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      <title>Tama의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드</title>
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      <description><![CDATA[cizucu에서 가장 뛰어난 고해상도 Tama 사진 5장을 찾아보세요. 모든 사진은 로열티 프리이며 무료로 다운로드 가능하며, 어떤 프로젝트에도 적합하고 저작권 표기가 필요 없습니다.]]></description>
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          <title><![CDATA[벽에 있는 그래피티 아트로 SAMA라는 단어가 두드러지게 표시되어 있다 | jamiho]]></title>
          <link>https://www.cizucu.com/ko/photos/Uj8Ule9FptbGHaDrNaOC</link>
          <description><![CDATA[jamiho가 촬영한 고품질의 무료 벽에 있는 그래피티 아트로 SAMA라는 단어가 두드러지게 표시되어 있다 사진을 cizucu에서 다운로드하세요.]]></description>
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            <name>jamiho</name>
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          <pubDate>Thu, 11 Jul 2024 15:09:00 GMT</pubDate>
          <atom:updated>2024-07-12T10:38:08+09:00</atom:updated>
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            <media:description><![CDATA[jamiho가 촬영한 고품질의 무료 벽에 있는 그래피티 아트로 SAMA라는 단어가 두드러지게 표시되어 있다 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[푸른 하늘 아래에 있는 높은 건물의 Yama Shin Shoji 간판 | ちゃーりー]]></title>
          <link>https://www.cizucu.com/ko/photos/IT6NXBWXf4bqJfJ8pkJ3</link>
          <description><![CDATA[ちゃーりー가 촬영한 고품질의 무료 푸른 하늘 아래에 있는 높은 건물의 Yama Shin Shoji 간판 사진을 cizucu에서 다운로드하세요.]]></description>
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            <name>ちゃーりー</name>
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          <pubDate>Thu, 06 Feb 2025 13:03:01 GMT</pubDate>
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            <media:description><![CDATA[ちゃーりー가 촬영한 고품질의 무료 푸른 하늘 아래에 있는 높은 건물의 Yama Shin Shoji 간판 사진을 cizucu에서 다운로드하세요.]]></media:description>
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          <title><![CDATA[#yoko hama | 松田翔太]]></title>
          <link>https://www.cizucu.com/ko/photos/ObjM1z9tguQrEt4Q9EKd</link>
          <description><![CDATA[cizucu에서 松田翔太님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>松田翔太</name>
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          <pubDate>Tue, 25 Feb 2025 01:17:33 GMT</pubDate>
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            <media:title><![CDATA[#yoko hama | 松田翔太]]></media:title>
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            <media:description><![CDATA[cizucu에서 松田翔太님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Tinchi Tamba Wetlands | S.Kenny]]></title>
          <link>https://www.cizucu.com/ko/photos/tkheeSvJJjb0FsvhZb8w</link>
          <description><![CDATA[cizucu에서 S.Kenny님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>S.Kenny</name>
            <uri>https://www.cizucu.com/ko/users/TIhsPXO8E6Y8zHloNvIAU7gc0bt2</uri>
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          <pubDate>Mon, 28 Jul 2025 13:38:43 GMT</pubDate>
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            <media:title><![CDATA[Tinchi Tamba Wetlands | S.Kenny]]></media:title>
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            <media:description><![CDATA[cizucu에서 S.Kenny님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/ko/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[cizucu에서 Lucho Dávila님의 멋진 작품을 더 많이 확인해보세요.]]></description>
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            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/ko/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[cizucu에서 Lucho Dávila님의 멋진 작품을 더 많이 확인해보세요.]]></media:description>
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