko/photos/LE8rlzssfDiVHDuom7yG</link>
          <description><![CDATA[cizucu에서 Sullivan님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Sullivan</name>
            <uri>https://www.cizucu.com/ko/users/w7jQow7RjxeYJJGaTlxyyHRKfXY2</uri>
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          <pubDate>Sun, 01 Feb 2026 14:55:44 GMT</pubDate>
          <atom:updated>2026-02-01T14:55:44+09:00</atom:updated>
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            <media:title><![CDATA[Traditional juice vendor in Taiwan | Sullivan]]></media:title>
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            <media:description><![CDATA[cizucu에서 Sullivan님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Portrait of a Kyudo practitioner wearing a traditional custom. | Edder Vargas]]></title>
          <link>https://www.cizucu.com/ko/photos/rTJmNWhyrxLxWGjXKY3v</link>
          <description><![CDATA[cizucu에서 Edder Vargas님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Edder Vargas</name>
            <uri>https://www.cizucu.com/ko/edder</uri>
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          <pubDate>Tue, 07 Apr 2026 12:16:25 GMT</pubDate>
          <atom:updated>2026-04-07T12:16:25+09:00</atom:updated>
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            <media:title><![CDATA[Portrait of a Kyudo practitioner wearing a traditional custom. | Edder Vargas]]></media:title>
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            <media:description><![CDATA[cizucu에서 Edder Vargas님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[早池峰神社例大祭 岳神楽 #日本　#伝統芸能　#神楽 #岩手県　#早池峰神楽  #japanese #culture #traditional | kodashimylife]]></title>
          <link>https://www.cizucu.com/ko/photos/GrnUjCzcv9RrQzyc4TlY</link>
          <description><![CDATA[cizucu에서 kodashimylife님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>kodashimylife</name>
            <uri>https://www.cizucu.com/ko/kodashima_11</uri>
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          <pubDate>Mon, 04 Aug 2025 17:01:09 GMT</pubDate>
          <atom:updated>2025-08-04T17:01:09+09:00</atom:updated>
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            <media:description><![CDATA[cizucu에서 kodashimylife님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[In the Altay Mountains of Xinjiang Uyghur Autonomous Region, a Kazakh man blows a sybyzgy (a traditional Kazakh wind instrument) on a frozen lake. | Rudy]]></title>
          <link>https://www.cizucu.com/ko/photos/MkSbvygLFumzK0CSRB4p</link>
          <description><![CDATA[cizucu에서 Rudy님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Rudy</name>
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          <pubDate>Tue, 10 Mar 2026 22:09:16 GMT</pubDate>
          <atom:updated>2026-03-10T22:09:16+09:00</atom:updated>
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            <media:description><![CDATA[cizucu에서 Rudy님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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        <item>
          <title><![CDATA[I took this photo in Wakhari pandharpur right after the Ringan Sohala was over. Even after walking for so many days, the Warkari still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></title>
          <link>https://www.cizucu.com/ko/photos/vOfOprNBcvhNFXsHILn6</link>
          <description><![CDATA[cizucu에서 msquare more님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>msquare more</name>
            <uri>https://www.cizucu.com/ko/users/8LGtWpKS5AUrfGB03etTTcj6NqV2</uri>
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          <pubDate>Fri, 13 Mar 2026 04:24:26 GMT</pubDate>
          <atom:updated>2026-03-13T04:24:26+09:00</atom:updated>
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            <media:title><![CDATA[I took this photo in Wakhari pandharpur right after the Ringan Sohala was over. Even after walking for so many days, the Warkari still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/vOfOprNBcvhNFXsHILn6.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/vOfOprNBcvhNFXsHILn6.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 msquare more님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]></title>
          <link>https://www.cizucu.com/ko/photos/ptgrWt5D0viXPBHMmuIv</link>
          <description><![CDATA[cizucu에서 shantanu sarwade님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>shantanu sarwade</name>
            <uri>https://www.cizucu.com/ko/users/z0yPobGDqLSJ9surYr8iKVCRybm2</uri>
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          <pubDate>Fri, 13 Mar 2026 01:38:35 GMT</pubDate>
          <atom:updated>2026-03-13T01:38:35+09:00</atom:updated>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ptgrWt5D0viXPBHMmuIv.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 shantanu sarwade님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[I took this photo in Wakhari right after the Ringan Sohala was over. Even after walking for so many days, the Warkaris still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></title>
