Dokumente의 사진 | 로열티 프리 이미지 및 고해상도 사진 다운로드 https://www.cizucu.com/ko/explore/photos/Dokumente ko 2026-04-10T19:35:26+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. ko https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[This was taken along the streets in Hoi An, Vietnam. It showcases a local artist painting. I found the sight interesting and took this picture to document it. | Keira Low]]> https://www.cizucu.com/ko/photos/40hWL7ymfnZ7etXhBVJU Keira Low https://www.cizucu.com/ko/kwiechaen https://www.cizucu.com/ko/photos/40hWL7ymfnZ7etXhBVJU Tue, 13 Jan 2026 23:33:41 GMT 2026-01-13T23:33:41+09:00 https://cdn.cizucu.com/images/photos/40hWL7ymfnZ7etXhBVJU.jpg?auto=compress,format <![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]> https://www.cizucu.com/ko/photos/OPN3NpM6QdtFUYQeC5SZ Sophie Harris-Taylor https://www.cizucu.com/ko/users/XvsKmfiv1WdGFcpzAAdftVuhqJl1 https://www.cizucu.com/ko/photos/OPN3NpM6QdtFUYQeC5SZ Sun, 05 Apr 2026 22:40:45 GMT 2026-04-05T22:40:45+09:00 https://cdn.cizucu.com/images/photos/OPN3NpM6QdtFUYQeC5SZ.jpg?auto=compress,format <![CDATA[This image is from a music video by FahProud. I had the opportunity to document both the photos and behind-the-scenes video during the shoot. Going back to shooting behind the scenes made me reflect on when I first started working as a photographer. I’ve always enjoyed capturing moments quietly, without anyone really noticing I’m there. I feel I do my best work when I have the freedom to observe and create, without the pressure of expectations. | michaelsirachuch]]> https://www.cizucu.com/ko/photos/wPDTNPZo39s5BEYDr2EV michaelsirachuch https://www.cizucu.com/ko/michaelsirachuch https://www.cizucu.com/ko/photos/wPDTNPZo39s5BEYDr2EV Fri, 10 Apr 2026 01:55:23 GMT 2026-04-10T01:55:23+09:00 https://cdn.cizucu.com/images/photos/wPDTNPZo39s5BEYDr2EV.jpg?auto=compress,format <![CDATA[Title: The Moment In Between. It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence. These images are not about where people are going. They are about where they pause. | Chawin Terk]]> https://www.cizucu.com/ko/photos/trC4T1git609KqNYjLla Chawin Terk https://www.cizucu.com/ko/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3 https://www.cizucu.com/ko/photos/trC4T1git609KqNYjLla Mon, 02 Feb 2026 18:05:46 GMT 2026-02-02T18:05:46+09:00 https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?auto=compress,format <![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]> https://www.cizucu.com/ko/photos/V5JHBW1HDaXNSD8IsPHt Saikiran Kesari https://www.cizucu.com/ko/users/7yxwA3chDThYdBy723P8VLpXbGP2 https://www.cizucu.com/ko/photos/V5JHBW1HDaXNSD8IsPHt Sun, 15 Mar 2026 19:21:10 GMT 2026-03-15T19:21:10+09:00 https://cdn.cizucu.com/images/photos/V5JHBW1HDaXNSD8IsPHt.jpg?auto=compress,format <![CDATA[This is a picture I took back in 2018 in Italy, while travelling to the seaside with my friends for a longboard trip. It is an important memory as it was a moment in my photography where I started to be more conscious of what I wanted to photograph and in which way, how to frame my subject and what elements to incorporate. A key photograph in my journey. Was also a moment where I was able to be fully integrated in a community that allowed me to practice a sport I loved and to document it from the inside. | Ermanno Fissore]]> https://www.cizucu.com/ko/photos/iWgKlpZUetvE4lAHwxZF Ermanno Fissore https://www.cizucu.com/ko/users/6qIp7b5rUThHDg8BaM6lWYh75kj2 https://www.cizucu.com/ko/photos/iWgKlpZUetvE4lAHwxZF Mon, 30 Mar 2026 07:27:25 GMT 2026-03-30T07:27:25+09:00 https://cdn.cizucu.com/images/photos/iWgKlpZUetvE4lAHwxZF.jpg?auto=compress,format <![CDATA[The Last Interred I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]> https://www.cizucu.com/ko/photos/p4nmJi7ozAJ0V0pp0po0 Kitty Chirapongse https://www.cizucu.com/ko/users/6NcUAX3SVjaeZ4F1gQC9SxNeuKs2 https://www.cizucu.com/ko/photos/p4nmJi7ozAJ0V0pp0po0 Mon, 06 Apr 2026 13:35:44 GMT 2026-04-06T13:35:44+09:00 https://cdn.cizucu.com/images/photos/p4nmJi7ozAJ0V0pp0po0.jpg?auto=compress,format <![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married. In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married. And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion. Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day. The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation. Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion. With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]> https://www.cizucu.com/ko/photos/HYQtjMa45dQlz5PrPH13 Tristan Tan https://www.cizucu.com/ko/users/sveWBa5Xithgvc2oZ0zUbvnYPKn2 https://www.cizucu.com/ko/photos/HYQtjMa45dQlz5PrPH13 Sat, 21 Feb 2026 04:20:42 GMT 2026-02-21T04:20:42+09:00 https://cdn.cizucu.com/images/photos/HYQtjMa45dQlz5PrPH13.jpg?auto=compress,format <![CDATA[Title: Dream Job They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar. Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]> https://www.cizucu.com/ko/photos/TZwAqaxggJkW3ZVK8vLW Bhavik Solanki https://www.cizucu.com/ko/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63 https://www.cizucu.com/ko/photos/TZwAqaxggJkW3ZVK8vLW Sat, 14 Mar 2026 11:37:09 GMT 2026-03-14T11:37:09+09:00 https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/ko/photos/Ytnb12FBlbK88ss0n1aC Ek Cheeze Dikhau https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/ko/photos/Ytnb12FBlbK88ss0n1aC Thu, 05 Mar 2026 03:55:29 GMT 2026-03-05T03:55:29+09:00 https://cdn.cizucu.com/images/photos/Ytnb12FBlbK88ss0n1aC.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/ko/photos/Jnx8ZtJKhekws72e8Vrq Ek Cheeze Dikhau https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/ko/photos/Jnx8ZtJKhekws72e8Vrq Thu, 26 Feb 2026 19:22:02 GMT 2026-02-26T19:22:02+09:00 https://cdn.cizucu.com/images/photos/Jnx8ZtJKhekws72e8Vrq.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/ko/photos/IemCQRfOA2gw9KrhLd3m Ek Cheeze Dikhau https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/ko/photos/IemCQRfOA2gw9KrhLd3m Thu, 05 Mar 2026 03:14:04 GMT 2026-03-05T03:14:04+09:00 https://cdn.cizucu.com/images/photos/IemCQRfOA2gw9KrhLd3m.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/ko/photos/BTPbTcVh6XvRHMAZaqsB Ek Cheeze Dikhau https://www.cizucu.com/ko/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/ko/photos/BTPbTcVh6XvRHMAZaqsB Thu, 26 Feb 2026 18:25:42 GMT 2026-02-26T18:25:42+09:00 https://cdn.cizucu.com/images/photos/BTPbTcVh6XvRHMAZaqsB.jpg?auto=compress,format <![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season. At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future. Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]> https://www.cizucu.com/ko/photos/pFQEsppBNxxk6rpAASrB Streetwala https://www.cizucu.com/ko/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82 https://www.cizucu.com/ko/photos/pFQEsppBNxxk6rpAASrB Wed, 25 Feb 2026 14:36:03 GMT 2026-02-25T14:36:03+09:00 https://cdn.cizucu.com/images/photos/pFQEsppBNxxk6rpAASrB.jpg?auto=compress,format <![CDATA[Living in Happyland In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in. I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere. As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances. This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]> https://www.cizucu.com/ko/photos/5rLps4AdmWu1rEHn4sQW Victor Tan KH https://www.cizucu.com/ko/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2 https://www.cizucu.com/ko/photos/5rLps4AdmWu1rEHn4sQW Sun, 18 Jan 2026 21:43:45 GMT 2026-01-18T21:43:45+09:00 https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format <![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words. Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come. The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life. Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]> https://www.cizucu.com/ko/photos/SaattyEITUWZ19MyOfcT Shetty Karthik https://www.cizucu.com/ko/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232 https://www.cizucu.com/ko/photos/SaattyEITUWZ19MyOfcT Tue, 24 Feb 2026 18:17:48 GMT 2026-02-24T18:17:48+09:00 https://cdn.cizucu.com/images/photos/SaattyEITUWZ19MyOfcT.jpg?auto=compress,format