Roboter의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/Roboter ko 2026-04-23T17:46:07+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[<ReMaster>2024年に撮影した作品をRAWデータから再度現像し、いまの自分の色味にリマスタしながら1年を振り返る。 2024-07 夏になると、六本木ヒルズに青いタヌキがたくさんやってくる。後ろ姿がシュールです。 #blue #robot #RPG #RPGHLL #summer #event #cityscape | つばさ製作所]]> https://www.cizucu.com/ko/photos/i2ehLXZRgcwT9ZlspJhx つばさ製作所 https://www.cizucu.com/ko/tsubasa_mfg https://www.cizucu.com/ko/photos/i2ehLXZRgcwT9ZlspJhx Tue, 31 Dec 2024 16:20:19 GMT 2025-03-02T20:07:10+09:00 2024年に撮影した作品をRAWデータから再度現像し、いまの自分の色味にリマスタしながら1年を振り返る。 2024-07 夏になると、六本木ヒルズに青いタヌキがたくさんやってくる。後ろ姿がシュールです。 #blue #robot #RPG #RPGHLL #summer #event #cityscape | つばさ製作所]]> https://cdn.cizucu.com/images/photos/i2ehLXZRgcwT9ZlspJhx.jpg?auto=compress,format <![CDATA[#日の丸構図 ヒト型ロボットに見えた、解体現場の機械。 #AKS #TOKYO #cityscape #robot | つばさ製作所]]> https://www.cizucu.com/ko/photos/ZF3W3If4pMDzCbDFyPBo つばさ製作所 https://www.cizucu.com/ko/tsubasa_mfg https://www.cizucu.com/ko/photos/ZF3W3If4pMDzCbDFyPBo Fri, 13 Dec 2024 22:32:05 GMT 2024-12-14T09:13:00+09:00 https://cdn.cizucu.com/images/photos/ZF3W3If4pMDzCbDFyPBo.jpg?auto=compress,format <![CDATA[夏の楽しみの一つ ロブスターディナー #ロブスター #ディナー #シーフード #美味しい #カナダ #空腹 #飯テロ #夏 #夏の思い出 #lobster #dinner #seafood #canada #areyouhungry #summer #summerecho | littlekiss photography]]> https://www.cizucu.com/ko/photos/h8GGmrsPU84enopr6his littlekiss photography https://www.cizucu.com/ko/users/QX8v0O7G4OctkDoy71O5UDQjxpq2 https://www.cizucu.com/ko/photos/h8GGmrsPU84enopr6his Fri, 09 Aug 2024 15:43:47 GMT 2024-09-09T06:37:17+09:00 https://cdn.cizucu.com/images/photos/h8GGmrsPU84enopr6his.jpg?auto=compress,format <![CDATA[Thee Kuttichathan Theyyam, captured in Kozhikode, embodies the fiery spirit of the revered deity believed to be the mischievous yet protective child spirit of Lord Shiva and Goddess Parvati. Rooted in centuries old folklore, this ritual invokes Kuttichathan through vibrant costume, rhythmic chenda drum beats, dance, and sacred fire. The photograph is not just an image of a ritual, but a living story of Kerala’s cultural heritage, preserved in flame and motion, witnessed by the local community and visitors from different parts of the world who comes together in spirit of faith and culture. Performed by the very talented Nidheesh Peruvannan Sir. | Poulomi Das]]> https://www.cizucu.com/ko/photos/0ufaljTfbGbNMY5rPlRC Poulomi Das https://www.cizucu.com/ko/users/jn2H4skRTIQEknDvI1p3oRzn9AC2 https://www.cizucu.com/ko/photos/0ufaljTfbGbNMY5rPlRC Sat, 14 Mar 2026 22:35:46 GMT 2026-03-14T22:35:46+09:00 https://cdn.cizucu.com/images/photos/0ufaljTfbGbNMY5rPlRC.jpg?auto=compress,format <![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly. The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm. This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]> https://www.cizucu.com/ko/photos/wrp6m3nBJ201XnfheCWK Nishikantsnaps https://www.cizucu.com/ko/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2 https://www.cizucu.com/ko/photos/wrp6m3nBJ201XnfheCWK Fri, 13 Mar 2026 13:29:26 GMT 2026-03-13T13:29:26+09:00 https://cdn.cizucu.com/images/photos/wrp6m3nBJ201XnfheCWK.jpg?auto=compress,format <![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season. At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future. Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]> https://www.cizucu.com/ko/photos/pFQEsppBNxxk6rpAASrB Streetwala https://www.cizucu.com/ko/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82 https://www.cizucu.com/ko/photos/pFQEsppBNxxk6rpAASrB Wed, 25 Feb 2026 14:36:03 GMT 2026-02-25T14:36:03+09:00 https://cdn.cizucu.com/images/photos/pFQEsppBNxxk6rpAASrB.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/ko/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/ko/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/ko/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format