          <link>https://www.cizucu.com/ko/photos/io77e6tUt3Nu20F4uxUV</link>
          <description><![CDATA[cizucu에서 msquare more님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>msquare more</name>
            <uri>https://www.cizucu.com/ko/users/8LGtWpKS5AUrfGB03etTTcj6NqV2</uri>
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          <pubDate>Fri, 13 Mar 2026 04:31:49 GMT</pubDate>
          <atom:updated>2026-03-13T04:31:49+09:00</atom:updated>
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            <media:title><![CDATA[I took this photo in Wakhari right after the Ringan Sohala was over. Even after walking for so many days, the Warkaris still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/io77e6tUt3Nu20F4uxUV.jpg?fm=jpg" type="image/jpeg" width="4128" height="5504" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/io77e6tUt3Nu20F4uxUV.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/io77e6tUt3Nu20F4uxUV.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[cizucu에서 msquare more님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/ko/photos/Ytnb12FBlbK88ss0n1aC</link>
          <description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 05 Mar 2026 03:55:29 GMT</pubDate>
          <atom:updated>2026-03-05T03:55:29+09:00</atom:updated>
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            <media:description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/ko/photos/Jnx8ZtJKhekws72e8Vrq</link>
          <description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 26 Feb 2026 19:22:02 GMT</pubDate>
          <atom:updated>2026-02-26T19:22:02+09:00</atom:updated>
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            <media:content url="https://cdn.cizucu.com/images/photos/Jnx8ZtJKhekws72e8Vrq.jpg?fm=jpg" type="image/jpeg" width="2719" height="3806" />
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            <media:description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/ko/photos/IemCQRfOA2gw9KrhLd3m</link>
          <description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 05 Mar 2026 03:14:04 GMT</pubDate>
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            <media:description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/ko/photos/BTPbTcVh6XvRHMAZaqsB</link>
          <description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Ek Cheeze Dikhau</name>
            <uri>https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3</uri>
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          <pubDate>Thu, 26 Feb 2026 18:25:42 GMT</pubDate>
          <atom:updated>2026-02-26T18:25:42+09:00</atom:updated>
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            <media:description><![CDATA[cizucu에서 Ek Cheeze Dikhau님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/ko/photos/FGecy4iXa0FxyLmFPs1x</link>
          <description><![CDATA[cizucu에서 Serene Teo님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Serene Teo</name>
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          <pubDate>Sun, 15 Mar 2026 16:26:26 GMT</pubDate>
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            <media:description><![CDATA[cizucu에서 Serene Teo님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/ko/photos/4ZXYEpJisBKlm4YA82Qu</link>
          <description><![CDATA[cizucu에서 Serene Teo님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Serene Teo</name>
            <uri>https://www.cizucu.com/ko/users/MS8bT7nahBOt8T9NcnwxpToVv9h1</uri>
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          <pubDate>Mon, 16 Mar 2026 23:54:50 GMT</pubDate>
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            <media:description><![CDATA[cizucu에서 Serene Teo님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/ko/photos/cLMlwd2zuriHaAa7UIXB</link>
          <description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
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            <media:description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/ko/photos/aCRdHvBtI6EE9pHD6Jud</link>
          <description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/ko/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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            <media:description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/ko/photos/RDduCIQ1jlKWBqn7gdBH</link>
          <description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
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            <media:description><![CDATA[cizucu에서 Arthur Liew님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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